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Platform [Paperback]

Michel Houellebecq , Frank Wynne
3.8 out of 5 stars  See all reviews (57 customer reviews)

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Book Description

July 13, 2004
In his new work, Michel Houellebecq combines erotic provocation with a terrifying vision of a world teetering between satiety and fanaticism, to create one of the most shocking, hypnotic, and intelligent novels in years.

In his early forties, Michel Renault skims through his days with as little human contact as possible. But following his father’s death he takes a group holiday to Thailand where he meets a travel agent—the shyly compelling Valérie—who begins to bring this half-dead man to life with sex of escalating intensity and audacity. Arcing with dreamlike swiftness from Paris to Pattaya Beach and from sex clubs to a terrorist massacre, Platform is a brilliant, apocalyptic masterpiece by a man who is widely regarded as one of the world’s most original and daring writers.

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Platform + The Elementary Particles + The Possibility of an Island (Vintage International)
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Editorial Reviews

From Booklist

The controversial French author of The Elementary Particles (2000) turns in another unremittingly bleak novel. In addition to amplifying his views on the decadence of Western civilization, Houellebecq displays an absolutely chilling prescience in his depiction of a violent Muslim sect. Misanthropic, sexually frustrated bureaucrat Michel embarks on a "Thai Tropic" package tour, amusing himself with snide commentary on his fellow vacationers and frequent visits to sex clubs. Although he is attracted to business executive Valerie, he has trouble engaging her in small talk. However, when they return to Paris, their relationship quickly turns passionate as they explore sadomasochism and public sex. Michel talks Valerie and her business partner into marketing sex tours to the Third World, selling them on his theory that Westerners have lost touch with their own sexuality. But when they decide to sample one of their own tours, their resort becomes a flashpoint for Islamic hatred. Houellebecq is unrelenting as he meticulously constructs a world that mirrors his own cold vision and that cuts uncomfortably close to the bone. Joanne Wilkinson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review

“A terrific writer, funny and prophetic . . . feverishly alive to the world around him.” – The New York Times Book Review

“Calculated to poke, prod, engorge, enrage and amuse. . . . It’s dangerous in the way that literature is meant to be dangerous—that is, it awakens neglected sensibilities.”—The New York Observer

“Houellebecq’s writing has a raw, disquieting brilliance. . . .It’s ‘genius.’”—The Washington Post

“Brilliant, charming, puzzling, annoying and sometimes downright repulsive.” —The Denver Post

“Full, acidic, self-flagellating . . . [Platform has] earned Mr. Houellebecq the status of conversation piece, agent provocateur and savage messiah.” —The New York Times

“Remarkable . . . hilarious. . . . [Houellebecq] writes from the soul of a despairing, acutely lucid bureaucrat on Viagra.” —Los Angeles Times Book Review

“Scaldingly honest . . . [Platform] takes no prisoners as to prevailing terms of politically correct or any-other-way-correct discourse. . . . It frequently uses jarring juxtaposition to dislocate us from complacencies, received wisdoms or even moderate comfort. . . . The analysis is broad and extremely knowledgeable . . . [with] quirky and sometimes horrific observations on everything from ecology to airport gift shops to incest. . . . Bracing.” —St. Louis Post-Dispatch

“The most potentially weighty French novelist to emerge since Tournier. . . . The trajectory of Houellebecq’s world view will be worth following.” —The New Yorker

“An outstandingly powerful and relevant novel about sex, death, and Islam.” —Hanif Kureishi

“Astute, graceful, sexually preoccupied, occasionally alarming. . . . Eviscerat[es] the cultural moment.” —The Baltimore Sun

“The characters in Platform are detestable. . . . And the hatred [Michel] expresses . . . is loathsome. . . . But what is wrong with this? Why should literature not be as cruel as life itself? . . . This book offers us an ‘I’ we can relate to–hate, love, fear–without being pointedly obstructed by the author’s tormented cosmology. . . . Moving.” —San Francisco Chronicle

“Brilliant. . . . Reads like a shot. . . . The excitement of Platform is the force with which Houellebecq says the unsayable, his determination to cut through moral equivocation.” —Salon

“[A] dirty novel of ideas. . . . Houellebecq’s sex scenes are hot and bountiful.” —Entertainment Weekly

“An extraordinary blend of pornography, satire and diatribe . . . Houellebecq is an undeniably gifted writer–I found myself reading on, even when the impulse to throw the book across the room grew strong.” —Charles Matthews, San Jose Mercury News

“Odd, subversive entertainment.” —The Boston Globe

“What’s at stake is the desacralizing of sex, its final leap into the realm of pure commodity, the role of implacable consumption in cultural imperialism. . . . It’s not the kind of book you only read once.” —The Village Voice

