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58 of 70 people found the following review helpful:
3.0 out of 5 stars
Plagued by Short Stories, May 8, 2008
This review is from: The Plague of Doves: A Novel (Hardcover)
This is my first novel by this author, and it will probably win a major award this year. That being said, I was glad when, for some unknown reason, I turned to the end of the book halfway through and noticed in the acknowledgements that it had originally appeared as short stories in various periodicals. That explained to me the disjointed nature of the narrative, and I was somewhat relieved at my bewilderment.
"When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape." (p. 268) The story must have a shape, and this one falls short. It reads like the short stories that it was. I would argue that it is individual stories of individual characters - albeit well-written stories - with no real plot.
A family tree on the inside cover would have helped too. Ms. Erdrich may have lived with her characters for years, but I hadn't, and as another reviewer wrote, it was easy to forget who was related to whom.
Nevertheless, I give it 3 stars for the some of the more interesting short stories and characters.
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42 of 50 people found the following review helpful:
5.0 out of 5 stars
"Nothing that happens, nothing, is not connected here by blood.", May 5, 2008
This review is from: The Plague of Doves: A Novel (Hardcover)
When Seraph Milk, known as Mooshum to his young granddaughter Evelina, haltingly tells her about a brutal 1911 crime in which he was involved, he reveals the underlying horrors which unite and divide all the families she knows. Mooshum was one of four Ojibwe Indians from Pluto, North Dakota, who were captured and strung up for the gruesome murder of the Lochrens, a white family. Only Mooshum, among the Indians captured in the area immediately after the murders, miraculously survived the vigilante hangings, and while, ironically, only an infant daughter of the Lochrens, overlooked by the murderer or murderers, survived the massacre.
The murder and lynching reverberate through the relationships within both the Indian and white communities over almost one hundred years. Erdrich is at her best here, telling overlapping family stories--horrifying, loving, hilarious, mystical, passionate, lyrical, and thoughtful--as she reveals life in the Native American and white communities from multiple points of view, across time. As the characters evolve, Erdrich reveals her major theme--the diminishing hold the distant past has on successive generations as each generation creates and feeds on its own past. The influx of white residents to Pluto, numerous intermarriages, and the influence of Christian priests, among other effects, all reduce the emphasis on shared Native American values.
Filling her novel with vibrant characters who reveal their lives and stories--and often cast new light on old stories--Erdrich creates a kaleidoscope of swirling images and moods, filled with irony. The drama of the murder and hangings shares time and space with hilarious scenes in which Mooshum and his unregenerate friends taunt the local priest. Ironically, other members of his family consider becoming priests. Evelina, the third generation, looks for answers, not in religion, but in psychology and love. Another young man Evelina's age becomes an evangelical preacher with a large commune and a snake-handling wife. Though the past and tradition exert their influence, they become less important to subsequent generations, who look toward the future, and by the end of the novel, "the dead of Pluto now outnumber the living."
Though some of Erdrich's character sketches and stories end rather abruptly, perhaps that, too, is part of the thematic structure--in real life such stories also end abruptly, as times and people change. With a far greater emphasis on characters and their stories than we have seen in Erdrich's most recent, more plot-based novels, and with a grand canopy of theme overarching all, this novel is a triumph--big, broad, thoughtful, and ultimately, important. n Mary Whipple
The Painted Drum: A Novel (P.S.)
The Master Butchers Singing Club (P.S.)
The Last Report on the Miracles at Little No Horse: A Novel
The Beet Queen: A Novel (P.S.)
The Porcupine Year
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Many Sparks, But Little Flame, November 3, 2009
I'll admit that I was disappointed with The Plague of Doves. I've read a little of Erdrich's work in the past, and this novel had certainly drawn some praise. It has its moments. You see many instances in the book of Erdrich's genius, but it doesn't add up, somehow, into a full novel for me. The whole thing just didn't quite live up to expectations.
The novel feels a little more like a collection of stories than like a novel, though the characters are all related to one another in some way. Some of these stories are wonderful. The most living sections of the book are those that possess a folkloric quality and have to do with the older members of the novel's community, Mooshun and Shamengwa. Mooshun, now a grandfather, is sort of a trickster figure at moments (his pranks on the Catholic priest are the funniest and most entertaining parts of the book), and his storytelling is the key thread to tie the novel together. Years ago, he was the only survivor among a party of Obijwe hung for the murder of a white family (they were, of course, innocent). That story, and the mysteries that surround it, is gradually told throughout the novel, with information added by multiple characters, and most of the characters are shaped in some way by the tragedy. Shamengwa, Mooshun's brother, provides a sort of spiritual center to the novel, as he plays music from his violin that gives voice to sorrows that truths that transcend words.
Other stories within the book, however, do not seem to fit with these. Particularly, the middle section tells the story of Billy Peace and his family as he founds a cult and as his family tries to survive his increasing sadism. That middle section is much more violent and grotesque than the rest of the book and seems, in terms of plot, tone, and theme, to be very disconnected from the other stories. Some stories, such as Evelina's, are fine in and of themselves but seem to stifle the development of the other trains of thought in the book.
I guess that's my main issue with the book, which may not be an issue for others. Once I finished the book, I found myself thinking that it was like a puzzle with many pieces which don't fit together. No thought or impression or image is brought to completion. It was difficult for me not to contrast The Plague of Doves with the last book I read, Jhumpa Lahiri's story collection Unaccustomed Earth, in which many separate stories do seem to work in harmony with one another. The Plague of Doves contains many great moments. It's certainly a readable and often enjoyable book. But its disparate parts fail to work together to create something entirely memorable.
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