-FROM THE CITATION FOR THE NATIONAL BOOK AWARD
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Holt, Colorado, is the kind of small town where everyone knows everyone's business before that business even happens. In a way, that's true of the book, too. There's not a lot of suspense here, plotwise; you can see each narrative twist and turn coming several miles down the pike. What Plainsong has instead is note-perfect dialogue, surrounded by prose that's straightforward yet rich in particulars: "a woman walking a white lapdog on a piece of ribbon," glimpsed from a car window; the boys' mother, her face "as pale as schoolhouse chalk"; the smells of hay and manure, the variations of prairie light. Even the novel's larger questions are sized to a domestic scale. Will Guthrie find love? Will Victoria run away with the father of her baby? Will the McPherons learn to hold a conversation? But in this case, the whole is greater than the sum of its parts, and Plainsong manages to capture nothing less than an entire world--fencing pliers, calf-pullers, and all. Kent Haruf has a gorgeous ear, and a knack for rendering the simple complex. --Mary Park --This text refers to the Hardcover edition.
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I did not fall in love with this novel until the hundredth page or so, and then I could not put it down. The narrative flows like a meandering river - steadily but without visible ripples on the surface - and so it takes time to become fully invested in Haruf's characters. Fortunately, the characterizations, fictional details and the quality of the prose are strong enough from the start to keep one reading. The rhythms of life in Holt and the honest, almost innocent, way its citizens face their trials give this novel a graceful elegiac quality.
PLAINSONG is a quiet character-driven novel that evokes small town life on the American Plains. I heartily recommend it to readers who like this kind of fiction.
Any number of books including murder mysteries are set in towns or villages. This is a refreshing book because the characters are real but not psychotic. They all have too much going on in their own lives to meddle with others or murder a neighbor. Haruf depicts the day to day struggle--to get out of bed, to get to work, to do your job, to find love. You come to care about his characters, particularly Maggie Jones the school teacher who brings people together. It is Maggie who understands the needs of the McPheron brothers, Vitoria Roubideaux, and Tom Guthrie. She isn't a do-good Mrs. Fix-it either, just a kindly person who cares enough to make a useful suggestion, lend a helping hand, or offer a word of encouragement. In the end, all the characters whose lives have been touched by Maggie's simple grace have formed a better life for themselves.
My only criticism of the book is that it lacks a sense of connectedness with the setting. The characterization is strong and the plot is straightforward, but I did not feel "present" in the story. I had the sense I was moving underwater and only vaguely comprehended my surroundings. It's the feeling I've had when coming out from under general anesthesia. I could not latch onto the story the same way I did with Jane Smiley's "Thousand Acres" where I could almost see and touch and smell the land.
I sent my 85-year old Aunt (retired school teacher and high school counselor who lives in rural Wisconsin) the audio version of the book and she thoroughly enjoyed it. She said it sounded "real" to her and Victoria reminded her of any number of girls she had known while she was teaching.