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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A rich, passionate book that you will want to share., May 9, 1997
By A Customer
I purchased this book after reading an interview with Louise Redd in the Austin Chronicle. I finished the book within hours. I just couldn't put it down. I immediately called all my girlfriends and my sister and told them to go buy it. They all loved it just as much as I did. The characters are so complex and real. Readers are truly share their heartbreaks, internal conflicts, and moments of rejoicing. An absolutely fabulous book
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Loved it., June 21, 1998
By A Customer
This review is from: Playing the Bones (Paperback)
Like a literary spice cake hot from the oven, Louise Redd¹s brilliant first novel, Playing the Bones, is both sweet and pungent, lusciously rich, and comforting at its conclusion. Lacy Springs, a well-educated daughter of snobby Dallas society, teaches eighth-grade English in Houston. She is engaged to be married to kind and stable Ellis, but can¹t abandon her desire for sultry and volatile blues star, Black Jesus. When the Black Jesus passion demons come and get her, she feels the skin of her throat flush, and a knotting and unknotting between her hip bones. ³I feel something like industrial-strength cleaning fluid in my stomach when I think of his hands cradling his harmonica. I feel my naturally red hair perspiring a secret shine.² Lacy is daring, honest, clever, whimsical, amusing, and most of all completely genuine. As I read, I kept wanting to meet her. I wanted to pick up the phone and invite her over for a beer, or better yet, dinner. Confused and pondering her direction in love (should she marry Ellis?), and trying to overcome a childhood trauma (at age seven she was raped by her baby-sitter, plump and ugly Donny), Lacy seeks the advice of a wacko therapist, Eva, a grad student clad in Velcro-turban who is working on her PhD in psychology. The Eva chapters are replete with fascinating observations and non-clichéd, extraordinarily funny psycho babble. It is here in Eva¹s office that Lacy confesses items on her mind-list, those numbers all-spiced and tangy as cinnamon throughout the book: ³Number 17 on my list: I write a hit blues song and Ray Charles sings it at the Grammys . . .² ³Number 22 on my list: I want something to accidentally interfere with my wedding . . .² ³On my list of One Hundred Things I want Out of Life, hearing a certain man say Œhey my baby¹ is Number 2.² She refers, in wish-list Number 2, to Black Jesus. We learn, too, that Lacy is turned on by e.e. cummings, blues, Shakespeare, and men named after gods. Like the chapter titles which Redd no-nonsensely ! and meaningfully assembled, the reader will find Lacy Springs a no-excuse, take-responsibility, overtly honest-to-herself woman. She faces her obstacles and makes no apologies for her mistakes. Redd has crafted the recovery part of the book without all the sugary-sweet syrup one might expect to find in a recovery book, which this novel is only in part. Playing the Bones is a strong-as-steel novel with a strong-as-steel protagonist who admits she can¹t know all the answers. What could be more human?
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4 of 5 people found the following review helpful:
1.0 out of 5 stars
Broken Bones: All form, no substance, May 12, 1997
By A Customer
An obvious "workshop" product, this book has all the proper elements and no soul. The characters are one dimensional, the conflict stays on a superficial level, and the plot tries too hard to be hip. Even worse, the voice is thoroughly inauthentic. Some interesting issues are raised, but the characters can't seem to dig deeply into themselves to find genuine answers. Ultimately, I just didn't care what happened to them. The packaging - great cover and enticing dust jacket notes - are the best thing about this book. I can only assume the author coerced her friends into sending in the rest of the reviews on this page
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