Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis (Hardcover)

by Michael Ward (Author)

Editorial Reviews

Review

"I cannot contain my admiration. No other book on Lewis has ever shown such comprehensive knowledge of his works and such depth of insight. This will make Michael Ward's name." --Walter Hooper, Literary Adviser to the Estate of C.S. Lewis
"Noting Michael Ward's claim that he has discovered "the secret imaginative key" to the Narnia books, the sensible reader responds by erecting a castle of scepticism. My own castle was gradually but utterly demolished as I read this thoughtful, scholarly, and vividly-written book. If Ward is wrong, his wrongness is cogent: it illuminates and delights. But I don't think he is wrong. And in revealing the role of the planets in the Chronicles, Ward also gives us the fullest understanding yet of just how deeply Lewis in his own fiction drew upon those medieval and renaissance writers he so loved." --Alan Jacobs, Professor of English, Wheaton College and author of The Narnian: The Life and Imagination of C.S. Lewis
"Michael Ward presents an absorbing, learned analysis of C.S. Lewis's bestselling and beloved series, The Chronicles of Narnia. Readily accessible to the average reader, Ward's book reads so much like a detective story that it's difficult to put down." --Armand M. Nicholi, Jr. M.D., Professor of Psychiatry, Harvard Medical School and author of The Question of God: C.S. Lewis and Sigmund Freud
"All who have enjoyed the The Chronicles of Narnia and indeed are interested in any aspect of Lewis's imaginative work should read Michael Ward's book. He argues convincingly for a hitherto unrecognized inner structure of the Chronicles, and gives excellent reasons for understanding why Lewis should have worked in such a mysterious way, his wonders to perform. Ward has an encyclopedic knowledge of Lewis's writings and uses it to support his theory that each of the seven volumes of the The Chronicles of Narnia is based on the classical, medieval and renaissance mythography of one of the then seven planets. Even those critics who dislike the Narnia books in principle because of their implicit Christianity must consider their planetary structure and its significance. Michael Ward has made an outstanding contribution to Lewis studies." --Derek Brewer, Emeritus Professor of English, University of Cambridge
"Planet Narnia is not simply one for the fans. Lewis had, and has, many enemies. This brilliant study may not persuade them that he was right, but it should convince them of his extraordinary subtlety." --The Independent
"I cannot contain my admiration. No other book on Lewis has ever shown such comprehensive knowledge of his works and such depth of insight. This will make Michael Ward's name." --Walter Hooper, Literary Adviser to the Estate of C.S. Lewis
"Noting Michael Ward's claim that he has discovered "the secret imaginative key" to the Narnia books, the sensible reader responds by erecting a castle of scepticism. My own castle was gradually but utterly demolished as I read this thoughtful, scholarly, and vividly-written book. If Ward is wrong, his wrongness is cogent: it illuminates and delights. But I don't think he is wrong. And in revealing the role of the planets in the Chronicles, Ward also gives us the fullest understanding yet of just how deeply Lewis in his own fiction drew upon those medieval and renaissance writers he so loved." --Alan Jacobs, Professor of English, Wheaton College and author of The Narnian: The Life and Imagination of C.S. Lewis
"Michael Ward presents an absorbing, learned analysis of C.S. Lewis's bestselling and beloved series, The Chronicles of Narnia. Readily accessible to the average reader, Ward's book reads so much like a detective story that it's difficult to put down." --Armand M. Nicholi, Jr. M.D., Professor of Psychiatry, Harvard Medical School and author of The Question of God: C.S. Lewis and Sigmund Freud
"All who have enjoyed the The Chronicles of Narnia and indeed are interested in any aspect of Lewis's imaginative work should read Michael Ward's book. He argues convincingly for a hitherto unrecognized inner structure of the Chronicles, and gives excellent reasons for understanding why Lewis should have worked in such a mysterious way, his wonders to perform. Ward has an encyclopedic knowledge of Lewis's writings and uses it to support his theory that each of the seven volumes of the The Chronicles of Narnia is based on the classical, medieval and renaissance mythography of one of the then seven planets. Even those critics who dislike the Narnia books in principle because of their implicit Christianity must consider their planetary structure and its significance. Michael Ward has made an outstanding contribution to Lewis studies." --Derek Brewer, Emeritus Professor of English, University of Cambridge
"Planet Narnia is not simply one for the fans. Lewis had, and has, many enemies. This brilliant study may not persuade them that he was right, but it should convince them of his extraordinary subtlety." --The Independent
"MIchael Ward's stunning work of scholarship has shone a celestial light on the Chronicles of Narnia, and it will undoubtedly send many old friends of Narnia back through the wardrobe to explore the land again with new eyes."
-Church of England Newspaper


Product Description
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.

Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.

Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

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Product Details

• Hardcover: 384 pages
• Publisher: Oxford University Press, USA (January 15, 2008)
• Language: English
• ISBN-10: 0195313879
• ISBN-13: 978-0195313871
• Product Dimensions: 9.2 x 6.1 x 1.4 inches
• Shipping Weight: 1.5 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars See all reviews (15 customer reviews)
• Amazon.com Sales Rank: #35,599 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

28 of 30 people found the following review helpful:

5.0 out of 5 stars Book Review: Planet Narnia, February 28, 2008

By	David M. Talbot (Washington, DC) - See all my reviews (REAL NAME)

Narnia lovers behold this book. Michael Ward's revelatory work is too edifying to ignore. For half a century we read (or had read to us) C.S. Lewis's magnificent Chronicles of Narnia. We love them because they captivate us.

