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Playing with Fire (Alan Banks Series) [Mass Market Paperback]

Peter Robinson (Author)
4.1 out of 5 stars  See all reviews (35 customer reviews)

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Book Description

Alan Banks Series January 25, 2005

Fire—It consumes futures and pasts in a terrified heartbeat, devouring damning secrets while leaving even greater mysteries in the ashes.

The night sky is ablaze as flames engulf two barges moored side by side on an otherwise empty canal. On board are the blackened remains of two human beings. To the seasoned eye, this horror was no accident, the method so cruel and calculated that only the worst sort of fiend could have committed it. There are shocking secrets to be uncovered in the charred wreckage, grim evidence of lethal greed and twisted hunger, and of nightmare occurrences within the private confines of family. A terrible feeling is driving police inspector Alan Banks in his desperate hunt for answers—an unshakable fear that this killer's work will not be done until Banks's own world is burned to the ground.


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Editorial Reviews

Amazon.com Review

One of the principle pleasures to be found in reading any of Peter Robinson's more recent British suspense novels is to see how dexterously this author uses seemingly small, confined crimes to wedge open much larger troves of hidden or historical chicanery. In Playing with Fire, the plot catalyst is a blaze that consumes two rotting barges moored in a Yorkshire canal, killing their squatter inhabitants--Tina Aspern, a pretty, teenage heroin abuser, and Thomas McMahon, a once-promising but "derivative" landscape painter who'd fallen on hard times. Accident or arson? The best suspects, in either event, may be Tina’s cheating boyfriend, Mark Siddons, and a rumored peeping tom who'd taken his time--and more--reporting the conflagration. However, as Detective Chief Inspector Alan Banks and his colleague and ex-lover, Annie Cabbot (both last seen in Close to Home), gather together the disparate threads of this case, new questions arise, suggesting that the inferno was intended to cover up still worse misdeeds. Why, for instance, had McMahon been buying old books and prints from an Eastvale antiquarian dealer? Is it true, as an angry Siddons alleges, that Tina had turned to drugs in order to blot out the pain of her stepfather's carnal advances? And what tie, if any, is there between these boat burnings and the subsequent torching of a trailer home occupied by a "quiet bloke," who perished while in possession of an unknown and potentially valuable J.M.W. Turner watercolor?

As attentive as Robinson is to plot progression, spicing up his narrative with arcane knowledge about fire accelerants and competition in the painting biz ("The art world's brutal," Banks is warned early on in this story), he doesn't forget that a substantial part of the attraction of this series derives from its two evolving main characters. The contemplative, jazz-loving Banks, worried by the superficiality of his latest relationship, with a "wounded" fellow cop, finds himself increasingly jealous here of Annie's suave new boyfriend, an art researcher whose past may be short a few brushstrokes. At the same time, Annie is drawn hesitantly closer again to Banks by tragic circumstances. Although Robinson's subplot about Tina's sexual violation concludes in a rather B-movieish way, Playing with Fire is redeemed by its scorching climax and suggestively ragged denouement. Peter Robinson, together with Ian Rankin, Reginald Hill, and others, is reinvigorating the British police procedural. --J. Kingston Pierce --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Edgar winner Robinson's 14th police procedural to feature Yorkshire DCI Alan Banks isn't quite up to the level of last year's superlative Close to Home, but it's nonetheless an engaging pleasure. Three victims have died in two suspicious fires: Tom McMahon, an eccentric, mostly unsuccessful local artist; Tina Aspern, a young heroin addict estranged from an abusive stepfather; and Roland Gardiner, another down-and-out chap but one who just happens to have a fireproof safe containing a substantial amount of cash and what appears to be a Turner watercolor. To solve the crimes, Banks and his team-DI Annie Cabbot and the refreshingly direct DC Winsome Jackman-pursue good old-fashioned police work, interviewing witnesses, neighbors, relatives and lovers and sifting through the evidence gathered by their specialist colleagues. They also make ample use of contemporary forensic technology. In keeping with the moody and introspective Alan Banks, the narrative style is tempered and deliberate, perhaps too much so for those who prefer, say, the riveting urgency of a Michael Connelly thriller. Characterization is Robinson's real strength. Virtually every character is etched with care, precision and emotional insight. With each book, the quietly competent Alan Banks gets more and more human; like red wine, he gets better and more interesting with age.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 432 pages
  • Publisher: Avon; 1st Avon Bks Ppbk Print, Feb. 2005 edition (January 25, 2005)
  • Language: English
  • ISBN-10: 0061031100
  • ISBN-13: 978-0061031106
  • Product Dimensions: 6.8 x 4.2 x 1.2 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (35 customer reviews)
  • Amazon Best Sellers Rank: #555,520 in Books (See Top 100 in Books)

More About the Author

Peter Robinson's award-winning novels have been named a Best-Book-of-the-Year by Publishers Weekly, a Notable Book by the New York Times, and a Page-Turner-of-the-Week by People magazine. Robinson was born and raised in Yorkshire but has lived in North America for over twenty-five years. He now divides his time between North America and the U.K.

 

Customer Reviews

35 Reviews
5 star:
 (16)
4 star:
 (15)
3 star:    (0)
2 star:
 (1)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (35 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
5.0 out of 5 stars excellent book and addition to the series, January 22, 2004
Playing with Fire is that rare beast; a Peter Robinson novel that hasn't had its titled bashed about for North American markets which is rather refreshing. And, of course, considering that title, it is full of fire, destruction, conflagration (physical and emotional) as well a new burning power in the writing itself too, which makes the book possibly Robinson's strongest, most cunning plotted mystery yet, if perhaps not the most "meaningful" or innovative.

