Customer Reviews

The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers

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Even though I've practiced law for many years outside of the entertainment law area, now that I have moved over into independent film production, I have found the legal issues involved in properly putting together a film to be daunting. If these entertainment law issues are hard for me, as an experienced attorney, I can imagine that they are dramatically more difficult to handle for everyone else. As a result, it is frankly tempting to instead focus on the artistic side of filmmaking so you can skip slogging through the legal quagmire, but you do so at your peril. This is true for a number of reasons, but most importantly, you are taking a huge risk because distributors won't touch a distribution deal for a film with serious legal problems. Fortunately, I've found that this book takes away much of the pain of learning about the legal issues in film, simply because it is so approachable. After reading this book, I really believe that even non-lawyers can quickly grasp the legal challenges of filmmaking. Best of all, the book skips typical "legalese" and instead offers easy to understand, quick references to the contracts, rights clearance and negotiating issues that everyone should understand. Not only did I like the book, but it really is unique, because there's very little else out there on this subject. It really should be on the desk of every producer. I couldn't recommend it more.

This book contains a wealth of information presented in a clear, concise, yet thorough manner. Whether you are a writer, producer, composer, or actor, this book will help you understand the legal issues that are part of the process of filmmaking. You can use it as a quick reference to answer a specific question, or you can read it from the beginning as the author unpacks legal concepts and the step-by-step process of setting up a production company to selling your film. As a bonus the book has appendices that make up a valuable law library of intellectual property, i.e. copyright, trademarks, contract law, labor, and employment law. And if you are a lawstudent or lawyer, this book is better than any entertainment law class you will ever take and at a fraction of the price.

This book has allowed me to craft a sound legal structure around my ideas, and my film making has become a true business venture. "Pocket Lawyer" has already saved me from several minor blunders, like not posting a Notice Release when shooting in public, and it will undoubtedly save the day in bigger ways as my projects grow. Where was this book when I was in film school? Valuable legal advice has never come so cheap--well worth the $21.75.

Mr. Crowell has done the art and legal worlds a great service by distilling so many critical issues of intellectual property into an enjoyable and widely informative format. The index and chapter systems make quick searching easy; and the humorous and humble prose let's you relax while learning. The demystification of legalese is not an easy task, but it's much needed, and Mr. Crowell has thrown a valuable contribution into the fray. Being a film and music artist, as well as a law student, Mr. Crowell's work is a must read for any with a similar background; and it goes a long way to supporting those artists who seem to underestimate themselves when it comes to the legal side of their creative endeavors. The Pocket Lawyer for Filmmakers empowered me, and I'm sure it will do the same for countless others.

This is an outstanding tool for anyone and everyone working in film. If you're a creative artist, it's easy to forget that making a film is a business venture--and one you hope will turn a profit! "The Pocket Lawyer for Filmmakers" is a welcome wake-up call. Thomas Crowell gently reminds readers to protect their interests and keep an eye on the bottom line at all times. If thoughts of "business" and "protecting your interests" make your eyes glaze over, have no fear. "The Pocket Lawyer" is a breeze to work with. It's clearly written, full of helpful examples, and anticipates every question you could have. The book follows the entire process of making a film, from forming a production company to distributing a completed film. Each chapter tells you what to expect at every step, and how to deal with it. Personally, I found the sections translating copyright law into simple English massively useful. Also, the book includes a stripped-down "law library" that gives filmmakers a primer in intellectual property and labor law. Whether you're a novice screenwriter wannabe (like me!) or a seasoned independent producer, you need this book! "The Pocket Lawyer for Filmmakers" is indispensable.

Not only does this book give you the answers you need - it does so quickly without your first having to sort through a bunch of legalese. If you want to find out how to negotiate an actor's deal, just flip to the right page and start negotiating.

No long, boring contracts to fight through. Each deal is broken down into handy "deal points," allowing you to get a grip on the important aspects of each deal without caught up in legal mumbo jumbo.

The fact that the author was a television producer helps make the book readable - even humorous at times. Highly recommended.

I was so hesitant about this book. I was thinkig "Pocket Lawyer?" Great, like a mini-dictionary that the Starbucks writer crowd uses and still attept to look cool with.

No, I was wrong. The information in this book is not only necessary, but vital. If you want to be a producer, this is the no-nonsense bible you've been looking for. It's straight forward and clear. The language isn't dense. Rather, it's helpful.

This is a book that can help you make the transition from, "Producering" to PRODUCER. It honestly is the real deal.

This book is a great help and a fantastic reference. I refer to this book all the time. I usually can just open up the book to find the answer to whatever legal question I'm looking for.

My copy is all beat up and dog eared.. I never read it straight through, just skipped around to the stuff I want to know about. If I have a question, I know the answer is in there. It's more than just law, It's a guide to be in this business.

Plus, it's easy to understand. The copyright section helped me out the most.
I have produced things before, but life would've been easier with this book. They should require this book in film classes.

I am an in-house attorney for a film production company. This book is a great resource to point you in the right direction in many respects: reminders of what terms various contracts/agreements should contain, the different types of agreements common to the film industry, copyright information ... just to name a few items. Money well spent for a very focused look at legal aspects to the film industry.

This book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.