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Excellent collection; would make a great gift
on April 1, 2014
You don’t have to say it: I am fully aware that I am not a man. Also, I’m an embarrassingly easy crier and will shed a tear at the drop of a hat. (I’ve recently taken to speed-reading through sad scenes in books because otherwise I’d have to tag far too many reviews with “Made Me Cry.”) So what made me request this one from Edelweiss? Basically, I figured that this had to be a collection of damn good poems in order to move so many eminent men so deeply. Also, the range of contributors seemed pretty broad, and it included a lot of my favorites. I’m always interested in finding out if my tastes match the tastes of the writers/performers/etc. I admire.
The editors allowed each contributor to include a brief piece explaining why he chose his particular poem. I found it particularly interesting when two men chose the same poem for different reasons, which happened more than once. After the poem, there’s a brief bio on the selector. Although I recognized most of the names, there were a few I didn’t, and I found this feature helpful.
The poetry itself comes from various time periods and languages, though most were written in English in the last 100-150 years. Some are beautiful but not particularly emotional, some seemed chosen for strictly personal reasons (and therefore felt a bit distant for me), and some left me pacing the floors of my home while sobbing.
Some of the poems didn’t make me cry, but they opened my eyes to a new poet and a style that I admired (I’ve included links when I could find them): Abioseh Nicol’s “The Meaning of Africa,” chosen by James Earl Jones, with its sweeping descriptions; Elizabeth Bishop’s powerfully evocative “Crusoe in England,” chosen by Andrew Solomon; Philip Larkin’s terrifying “Aubade,” chosen by William Sieghart; and — one I’d read previously and forgotten about — Bukowski’s “Eulogy to a Hell of a Dame,” chosen by Mike Leigh.
Other poems’ messages moved me: Consantine P. Cavafy’s “Ithaka,” chosen by Walter Salles, and Derek Walcott’s “Love After Love,” chosen by Tom Hiddleston.
Poems that hit me the hardest — the ones that made me out-and-out cry — were the ones about family, whether having/losing a parent (Tony Harrison’s “Long Distance II,” chosen by Daniel Radcliffe) or being one (John N. Morris’s “For Julia, In the Deep Water,” chosen by Tobias Wolff; Victoria Redel’s “Bedecked,” chosen by Billy Collins; and Rabindranath Tagore’s “Those Who Are Near Me Do Not Know,” chosen by Chris Cooper).
All in all: There’s something for everyone in here. Buy a stack of copies and gift them!
Note: I received a free review copy of this book via Edelweiss.