33 of 33 people found the following review helpful:
5.0 out of 5 stars
Essential for players of any 18th C music, not only flute, March 29, 2001
This review is from: On Playing the Flute (Paperback)
Articulation, aesthetics, phrasing, ornamentation, character, tempo, practicing, accompaniment, style, notation, how to give a concert, how to breathe when you're nervous, how to play in an orchestra, ... it's all here. This book from 1752 covers the art of being a musician, not just a flute player.
Quantz' text is for anyone who cares about any music from about 1720 into the time of Mozart and Haydn. And it's essential performance practice material for anyone who would play this music: required reading for any serious student. It gives an indispensable window into German, French, and Italian taste.
Modern flautists, string players, keyboard players, and singers can learn a tremendous amount here. The pages about "good" and "bad" notes and varied articulation/tongueing are worth the whole price of the book. They describe the sound that composers were thinking of, the expressive range, the tremendous variety of effects *within* melodic lines. Take Quantz seriously: he was there, and he was a good player and writer.
What more needs to be said, except to thank the publisher for this edition? The previous issue by Schirmer has been out of print for far too long. This book should NEVER be out of print.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Great book, October 27, 2007
This review is from: On Playing the Flute (Paperback)
Great book of interpretation of baroque music. Quantz show us about the thinking of playing the recorder and how to execute the notes in Allegro and Adagios. Very nice.
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4.0 out of 5 stars
A quaint flute classic which offers some unexpected ageless wisdom & insights still relevant today for flutists or baroque musos, November 9, 2011
This review is from: On Playing the Flute (Paperback)
A quaint flute classic written in 18th century germanic verse and convention containing advice on how one should play the transverse flute. It's literally a flute bible - deemed a classic still relevant for today's flutist and baroque musician...a methodical text.
(If one can get through it), one can expect to glean some tremendous wisdom and insights into the history and culture of the baroque music world within which the author operated and flourished under the patronage of the then King Frederick. Quantz wrote this treatise dedicated to him... one gets a treat of ye olde german royal salutations to 18th century career guidance for the aspirational musician, to more specifically, detailed technical guidance on the intricacies of flute playing, musical approach to baroque, as well as musicianship at large..., I can begin to understand why this book is a classic that will endure through the ages - just because it was one of the first. Over the ages, books will come and go, superceding earlier books, however this one remains a classic - just because...og pioneership
It goes as far as making judgement calls on the extent of success a person can expect to achieve as a professional flutist based on the physiological makeup of the person and proceeds to describe the ideal make up (health, lungs, lips, etc etc!) Perhaps a form of reality check, but I prefer to subscribe to Marcel Moyse's softer ideology that one can expect to achieve a good level of success through intelligent methodical practice - if one already has the interest.
At first, this book would seem to read like a dry text but it's gems shines through afterwards. Takes some perseverance to distill and absorb the goodness and nourishment. Then remember to put it to practice.
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