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Poems and Fragments

4.7 out of 5 stars 10 customer reviews
ISBN-13: 978-0872205918
ISBN-10: 0872205916
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Product Details

  • Series: Hackett Classics
  • Paperback: 96 pages
  • Publisher: Hackett Publishing Company, Inc. (March 15, 2002)
  • Language: English
  • ISBN-10: 0872205916
  • ISBN-13: 978-0872205918
  • Product Dimensions: 0.5 x 5.5 x 8.5 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #409,386 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
These translations of Sappho are for me the most beautiful I've ever encountered...

Lombardo presents each fragment on its own page, and presents them Thematically (in other words, not in order). He has used ALL of the long and shorter fragments.

In the Introduction he says that he did not want to use every single fragment because some of them are only one word and thus incomprehensible for poetic purposes (which I also agree)...so in total he presents over 90 of the fragments in the most beautiful and ravishing renditions I've ever seen!

These may be Lombardo's most beautiful translations he's done for Hackett Publishing!
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Format: Paperback Verified Purchase
Of all poets, ancient and modern, Sappho may be the one with the greatest difference between the height of her reputation and the paucity of her oeuvre. Believed to have filled nine volumes in antiquity, Sappho's surviving work consists of only one complete poem, several partial poems, and many fragments, some of only a few words. The facts of her life are so ambiguous so as to allow every age to recreate the "historical Sappho" in its own image. And the reader, inevitably, approaches Sappho with their own expectations.

What people have always responded to - and despite anything else, what Sappho's reputation is built on - is the intensity of her emotional responses to others, whether in love, lust, jealousy, or admiration. Her primary subject is other people and the feelings they engender. Lombardo's translation masterfully captures this intensity in an accessible and clear style. This volume also includes introductory essays describing the treatment and discovery of Sappho's work, and an exploration of her sexuality, along with the sources of each poem and fragment presented.

All that's missing are footnotes or a glossary explaining the various names used - I recognized "Aphrodite," but not "Thyone," "Pierian," "Cypris," "Dorikha" - are these simply names of characters or people the poet is addressing, or do they have some cultural significance? It's easy enough to look them up, but having all of the information in one place would be convenient, not to mention having Prof. Lombardo's own explanation.

Since Lombardo's translation came out, new writings of Sappho have been discovered and published; undoubtedly more material will come to light in the future, however, until then this selection can serve as an outstanding introduction to this well-known and important poet.
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Don't expect whole poems (there's only one) or much coherence (all phrases, fragments, single whole or partial sentences, single words) - but either Sappho or her translator comes across as very smooth and beautiful. I like it very much and am glad I have it. Sappho antedates Keats' dictum not to write confessionals, an injunction which the sheep and poetasters continue still to obey. "Raise high the roofbeam, carpenter" - recognize that? Title of a once well-known short story by Salinger. Was stunned to find it's an exact quote from Sappho. BTW, the analytical/historical preface is as good as the poems.
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Format: Paperback
In Antiquity decent women were supposed to work in the kitchen and to raise their children, nothing more, but there were exceptions. More or less 150 years after Homer's Iliad, Sappho lived on the island of Lesbos, west off the coast of what is Turkey today.. (She went in exile for a short period due to political upheavel).
Sappho was already famous in Antiquity. Plato called her the tenth Muze and someone said her poetry was "as refreshing as a morning breeze".
Some of the best poems of Sappho are those that describe her loneliness.
(#62)
"But if you are my friend,
Go to a younger woman's bed,
For I will not endure an affair
In which I am older than the man."
(#73)
"The moon has set,
And the Pleiades
Midnight
The hour has gone by
I sleep alone."
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Readers must notice that this Amazon's web has a few incorrect information.
First; The title of this book is "Sappho: Poems & Fragments" and author is Josephine Balmer, not by S.Lombardo. Second; "Editorial Reviews" is shown for the S.Lombardo's Sappho, not for the J.Balmer's Sappho. Third; Three customers reviews (except for mine), these are also for the Lombardo's Sappho. Fourth; In Product Details, "116 pages" is wrong for "117 pages".

When I think of it, it is very strange that there are no reviews from this book, in spite of it had issued in nearly thirty years ago.
I say my conclusion first, that, this book is the best poetry of Sappho into English. (except for the poetries which have an interpretative rendition, such as Bliss Carman's or John M O'Hara's Sappho).

The meaning of The Best is shown into the Concord with Feelings and with Thoughts between this translator and Sappho. Feelings mean the expression of musical-tone-fluency, and Thoughts mean their minds.

Josephine Balmer's every verses are more fluent with beautiful sounds than many other English translators' works. (e.g. by Davenport, Roche, Barnstone, Powell, Carson, or Stacpoole, Petersen, Way, Haines, Hill, Lattimore, and many more, but except Cox).
It is clear that her individuality will appear evidently when someone compares her poems with the others. Her poem #79 (in this book, "Leave Crete and come to me here, to this holy temple,....") will be good example for it.

This musical-tone-fluency is the most important factor for the translating Sappho's poems. (Euphony, for the oral essence).
Read more ›
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