5.0 out of 5 stars
Deserves wider recognition, April 20, 2011
This review is from: Poems of Ambrose Bierce (Paperback)
This book was a real find for me - I discovered Ambrose Bierce about the same time that I discovered Heinrich von Kleist, and remembered Nietzsche's saying that if it weren't for certain writers, we would not know that it is possible to live. But I will stick to Bierce! who is an uncompromising and utterly compelling writer and poet.
In this selection, we get some choice excerpts from the famous Devil's Dictionary, but also poems from his other, largely forgotten volumes of verse. Bierce is a classical poet; he writes in meter to public themes. What immediately impresses is the sense of a fierce moral intellect, that would scorn to evade anything but the most direct statement and communication. Bierce's themes are timely - he participated in and lived in the wake of the Civil War - and timeless - the perfidy and nobility of men (in the non-sexist sense), the self-contrariety of philosophy and religion, the irrational violence of the universe, etc. What makes him, like von Kleist, utterly modern - no, his voice hasn't dated a bit! - is the bitterness that complicates, even undermines, heroic efforts of self-will and world-recognition. Whatever that means - but I think you know what I mean! What makes this poetry so much fun is Bierce's universal satirical instinct. He makes fun of everything above and in heaven. There are many fine poems here, but one of my favorites is a deliriously demented translation of the "Dies irae," the medieval hymn that's often set to music - it's much too complicated to explain, but you'll die laughing when you read it, I promise. It's even prefaced with a dead-pan claim to historical and poetical faithfulness.
Apropos the author's voice, Walter Ong speaks of the urn that would and could still speak. That is, despite the author's much-vaunted death, Ong reminds us that nothing unites a body of work like a voice, a personality, a spirit or sensibility. Bierce's sensibility is something that has propped me up and inspired me. I must also say that the introduction to this book is excellent, and does a better job at explaining Bierce than I can.
Also, if you haven't read his stories, beyond the ubiquitous (but justly so!) "An Occurrence at Owl Creek," they are worth reading. The civil war s tories are really interesting. "Ghost and horror stories" - a cheap volume available on Amazon - is a fine introduction to his grotesques. "A bottomless grave" is a favorite - it's incredibly funny, but also incredibly tragic - the comedy and the tragedy being developed at the same time. Anyway, go read Bierce!
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