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One of the most important things about the techniques the author presents is that they force one away from contemplating one's own belly-button, so to speak, and bring one's attention to the limitless possibilities for poetry that spring forth when chance words and phrases put the imagination in overdrive. Too often writers of my generation think that poetry has to be about our deepest and most dramatic emotions, which often leads to some pretty deadly stuff being committed to paper. But when you pull out word tickets that say things like "fronds" and "slashed" and "cutting up the remnants," it's hard to be self-absorbed. In fact, it's hard to be anything but deeply original.
Everyone I have introduced to the author's exercises and methods has fallen in love with them. Even my six-year-old nephew became enamored and proceeded to rename everything and everyone in his environment--a procedure that created some hilarious yet apposite new names. (I am now "Needs to sing," his sister is "Pistachio," his grandmother is "Finding secrets....")
I adore this book.
I hope that Susan Wooldridge continues to produce books full of similar exercises that prod the unconscious of the poet. The methods she presents are embraced with as much enthusiasm by the third graders I teach, as by the adults in my writing workshop.
This book is a MUST HAVE!