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Every once in a while, DeMille and his small army of writers stumble upon an actual historical fact. Bill Cody did fight to the death with an Indian chief named Yellow Hand. George Custer and James Butler Hickok did both buy the farm in the summer of 1876. (Custer's Last Stand is handled imaginatively, if cheaply, as a vision narrated by a wandering Cheyenne warrior--none other than C.B.'s son-in-law Anthony Quinn in one of his earliest screen appearances.) Jack McCall (veteran weasel Porter Hall) did find himself in Deadwood, South Dakota, at the same time Wild Bill was drawing aces and eights in a poker game ... though McCall was not necessarily affiliated with DeMille's favorite villain, Charles Bickford, in the business of running guns to the Indians. --Richard T. Jameson
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Most Helpful Customer Reviews
20 of 20 people found the following review helpful:
5.0 out of 5 stars
The West as it SHOULD have been!,
By A Customer
This review is from: The Plainsman [VHS] (VHS Tape)
This epic western condenses "many years into an hourglass". In 1936 when it was made, it used available information & speculation, added a big dose of romance, & created a masterpiece. More recent research has rendered some of the plot devices obsolete, but for the lovers of great film, who cares? The friendship of Hickok & Cody was true enough, & the rest is good fun. Cooper & Arthur are superb, & the supporting cast is terrific. This is a must-see film for anyone.
17 of 17 people found the following review helpful:
4.0 out of 5 stars
Faux Historical Epic; Nevertheless Engaging Entertainment!,
By Nix Pix (Windsor, Ontario, Canada) - See all my reviews
This review is from: The Plainsman (DVD)
"The Plainsman" represents the directorial prowess of Cecil B. DeMille at its most inaccurate and un-factual. It sets up parallel plots for no less stellar an entourage than Wild Bill Hickok (Gary Cooper), Buffalo Bill Cody (James Ellison), Calamity Jane (Jean Arthur), George Armstrong Custer and Abraham Lincoln to interact, even though in reality Lincoln was already dead at the time the story takes place. Every once in a while DeMille floats dangerously close toward the truth, but just as easily veers away from it into unabashed spectacle and showmanship. The film is an attempt to buttress Custer's last stand with a heap of fiction that is only loosely based on the lives of people, who were already the product of manufactured stuffs and legends.TRANSFER: Considering the vintage of the film, this is a moderately appealing transfer, with often clean whites and extremely solid blacks. There's a considerable amount of film grain in some scenes and an absence of it at other moments. All in all, the image quality is therefore somewhat inconsistent, but it is never all bad or all good - just a bit better than middle of the road. Age related artifacts are kept to a minimum and digital anomalies do not distract. The audio is mono but nicely balanced. EXTRAS: Forget it. It's Universal! BOTTOM LINE: As pseudo-history painted on celluloid, this western is compelling and fun. Just take its characters and story with a grain of salt - in some cases - a whole box seems more appropriate!
18 of 21 people found the following review helpful:
3.0 out of 5 stars
FAUX HISTORICAL EPIC - FLASHY BUT INACCURATE,
By Nix Pix (Windsor, Ontario, Canada) - See all my reviews
This review is from: The Plainsman (DVD)
"The Plainsman" represents the directorial prowess of Cecil B. DeMille at its most inaccurate and un-factual. It sets up parallel plots for no less stellar an entourage than Wild Bill Hickok (Gary Cooper), Buffalo Bill Cody (James Ellison), Calamity Jane (Jean Arthur), George Armstrong Custer and Abraham Lincoln to interact, even though in reality Lincoln was already dead at the time the story takes place. Every once in a while DeMille floats dangerously close toward the truth, but just as easily veers away from it into unabashed spectacle and showmanship. The film is an attempt to buttress Custer's last stand with a heap of fiction that is only loosely based on the lives of people, who were already the product of manufactured stuffs and legends.TRANSFER: Considering the vintage of the film, this is a moderately appealing transfer, with often clean whites and extremely solid blacks. There's a considerable amount of film grain in some scenes and an absence of it at other moments. All in all, the image quality is therefore somewhat inconsistent, but it is never all bad or all good - just a bit better than middle of the road. Age related artifacts are kept to a minimum and digital anomalies do not distract. The audio is mono but nicely balanced. EXTRAS: Forget it. It's Universal! BOTTOM LINE: As pseudo-history painted on celluloid, this western is compelling and fun. Just take its characters and story with a grain of salt - in some cases - a whole box seems more appropriate!
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