This text challenges the long tradition which sees human play as the fount of creativity and origin of all civilization. The book traces the history of an alternative theory of play in Shakespeare, Nietzsche and Freud, where play is an end in itself - a cultivation of aesthetic forms which do nothing to disguise their artificiality and which are loved only for the fictions which they are. Nietzsche, the arch-philosopher of play, Freud, the theorizer of slips and jokes, and Shakespeare, master of the man-made illusions of the play world, are shown to anticipate the playful philosophy which has become a hallmark of postmodern times.
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"Catherine Bates's book is clever, persuasive, and consistently interesting." -- R. S. White, University of Western Australia, Notes and Queries
About the Author
Catherine Bates, a senior lecturer in the department of English and comparative literary studies at the University of Warwick, is the author of The Rhetoric of Courtship in Elizabethan Language and Literature and Sir Philip Sidney: Selected Poems.
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