15 of 15 people found the following review helpful:
4.0 out of 5 stars
Former Howlin' Wolf pianist has strong blues set, June 16, 2001
This review is from: Plays Chicago Blues (Audio CD)
Since he moved back to Louisiana a few decades ago, former Howlin' Wolf pianist Henry Gray has kept playing but has never enjoyed the level of recognition that contemporaries, such as Pinetop Perkins, have. Besides being in Wolf's band for an extended period, Gray did a fair amount of session work, recording with Jimmy Rogers, Little Walter, Billy Boy Arnold and Jimmy Reed. The biggest influence on his style is Big Maceo, and like that master, he is a strong, two-handed player and he sings with urgency. Gray did record some swamp-blues flavored sides for an Arhoolie anthology, and some singles for small Louisiana labels, an album for Antone's which I believe is long out-of-print, and a live album for Lucky Cat which would have been better if some performances had been edited. "Plays Chicago Blues" has him backed by guitarists Bob Margolin and Kid Ramos, fellow Wolf alumni Chico Chism on drums and Bob Corritore on harmonica. These recoprdings are from sessions that Corritore produced over several years. There is a nice mix of material including covers of classic Chicago blues including a couple songs associated with Elmore James, "It Hurts Me Too" and "I Held My Baby Last Night," and Wolf's "How Many More Years," The Maceo influence is quite evident on the moody "Trouble Blues" and "It Hurts Me Too," while "Henry's Houserocker" is a rollicking instrumental. There is nothing fancy about this music but it may be the best currently available disc of Henry Gray's music available.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
The way it used to be., April 7, 2007
This review is from: Plays Chicago Blues (Audio CD)
This is true chicago blues at it's best: the way it used to be: relaxed and rockin'! You couldn't find a better album of classic chicago blues than this one. Henry has played piano with the greats and the backup band knows how to play this type of music. It's not too loud, it's not too frantic. You could play this with any of the 50's blues giants recordings and hardly tell it was recorded in the 90's. Enjoy a master at his peak.
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