It begins, of course, with flame. In the wee hours of a cold January morning (the chill of the climate and atmosphere is a brilliantly effective contrast to the searing fires of the plot) two narrow-boats are found burning on a lonely stretch of a Yorkshire canal. When the fire-fighters have done their work, the investigators move in, and two dead bodies are found in the remains, blackened and burnt. And, of course, in the best traditions of the murder-mystery, traces of accelerant are found.

However, which was the intended victim? Tina, the drugged out young girl living with her boyfriend on one boat, or Tom, the lonely, seemingly reclusive artist who lived on the other? As Robinson's well-seasoned protagonist Chief Inspector Banks sets the investigations in motion, the threads tangle and the case proves to be every bit as complex as it promised at the start. And this particular twisted firestarter is not done yet...

Peter Robinson is remarkable; with every single book for about 6 years, he has been continuing to expand his series, smashing down boundaries, reaching new heights with every single book. While once his reflective Inspector Banks novels were simply nice little procedurals to while away an evening, lately they have become something far more remarkable, and he has moved into the front rank of male crime writers, alongside Ian Rankin and Michael Connelly in writing moving, artful crime novels that shed light on all aspects of human experience. There are so many things to recommend him, not least his evocation of landscape and ability to probe the very human depths of every single characters instinctive motivations. He plots as if he were born to the genre, and his protagonist Banks is a true marvel. Less of a tough-as-nails guy than Bosch or Rebus, Banks is thoughtful, moral, reflective and, dare I say it, not startlingly interesting on the surface (but, of course, therein lies his shining humanity) and in Playing with Fire there are enough personal trials for him to deal with to satisfy any connoisseur of fascinating protagonists. The other human aspects of this book are incredibly well-done; moving and expansive, Robinson reaches out to all his characters, taking them gently by the hand and leading them to the reader, in sometimes shocking ways.

The cracking, multi-faced plot is in itself engaging and clever, with surprises and shifts in tone and pitch that elevate it far above the average. If this fourteenth entry in the series doesn't line itself up for several international awards, I'll eat my proof copy.

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9 of 9 people found the following review helpful:
4.0 out of 5 stars Good mix of story and character, June 27, 2004
When two abandoned river barges catch fire, killing two squatters, the signs point to arson. Detective Chief Inspector Alan Banks and sidekick Detective Investigator Annie Cabbot realize that their plans for getting away with their current love interests are shot--they'll be working overtime to track down the firebug--unless the fires were set for a reason more sinister than simply to see things burn. Suspicion first turns to the boyfriend of one of the victims--conveniently absent during the fire. But the young man doesn't feel right to Banks. Could it be the girl's step-father--a man suspected of sexually abusing the girl?

A second fire two nights later gives Banks and Cabbot another line to pursue--one that centers around art forgery. Because it is just possible that someone is cleaning up a mess--or a criminal network that has turned on him. Fortunately, Cabbot's boyfriend is an art professional. Unfortunately, Banks doesn't like the handsome boyfriend and the result is friction between two cops who have to work together closely.

Author Peter Robinson does a fine job developing characters and story simultaneously. Banks, with his recently ended marriage, his unsuccessful affair with Cabbot, and his current go-nowhere relationship with an out-of-town cop, remains sympathetic as he tries to track down the criminal--and to keep his feelings toward Cabbot's lover from veering into jealousy. Detours into the point of view of the young man initially suspected of arson add to the story's atmosphere.

I thought that the solution became a bit too obvious a bit too soon--and some of Banks' decisions seemed irrational, but overall, PLAYING WITH FIRE was an engrossing and enjoyable read.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Engrossing page-turner, February 12, 2004
By 
Appropriately, PLAYING WITH FIRE starts out with a fire. On a cold winter morning on the dead-end branch of a Yorkshire canal, two barges burned. Two victims were found. The fire looks suspicious, but the question is who was the intended victim. One victim was a painter who felt his art was unappreciated and the other a young sexually abused girl who was hooked on drugs. Chief Inspector Alan Banks is summoned to investigate the crime. It is not long before another fire breaks out in a remote trailer. There seems to be a serial arsonist on the loose. Secrets and lies are uncovered as Banks and his partner D.I. Annie Cabot work toward discovering the truth.

This story was extremely fast moving and hard to put down. Peter Robinson has created a brilliant plot for PLAYING WITH FIRE. It was complex, but very straightforward. Robinson does not rely on misdirection to create suspense, but rather a slow build-up of facts that rush the reader through a roaring crescendo toward the climax. There are a few loose ends that do not deter from the overall enjoyment of this novel. hopefully, some of the points will be addressed in the next Banks installment. This is a first rate British police procedural and a must read for anyone who appreciates quality.

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Inside This Book (learn more)
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First Sentence:
"The barge she sat in, like a burnish'd throne, burn'd on the water,"" Banks whispered." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
art researcher, warrant card, drugs squad
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Patrick Aspern, Mark Siddons, Roland Gardiner, Phil Keane, Leslie Whitaker, Crazy Nick, Geoff Hamilton, Andrew Hurst, William Masefield, Maria Phillips, Queen's Arms, Frances Aspern, Jennings Field, Giles Moore, Elaine Hough, Ken Blackstone, Stefan Nowak, Dirty Dick, New York, Philip Keane, Annie Cabbot, Danny Boy, Market Street, British Waterways, Paul Ryder
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