89 of 89 people found the following review helpful:
5.0 out of 5 stars
A Place Of Execution, August 26, 2000
This is by far the best novel I've read all year! Not only does it
possess an intriguing and tightly paced plot, but it also boasts of a
prose style and language that will be appreciated by readers
everywhere.
The mystery takes place in the early 1960s in the small
close-knit northern village of Scardale-- a community that appears to
be cut off from the modern world. A young 13 year old girl, Alison
Carter, has gone missing. The back drop to this is the disappearance
of two other children from other northern towns. Tensions mount as
the police try to figure out if there is some kind of link between the
three cases, and if there is a mad man at work; or if Alison's
disappearance is a one off and the work of someone closer to home and
equally sinister. DCI George Bennett, who heads the
search/investigation for the missing girl, realises that he's not only
facing a time constraint to finding her alive but also the insular
distrusting attitude of the villagers, who may because of their
suspicious natures be hindering the investigation.
The book is
divided into two parts. The first section deals with the police
investigation of Alison's disappearance; and later as they begin to
doubt ever finding her alive, the search for her killer. We also get a
look at how the police put their case together for the Crown, and the
trial. The second part of the book takes place in the late 1990s when,
a reporter, Catherine Heathcote, decides to write a book about
Alison.
I was totally engrossed with this book. Cooking and eating
dinner took a definite backseat as I delved into the twists and turns
of the novel. And there was a plot twist unlike anything I've ever
read before. I really enjoyed this book immensely and recommend it
highly to anyone to enjoys mysteries. Sadly, novels of this caliber do
not come often enough. This is a definite gem, and worthy of the five
star rating.
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49 of 50 people found the following review helpful:
5.0 out of 5 stars
Sure about turning off the light?, September 15, 2000
I think one good measure of a mystery is how early in the book you can make an educated guess about what the truth is. If the solution is apparent too soon, bad mystery, the farther into the book you have to travel, can indicate just how clever the writing has been. Wild guesses don't count.
This is the first book I have read by Ms. Val Mcdermid, I will be backtracking to her earlier work, and whatever comes next is an automatic purchase. This lady writes an amazing story. Even though the book runs to 404 pages, you will be in a select group if the riddles are solved much before the last several dozen pages. And if it is the last dozen, don't worry, this Authoress is that good at not showing her hand, her complete hand until the very end.
The book is set in a contemporary time frame, but the isolated nature of where the story unfolds makes the reader feel as though it's the 19th and not the 20th Century. Ms. Mcdermid also plays with what may or may not actually be true. From the very beginning, even prior to the start of the story, the reader is getting set up, or perhaps misdirected, for the Author's voice and the voice of the Author in the tale share a line that is indistinct at best. I thought it very clever, and it added an interesting element that stayed at the back of my mind throughout the work.
I finished the book on a very stormy night, which could have been taken directly from the book. The storm had driven my 8-year-old son into the room. When I finished, Ms. Mcdermid had succeeded in scaring the blazes from me. I suggested my son might want to keep the light on for a bit. To my disappointment he said no.
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37 of 37 people found the following review helpful:
5.0 out of 5 stars
Much more than a police procedural, August 17, 2000
In modern British fiction writing much of the interesting work (engaging with social issues, politics, and class) is found with genre writers. As some novelists retreat into an insular examination of the lives and loves of writers (and other creative types), genre writers - in dealing with the underside of humanity - can examine the big questions. At the vanguard of modern British crime writing are the likes of Ruth Rendell, Denise Mina, John Harvey, Michael Dibdin, and the writer of the book under review, Val McDermid.
McDermid is an interesting writer. Her previous books have included a PI series, and pyschological thrillers that geuninely shock (such as The Mermaids Singing). This book, A Place of Execution, is something of a departure.
It falls readily into two principal parts. The first section comprises a police procedural. It is set at the time of the notorious Moors Murders in 1963 (what is it with British writers and 1963? John Lawton's A Little White Death and Reginald Hill's Recalled to Life, also use the year as a starting point). The Moors Murders were child killings that horrified British society and still have an effect today. As the novel opens a child goes missing in a small isolated village. The child is the step daughter of the local squire. A new police inspector is involved, and this first section follows his investigation. It is written in the third person, but the chief protagonist is the inspector and we follow his attempts to win the trust of the small community, and the police politics that is played out in the background. One does not wish to give too much away about the investigation, as there are a number of twists throughout this section. But the section concludes with a trial at which the inspector's own character and motivation is questioned.
McDermid excels at the portrayal of the effect of the loss of a child on a family and on a community. Also convincing are the relationships McDermid draws. The developing friendship between the investigating police sergeant, and the recently graduated inspector; the close relationship between the inspector and his wife (a peripheral character in the novel, but a convincing anchor of stability in his personal life); and the manner in which he wins the trust of local people. There are some grotesque local characters created; but coming from a small locality myself these characters are not out of place, and are only symptomatic of a general approach to non-locals. The class distinction between the squire and the villagers is also acutely observed.
If the novel were to stop at the conclusion of the trial there would be a highly satisfying genre procedural.
However, it is with an audacious second half that McDermid excels. It transpires that the first half is a memoir written by a journalist. The inspector then tries to block publication.
In this section we follow the professional writer researching, gathering information, and examining an incident from over thirty years before. Many of the characters in the first half are revisited, older, and with prejudices reinforced, or challenged by their own experiences.
Character development is wonderful , and the investigation becomes a gripping thriller.
In this section McDermid turns all that you have accepted in the first half on its head.
This is an excellent novel. Its characterisation is, without exception, of the highest quality; and it is strongly plotted. Its sole flaw, to my mind, is the conclusion. It is bold, but not wholly convincing. However, for me, its merits outweigh this. This is compelling, and looks at the extremes of love and loss. I cannot recommend it highly enough.
If you enjoy this book I would suggest you try On Beulah Height by Reginald Hill, which has similar virtues, and is as well written.
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