Amazon.com: The Plainsman [VHS]: Gary Cooper, Jean Arthur, James Ellison, Charles Bickford, Helen Burgess, Porter Hall, Paul Harvey, Victor Varconi, John Miljan, Frank McGlynn Sr., Granville Bates, Frank Albertson, Cecil B. DeMille, Courtney Ryley Cooper, Frank J. Wilstach, Grover Jones, Harold Lamb, Jeanie Macpherson, Lynn Riggs, Waldemar Young: Movies & TV

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The Plainsman [VHS]
 
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The Plainsman [VHS] (1936)

Gary Cooper , Jean Arthur , Cecil B. DeMille  |  NR |  VHS Tape
4.1 out of 5 stars  See all reviews (21 customer reviews)

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Product Details

  • Actors: Gary Cooper, Jean Arthur, James Ellison, Charles Bickford, Helen Burgess
  • Directors: Cecil B. DeMille
  • Writers: Courtney Ryley Cooper, Frank J. Wilstach, Grover Jones, Harold Lamb, Jeanie Macpherson
  • Format: Black & White, NTSC
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Universal Studios
  • VHS Release Date: March 1, 1992
  • Run Time: 113 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (21 customer reviews)
  • ASIN: 6300185893
  • Amazon Best Sellers Rank: #276,687 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Just maybe the most shamelessly enjoyable of Cecil B. DeMille's pseudo-historical epics, this rumbustious frontier saga offers a three-for-one Western legends combo--Wild Bill Hickok, Buffalo Bill Cody, and Calamity Jane, all cutting up in the 1870s, with George Armstrong Custer and Abraham Lincoln thrown in for good measure. (Wait a minute, Lincoln was assassinated in 1865--oh, never mind.) Truth to tell, Buffalo Bill doesn't really pull his weight, since (1) he is hopelessly distracted by virtue of having recently married and (2) he's played by James Ellison, an eternal juvenile normally relegated to second-banana duty in Paramount's Hopalong Cassidy series. However, Gary Cooper's Wild Bill and Jean Arthur's Calamity supply enough star power to light up the Dakotas and parts of Missouri.

Every once in a while, DeMille and his small army of writers stumble upon an actual historical fact. Bill Cody did fight to the death with an Indian chief named Yellow Hand. George Custer and James Butler Hickok did both buy the farm in the summer of 1876. (Custer's Last Stand is handled imaginatively, if cheaply, as a vision narrated by a wandering Cheyenne warrior--none other than C.B.'s son-in-law Anthony Quinn in one of his earliest screen appearances.) Jack McCall (veteran weasel Porter Hall) did find himself in Deadwood, South Dakota, at the same time Wild Bill was drawing aces and eights in a poker game ... though McCall was not necessarily affiliated with DeMille's favorite villain, Charles Bickford, in the business of running guns to the Indians. --Richard T. Jameson


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Customer Reviews

21 Reviews
5 star:
 (7)
4 star:
 (10)
3 star:
 (4)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

20 of 20 people found the following review helpful:
5.0 out of 5 stars The West as it SHOULD have been!, June 27, 2000
By A Customer
This review is from: The Plainsman [VHS] (VHS Tape)
This epic western condenses "many years into an hourglass". In 1936 when it was made, it used available information & speculation, added a big dose of romance, & created a masterpiece. More recent research has rendered some of the plot devices obsolete, but for the lovers of great film, who cares? The friendship of Hickok & Cody was true enough, & the rest is good fun. Cooper & Arthur are superb, & the supporting cast is terrific. This is a must-see film for anyone.
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17 of 17 people found the following review helpful:
4.0 out of 5 stars Faux Historical Epic; Nevertheless Engaging Entertainment!, March 5, 2005
By 
Nix Pix (Windsor, Ontario, Canada) - See all my reviews
This review is from: The Plainsman (DVD)
"The Plainsman" represents the directorial prowess of Cecil B. DeMille at its most inaccurate and un-factual. It sets up parallel plots for no less stellar an entourage than Wild Bill Hickok (Gary Cooper), Buffalo Bill Cody (James Ellison), Calamity Jane (Jean Arthur), George Armstrong Custer and Abraham Lincoln to interact, even though in reality Lincoln was already dead at the time the story takes place. Every once in a while DeMille floats dangerously close toward the truth, but just as easily veers away from it into unabashed spectacle and showmanship. The film is an attempt to buttress Custer's last stand with a heap of fiction that is only loosely based on the lives of people, who were already the product of manufactured stuffs and legends.

TRANSFER: Considering the vintage of the film, this is a moderately appealing transfer, with often clean whites and extremely solid blacks. There's a considerable amount of film grain in some scenes and an absence of it at other moments. All in all, the image quality is therefore somewhat inconsistent, but it is never all bad or all good - just a bit better than middle of the road. Age related artifacts are kept to a minimum and digital anomalies do not distract. The audio is mono but nicely balanced.

EXTRAS: Forget it. It's Universal!

BOTTOM LINE: As pseudo-history painted on celluloid, this western is compelling and fun. Just take its characters and story with a grain of salt - in some cases - a whole box seems more appropriate!

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18 of 21 people found the following review helpful:
3.0 out of 5 stars FAUX HISTORICAL EPIC - FLASHY BUT INACCURATE, June 1, 2004
By 
Nix Pix (Windsor, Ontario, Canada) - See all my reviews
This review is from: The Plainsman (DVD)
"The Plainsman" represents the directorial prowess of Cecil B. DeMille at its most inaccurate and un-factual. It sets up parallel plots for no less stellar an entourage than Wild Bill Hickok (Gary Cooper), Buffalo Bill Cody (James Ellison), Calamity Jane (Jean Arthur), George Armstrong Custer and Abraham Lincoln to interact, even though in reality Lincoln was already dead at the time the story takes place. Every once in a while DeMille floats dangerously close toward the truth, but just as easily veers away from it into unabashed spectacle and showmanship. The film is an attempt to buttress Custer's last stand with a heap of fiction that is only loosely based on the lives of people, who were already the product of manufactured stuffs and legends.
TRANSFER: Considering the vintage of the film, this is a moderately appealing transfer, with often clean whites and extremely solid blacks. There's a considerable amount of film grain in some scenes and an absence of it at other moments. All in all, the image quality is therefore somewhat inconsistent, but it is never all bad or all good - just a bit better than middle of the road. Age related artifacts are kept to a minimum and digital anomalies do not distract. The audio is mono but nicely balanced.
EXTRAS: Forget it. It's Universal!
BOTTOM LINE: As pseudo-history painted on celluloid, this western is compelling and fun. Just take its characters and story with a grain of salt - in some cases - a whole box seems more appropriate!
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