The series has a mystery, however. Disparateness clouds the atmosphere; a lack of thorough artistry found in Lewis's other fiction. Lewis's mind is consistently meticulous and lucid, a chief trait of the medieval authors he taught professionally, and therein lies the secret.

More than allegory, yet nothing obviously more, Planet Narnia contends that Lewis made it so intentionally. Ward argues that each chronicle corresponds to one of the seven planets of medieval astrology. As a whole, they (the chronicles infused with the characteristic traits of the planets) create an atmosphere that is both honest to the human experience and consistent with the loveliness and sovereignty of Christ the Lord. The subtlety, an atmospheric quality, is consistent with Lewis's pneumatology, which maintains that unawareness of the Holy Spirit is a common condition in our human experience. Ward's case focuses on the peculiarities in The Chronicles, of which there are many, like the supposedly discordant appearance of St. Nicholas in The Lion, The Witch, and The Wardrobe. Suddenly they make sense - the jovial saint's laughter resonates like guilt forgiven.

Many critics mistook Lewis for slopping together a menagerie of characters and plots without a guiding principle, argues Ward. Rather, it seems that a combination of an allegorical element teetering the brink of believability and dissatisfaction, a well-known pejorative judgment by J.R.R. Tolkien, and Lewis's deliberate imaginative subtlety kept readers orbiting the astrological inner meaning without fully understanding that which pulled them.

Planet Narnia is and claims to be a scholarly work. It is formidable, but as a reader I was pleasantly surprised by how cogently the argument runs. The Chronicles of Narnia are, after all, no Ulysses or Shakespearean play: the story is easy and the prose style is perfectly clear for everyone to enjoy. A work of literary criticism on such a matter-of-fact story lives or dies by its success in drawing out the facts or else garbling the matter. Ward excels in the former. Furthermore, Ward has not fluffed a Procrustean bed. Every proper literary question such as those of occasion, composition, and reception is considered thoughtfully and convincingly. Narnia is not scathed like the Planet Narnia cynics I know feared. Planet Narnia opens our eyes to something we already sensed: the kingly robes that the series has worn all along.

Ward does not argue that The Chronicles of Narnia fail at spiritual edification unless you accept his conclusion. He affirms that Narnia animates our moral imaginations with the glories of landscape, adventure, and righteousness whether or not readers recognize what (or Who!) is acting on them. Planet Narnia is merely a vestibule between the shade of a purblind enjoyment and spiritual convalescence - a sort of enjoyment that draws you further in and higher up. Narnia is a spiritual place that ought to be discerned spiritually. Lewis might add: heavenly, for the heavens do the declaring.

30 of 34 people found the following review helpful:

4.0 out of 5 stars Planet Narnia leaves the launch pad with success, January 15, 2008

By	Sorina Higgins "Iambic Admonit" (Allentown, PA United States) - See all my reviews

I heard Dr. Ward speak back in the summer of 2006, and I was instantly both a fan and a skeptic. His theory about the reason for seven Chronicles of Narnia is fascinating, beautiful, and--so I thought--implausible. But since Dr. Ward was a very compelling speaker (and he's coming to speak at the school where I teach; see his tour schedule at www.planetnarnia.com ), I bought the book and am in chapter four at the moment. Wow! I'm more a fan than ever, and barely a skeptic. I've come to the conclusion (like Jim Como) that if Dr. Ward is wrong, it doesn't even matter, because his reading is completely lovely, plausible, useful, scholarly, thorough, and everything else a critic's reading can be. But it's more, too. It seems that he is inside of C. S. Lewis's head, thinking CSL's thoughts after him (if that's not sacrilegious!), quoting from all CSL's works as glibly and facilely as if he wrote them (or more; CSL was notoriously forgetful of his own writings, though of nobody else's), tying together disparate elements with ease and grace. His memory is prodigious, his scholarship impeccible, his writing clear and organized, his case lively and delightful. If Narnia needed any boost in popularity or any raising in the academic mind, here it is!

17 of 18 people found the following review helpful:

5.0 out of 5 stars Planet Narnia Exceeds High Hopes, February 25, 2008

By	C. Strecker (Hillsdale, MI) - See all my reviews (REAL NAME)

I have been anticipating reading Michael Ward's full treatment of his audacious thesis since I heard him lecture two years ago, and I must say that my expectations for Planet Narnia have been more than fulfilled. Not only does Ward present a staggering amount of evidence as proof that Lewis has "translated planets into plots" with his seven Narnia books, but he also presents his findings in a graceful and captivating style that one rarely finds in other literary criticism.

A great strength of the book is Ward's commanding grasp of all the works within Lewis' oeuvre. For young students of Lewis such as myself, Planet Narnia provides a taste of Lewis' less-often read essays, criticism, and poetry, as well as glimpses into the currents of thought that run through much of his work. Yet my favorite part of the book is Ward's assessment of the theological messages revealed in the planetary imagery. He succeeds in the same goal Lewis set out for himself in writing the Chronicles - to present the character of God to readers in reanimating and revelatory ways.

Planet Narnia presents so strong an explanation of the Chronicles that I find it hard to imagine anyone finishing the book unconvinced of Lewis' enduring genius, and Ward's remarkable achievement.