“Cynical and anomic . . . literary and complex.” –The Atlantic Monthly

“Shockingly vile and shockingly banal, written with an ear toward pissing off just about everyone. . . . Houellebecq’s novel is tough to put down no matter how much you’d like to. . . . Like good porn it’s increasingly difficult to draw your eyes away as it oozes toward climax.” —Austin Chronicle

“A work of considerable imagination and wit. Even when the reader is most repelled, he may want to view the writer with grudging admiration. . . . [Michel Renault’s rants] are very funny, and . . . very true.” —The Sunday Star-Ledger (Newark, NJ)

Platform cuts precisely to the core of every imaginable big-picture problem facing the world. . . . Houellebecq knows how to get a rise out of his readers. . . . His prejudices are serious, and current.” —American Book Review

“Houellebecq writes with an honesty and an anomic conviction that raises his novels, beyond any single troubling moment, toward genius.” —Toronto Globe and Mail

“The most important book of the year–and perhaps of the century thus far. . . . Dazzling and prescient. . .Houellebecq [is] one of the finest novelists of ideas alive.” —Evening Standard (London)

“Brilliant. . .A thrilling read, close to Swift’s A Modest Proposal in its impact.” —Daily Telegraph (London)

“Extraordinarily good. . . Houellebecq is one of the few novelists working in any language who properly understands the tensions of the present age. He is also utterly fearless in articulating this.” —New Statesman

“Houellebecq writes with humor as sharp as a razor’s edge. There is bravery and even bravado in [his] prose. He alone among contemporary writers is prepared to do what the likes of Orwell and Huxley did and put up a mirror to our past and project its reflection on the future.” —Financial Times (London)


Product Details

  • Paperback: 272 pages
  • Publisher: Vintage; Reprint edition (July 13, 2004)
  • Language: English
  • ISBN-10: 1400030269
  • ISBN-13: 978-1400030262
  • Product Dimensions: 5.1 x 0.6 x 8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (57 customer reviews)
  • Amazon Best Sellers Rank: #161,177 in Books (See Top 100 in Books)

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Customer Reviews

I read this book nearly non-stop. Flippy  |  9 reviewers made a similar statement
Most Helpful Customer Reviews
19 of 22 people found the following review helpful
Format:Hardcover
A small conceit of the English translation of Michel Houellebecq's PLATFORM is that certain words and phrases the author originally used in English are boldfaced, presumably so that readers will know that they carried a sort of extra Anglo-Saxon punch in the original text. However, the boldfaced words also recall the talent of Frank Wynne, Houellebecq's translator. I mention these words because I otherwise might not have remembered that I was reading a translated text, so clearly and accurately has Wynne rendered the author's unmistakable, inimitable voice.

With that said, this is not a voice all readers will appreciate. Protagonist and first-person narrator Michel Renault lives a small, sour existence as a middle-aged, middle-management civil servant. His Paris contains no romance and less contentment, and so he travels --- but his coldly assessing eye hardly allows him to enjoy his journeys or his arrivals. Sex in a variety of forms preoccupies him, and it is through sexual experiences that he seems to at least feel alive. While the women on his tour mainly disgust him (the young and nubile he deems "sluts"; the older and more aware he derides in various ways), women whom he can pay for sex receive the small bits of appreciation he can muster.

Still, it is a fellow tour group member, Valérie, with whom Michel connects when back in Paris. Michel, whose barely restrained anger towards his recently dead father once prevented him from pairing off with anyone besides his own hand, finds Valérie's combination of submissive generosity and high-paying job as a tourism executive irresistible. Their relationship brings him so much contentment that his boss comments that he seems happy. Despite their calm domestic bliss, the pair (both of whom seem quite addicted to orgasm) soon finds themselves drawn to more and more extreme erotic adventures.

Most of the time, PLATFORM seems more like one for Houellebecq's extreme yet articulate views than it does a novel --- yet his frozen-eyed comments on capitalism, religion, and gender politics are uncomfortably close to the secret thoughts so many people have. When Michel and Valérie devise a plan to turn her company's tours into sex holidays, they return together to the Thailand where he once experienced the zipless pleasures of a remarkably sanitary sex worker...For a moment, it seems that everyone will be happy, even Valérie's dour boss, Jean-Yves (given his straitlaced viewpoint, Houellebecq seems to say that it's no wonder his wife moonlights as a dominatrix). But alas, an early discussion Michel has with his father's housekeeper-mistress, whose Muslim honor avenged resulted in Renault pére's murder, presages the tragic end of the resort community and Michel's brief personal paradise. That this paradise is based on Western woman's supposed boredom with the all-too-familiar sex-for-love equation and the purported eagerness of Eastern woman to trade sex for the simple things (groceries, reliability, good manners) makes Houellebecq's Utopia terribly disturbing --- and terribly thought-provoking.

