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Playing (less) Hurt | An Injury Prevention Guide for Musicians
 
 
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Playing (less) Hurt | An Injury Prevention Guide for Musicians [Spiral-bound]

Janet Horvath (Author), Gwendolyn Freed (Editor), Leyla Lopez (Illustrator)
5.0 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

January 1, 2009 0971373515 978-0971373518 Revised
New in the 2009 Edition:
~ Expanded chapter on hearing
~ Information for classroom music teachers
~ Training and education resource listings
~ Information for jazz and rock musicians
~ Photos of woodwinds, ergonomic products, and other instrument modifications
~ Latest research and resources fully updated
The new 2009 Revised Edition of the acclaimed book, Playing (less) Hurt | An Injury Prevention Guide for Musicians is a one-of-a-kind guide and reference for all concerned with pain in musical work: professional and amateur musicians, teachers and students, doctors and therapists, and musicians from jazz to classical.
This book is essential for all musicians. String, percussion, harp, brass, and wind players, will play better and feel better.
Musicians face many challenges: a highly competitive environment, performance anxiety, demanding repertoire, years of solitary practice, endless repetiton and awkward postures.
The hectic pace of rehearsals and performances when added to the mix often results in the very real risk of physical pain and injury. Readers will learn how to protect themselves with suggestions for warming up and cooling down, stretching and strengthening, safe practicing, pacing, sensible choosing and set-up of instruments and rehabilitation and work hardening.
Newly added is a chapter on hearing protection. Included also is an extensive resource guide listing what is available to help musicians including props, splints, orthotics, and tools, clinics, websites and books.
Playing (less) Hurt is filling an important need spurring more interest in the field of performing arts medicine and professional orchestras and teachers are becoming more proactive in working to prevent injuries.
Playing (less) Hurt is a comprehensive and readable guide full of sensible and valuable suggestions while being entertaining and humorous even for the youngest reader.


Editorial Reviews

Review

"Playing (less) Hurt is full of terrific information and beautifully organized, ...very readable!, ...truly helpful to just about everybody!" -- Gary Graffman, Director of the Curtis Institute and renowned pianist, 2004
"...excellent, exhaustive investigation of the dramatic increase of RSI... I can't wait to try the 10 discreet onstage stretches" -- Kenneth Mirkin, New York Philhamonic violist , 2003
"...a wonderful resource of information, ...impressive research and work..." -- Michael Sachs, Principal Trumpet, The Cleveland Orchestra, 2002
--Various Sources Listed Below Each Review

"...a wonderful resource of information....impressive research and work..." --Michael Sachs, Principal Trumpet, The Cleveland Orchestra, 2002

" excellent, exhaustive investigation of the dramatic increase of RSI..I can't wait to try the 10 discreet onstage stretches" --Kenneth Mirkin, New York Philhamonic violist , 2003

About the Author

Janet Horvath, associate principal cello of the Minnesota Orchestra for over two decades, is a soloist, chamber musician, writer and advocate for injury prevention.
A trail-blazer in speaking and writing openly about physical stresses experienced by musicians, Horvath has contributed importantly to improvements in working conditions and in awareness for musicians work-related ailments and their prevention.
Ms. Horvath received the American String Teachers Association Service Award in 1992 in recognition of her outstanding efforts on behalf of musicians' health, and in 2001 she was selected to deliver the Richard J. Lederman keynote lecture at the Performing Arts Medicine Association's nineteenth "Annual Symposium on Medical Problems of Musicians and Dancers".
She has conducted seminars called "Playing (less) Hurt" all over the country including precedent-setting presentations for professional symphony orchestras most recently the Indianapolis Symphony, New World Symphony, the San Francisco Symphony and the Boston Symphony.
She has written extensively for National and International publications and has been featured in numerous newspaper articles and on National radio. The "Injury Prevention Guide For Musicians" is the culmination of 20 years of learning and teaching in the field of Perorming Arts Medicine.

Product Details

  • Spiral-bound: 285 pages
  • Publisher: Janet Horvath; Revised edition (January 1, 2009)
  • Language: English
  • ISBN-10: 0971373515
  • ISBN-13: 978-0971373518
  • Product Dimensions: 8.2 x 5.9 x 0.9 inches
  • Shipping Weight: 12.8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #131,270 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (7 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars musician's viewpoint, May 27, 2010
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I am a professional pianist, composer and educator of young musicians. This is the first publication I've seen which truly addresses the physical journey to becoming a healthy performer. It is an essential guide for every musician, full of helpful tips and designed to encourage a life free of injury or pain due to excessive practice and/or performance. Every musician is familiar with the road to learning theory and musical interpretation, but few of us were taught the dangers of injury associated with repetitive movement and awkward positioning. This book looks at the physicality of playing an instrument including risk factors, stress points, danger signals and much more. It also provides great stretching and strengthening exercises designed to specifically counteract stressful movement.

Though this book is written by a professional cellist, it has practical application beyond string players. Someone who sits at a computer all day is not unlike the musician who continuously works a musical passage. Physical stress is an issue whenever the body sits for long periods of time and repeats the same motions. Many jobs in our modern world hold a parallel. The book reminds us that natural movement must be a conscious decision.

I am thankful to Janet Horvath for writing this. It will undoubtedly prevent many injuries in the future. As an educator, I particularly recommend this as a valuable source to those who teach young musicians.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars GREAT resource!!!, November 30, 2009
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Oh how I wish I had received this book long ago, before I sustained significant nerve and rotator cuff injuries! This is an absolute must-have for any serious musician, and as far as I am concerned, for any music teacher. These concepts should be taught from the very beginning!

Great, clear layout. Super 10-step lists (such as 10 warm-up stretches, 10 on-stage stretches, etc. etc.). FANTASTIC!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars FABULOUS resource for musicians. An absolute must have!!, May 28, 2010
This book is WONDERFUL. I received it as a graduation present and I wish I had obtained a copy at the beginning of my studies! The layout is clear and easy to follow with very detailed and specific information that applies to a broad range of instrumentalists. I especially appreciate the resource lists for ordering helpful items as well as the 10 warm-up stretches, 10 shower stretches etc (I've already ordered the wall poster versions of these for my practice space)


THANK YOU, JANET! :)
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Inside This Book (learn more)
First Sentence:
I WAS BORN INTO A MUSICAL FAMILY. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
upper string players, shower stretches, ring splints, performing arts medicine, principal trumpet, smaller keyboard, instrument modifications, interlace your fingers, brass players, focal dystonia, wrist level, orchestral setting, orchestral musicians, overuse injuries, chin rest
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Resource List, Cara Mia, Minnesota Orchestra, Alexander Technique, Concert Design, Chicago Symphony, Richard Norris, Carnegie Hall, Emil Pascarelli, Hunter Fry, Janos Starker, Manny Laureano, The Athletic Musician
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