Customer Reviews

Placido Domingo: Songs of Love

5 star:		(3)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(2)

 

 

We teach voice improvement for singing and speaking so it is heart warming to be able to use such an incredible master to sing along with
in our mother language of English.
Michael White, Director, The Optimal Breathing Institute

Placido Domingo is a legend and this CD only prooves that he is not only a legend in the field of Opera but as well as popular music (Crosover). Excellent interpretation. I love it.

CD delived promptly and timely. Very pleased to add this to my Domingo collection.

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving, once again, bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so pittifully sad. The lasting Domingo tradition was documented on recordings many years ago and "Songs of Love" represents all that's left for him to do in the studio. Like so many before him, he's simply following an all too familiar path in his declining artistic years. Those in the know are always amazed but never surprised.

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so sad. The great Domingo "tradition" is more than well documneted in so many previous wonderful recordings and this CD clearly demonstrates he has little left to do in the studio except discredit himself. But he's is only following the same path so many before have traveled in their declining years. And as usual, those in the know are amazed but never surprised.