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Most Helpful Customer Reviews
26 of 26 people found the following review helpful:
5.0 out of 5 stars
Not a juvenile novel!,
By
This review is from: Podkayne of Mars (Digest Size) (Ace Science Fiction) (Paperback)
Before I actually review this novel, I must clear up a commonly-held misconception: _Podkayne of Mars_ is not a juvenile novel! When I was at the Heinlein Centennial last summer, Dr. Robert James (a leading Heinlein scholar) read the backcover blurb from the first paperback edition, which made this very obvious: juvenile novels are not marketed with phrases such as "the Minx from Mars." Dr. James is evidently irritated with people continually referring to this as a juvenile...The last unambiguously juvenile novel was _Have Spacesuit, Will Travel_. _Starship Troopers_ is supposedly a juvenile, but I really have my doubts. _Podkayne_ is a novel that comes early in the period in which Heinlein was finally writing more or less what he wanted, rather than writing for specific markets. The entire book is composed of Podkayne's diary, with a couple of secret entries made by her younger brother Clark, in invisible ink. The reason for this is obvious once you have read the book: no spoilers here! The story is about Podkayne and her younger brother Clark accompanying their Uncle Tom on a trip to Venus and then to Earth (the trip never gets past Venus). There's a lot more here than meets the eye, because Tom is actually on a secret diplomatic mission to the upcoming Three Planets conference, and Poddy and Clark are along just to provide cover. At first everything seems to be perfectly innocent, but then a stranger gets Clark to smuggle a package on board the spaceliner. Clark is a lot smarter than the stranger gives him credit for; the kid figures out that he's been given an atomic bomb that's been set to go off shortly after they leave Mars. Clark, being a boy genius, finds a way to defuse it. The plot gets thicker from there -- for the most part the story seems like an innocent travelogue of the future, but here and there the reader gets intimations of skulduggery afoot. By the end of the book, the plot has thickened to a perfect and satisfying consistency. There has been some controversy regarding this book, regarding the ending. The edition I have on my desk in front of me right now is the Baen Books paperback printing of July 1995 (the hardcover was August 1993), which has both Heinlein's original ending as well as the changed ending which appeared in all editions from 1963 until 1993. It's a pretty good story with either ending, but I like Heinlein's original ending better. Before I end this, I'm going to make a short quote from a letter from Heinlein to Lurton Blassingame, his agent, dated Mar. 10, 1962: "Is _Poddy_ a juvenile? I didn't think of it as such and I suggest that it violates numerous taboos for the juvenile market." Having said that, I have to say that I highly recommend this book, as I do almost everything that Heinlein wrote. I'm still not sure, after all these years, what it is that Heinlein put into his stories to make them so engaging, readable, and downright fun, but there it is: Heinlein was the greatest of all the science fiction writers so far, and he never wrote a dull tale.
13 of 14 people found the following review helpful:
4.0 out of 5 stars
The (Un)-Saintly Martian,
By
This review is from: Podkayne of Mars (Mass Market Paperback)
This was the last of the Heinlein `juveniles', the only one written with a female point-of-view character, and the only one not subject to the editorial dictates of a certain prudish editor at Scribners, though it still suffered at the hands of the editor at Putnam (more of which later).Podkayne (named after a Martain saint, but just "Poddy" to her friends) and her younger amoral genius-level brother Clark get to take a trip to Earth with a side stop at Venus accompanied only by their retired Martian senator uncle Tom, as their parents are unexpectedly having to deal with three newly decanted babies due to a crèche mix-up. Most of the story is a detailing of the events during their journey on the spaceship and the sights, people, and society of Venus, as carefully recorded in Poddy's diary (with occasional inserts by Clark). This method of telling a story is difficult to do effectively, but for the most part it comes across very well in this book. Poddy is a very likeable, friendly person who is, unfortunately, a little too naïve, a little too cute, a little too much preoccupied with babies, boys, and proving herself to be `just as good as a man' to be quite believable as a (supposedly) highly intelligent but otherwise normal teen-age girl. Clark, on the other hand, is all too believable as a boy with adult knowledge and a child's `me' centered view of the universe. Clark is the prime mover of the events, but for the most part he remains offstage, and we only learn about what he has done as filtered by Poddy's perceptions. Clearly the most interesting character in the book, his actions, mistakes, and emotional development fit well with the thematic line that Heinlein is presenting, on the responsibilities of parenting, an individual's own responsibility for his actions regardless of external factors, on the importance of one's relations and duties to others. Along the way, Heinlein does his typical excellent job of describing the scientific aspects of space flight and navigation in a manner that consistently remains interesting, comprehensible, and accurate. Also part of the Heinlein territory are his comments on population control, gambling, unfettered capitalism, the art of politics, racial prejudice, the attitudes of the `moneyed' class towards their `inferiors', and prostitution - an item that would never have gotten by his editor at Scribners. The ending of this book has caused a fair amount of controversy. At the insistence of his publisher, Heinlein was forced to change his original ending to one that was far less traumatic, an `all ends well' type ending, as this was, after all, a 'children's book'. In so doing, however, the thematic line and Clark's development do not reach full closure. This edition of the book has both Heinlein's original ending and the changed ending, along with multiple essays and comments from readers about the pros and cons of each ending. For my money, Heinlein's original ending is considerably better, even though it probably makes the book unsuitable for very young readers, dealing with the consequences of actions, death, and the harshness of the universe towards stupidity, but the average teenager should have not only have no problem with it, I think they will find it more believable, more true to life. Not his best, but certainly eminently readable and enjoyable by both teens and adults, and still better than ninety percent of all the other material on the racks.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Pre-feminist. Contains one superb insight.,
By
This review is from: Podkayne of Mars (Digest Size) (Ace Science Fiction) (Paperback)
This book was written just before the feministmovement's 2nd-half-of-20th-century phase got underway. Heinlein had not yet broken free of traditional gender roles (as he certainly did shortly thereafter), although it is perfectly obvious that he not only values, but always enjoys, intelligence as a personality trait in women. So you have to forgive him for certain things in order to enjoy this book. I love the playful style of language in which this book is written -- it is unique among Heinlein's many books. When the seemingly amiable and undistinguished old Mrs. Grew turns out to be in reality a mercenary terrorist, the protagonist's brilliant but anti-social younger brother Clark is unsurprised, because once, when she hadn't known he was watching, he had seen her cheating at solitaire!! How do you like that! (A similar insight occurs elsewhere in Heinlein's fiction, in the short story _Gulf_, when Kettle-Belly Baldwin says "Evil is essentially stupid.")
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