--- Reviewed by Bethanne Kelly Patrick

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10 of 12 people found the following review helpful
5.0 out of 5 stars Houellebecq is one of the best writers living today September 26, 2004
Format:Hardcover
Platform is probably the best of Houellebecq's novels (the somewhat daft ending of 'Atomised' spoiled it for me). Houellebecq is one of the best writers living today. Next to his novels, most others just seem weak in comparison, beating around the bush, never really getting to grips with what we might call real life. Houllebecq tells it as it is; he does not mess about. He writes frankly about the things that really matter, the issues that really concern us, with acute and often brutal incisiveness. A common criticism of Houellebecq is that he digresses too much from the plot and frequently goes off on tangents, weaving philosophies and observations on life in general into the narrative. I would say that this is one of his greatest strengths. The beauty of novels is that this kind of digression is possible, whereas in a movie script, for example, it is not. It enriches the novel - it gives it depth. Anyone who has seen the film 'Whatever' as well as reading the book will know that as good as the film is, it could never have contained all the hilarious observations and incisive social commentary that the book does.
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7 of 8 people found the following review helpful
5.0 out of 5 stars Absolutely wacky. I couldn't put it down. January 3, 2005
By Simon
Format:Hardcover
This was one of most enjoyable books I have ever read, I plowed through it in just over a day last week; I simply couldn't put it down. Sitting on a flight reading Platform, I kept laughing out loud and interrupting my girlfriend, obliging her to read passages which were so good I just had to share them with someone. I'm not going to pretend to be able to shed too much light on the story's deeper meanings - if there are any - I would just say that Platform is a shocking and thoroughly entertaining look at the world through the eyes of a complete cynic and utter dead beat. Kind of like the movie Train Spotting, only without much of the feel-good factor. You probably won't enjoy this book if you are very sensitive or are easily prone to believing the worst about people and the world - if these are character traits of yours, this book will just depress you; better to leave it alone. Same thing if you're not comfortable with graphic sexual content. I will definitely be reading Mr. H's other books.
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Most Recent Customer Reviews
1.0 out of 5 stars A Huge Diappointment
After reading Houellebecq's fascinating the Map and the Territory I wanted to read more of his works. I found the the Platform, disappointing, predictable and uninteresting. Read more
Published 2 months ago by Thuringer
3.0 out of 5 stars A Platform for Male Fantasy - or a Critical Commentary on the West?
What to make of Michel Houellebecq? His books are freighted with deep significance, sex, comments upon society and western civilization, more sex, dismay, hope, and more sex. Read more
Published 6 months ago by W. Murray
4.0 out of 5 stars houellebecq throwing haymakers
This book suffers for its first-person perspective. Clearly we see that Houellebecq wishes to 'get into the heads' of his female foil and his supporting male, so we have some... Read more
Published 16 months ago by John J. Christy
5.0 out of 5 stars That's really cool!
That's really cool novel! One of the most poignant love story of our time. Paradoxal associations with "Foam of the Daze" - because the women he loves have died, Michel slowly... Read more
Published 20 months ago by Paulis Butlers
5.0 out of 5 stars Houellebecq's best, in my opinion
This book is simply amazing, and this particular edition does a great job of translating it. If you get irked by comprehensive descriptions of various sexual acts - this book may... Read more
Published on April 21, 2011 by VoraciousBuyer
4.0 out of 5 stars An examination of cynicism and desire
"Anything can happen in life, especially nothing."
This sums up Michel's Houllebecq's novel quite well. Read more
Published on February 14, 2011 by I. Baker
5.0 out of 5 stars Yes, it IS all about sex...
...And that's what makes it so great! Western culture has so comoditized and fetishized sex that the intimacy of the act has all but bled out (brilliantly illustrated in the... Read more
Published on January 14, 2011 by Trevor Kroger
1.0 out of 5 stars Platform
Since I'm not a French speaker, I can't tell if this is a crappy translation or a crappy book. The book is crappy, extremely crappy, that I can tell you. Read more
Published on November 12, 2010 by Paul D. Mallamo
5.0 out of 5 stars 21th Century De Sade
Perhaps Michel Houellebecq is the single most disturbing and important novelist of this age. Western civilization seen at it's most visceral, it's most damning, it's most necrotic. Read more
Published on October 25, 2009 by dead_hippasus
2.0 out of 5 stars Only a Frenchman Could Make Sex Dull Reading
If as some other reviewers have said that this looses a lot in translation, then why couldn't the publisher find a better translator? Read more
Published on September 26, 2009 by Grey Wolffe
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