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Poetic Diction: A Study in Meaning (Wesleyan Paperback)
 
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Poetic Diction: A Study in Meaning (Wesleyan Paperback) [Paperback]

Owen Barfield (Author), Howard Nemerov (Contributor)
4.7 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

081956026X 978-0819560261 December 15, 1984 3
Poetic Diction, first published in 1928, begins by asking why we call a given grouping of words "poetry" and why these arouse "aesthetic imagination" and produce pleasure in a receptive reader. Returning always to this personal experience of poetry, Owen Barfield at the same time seeks objective standards of criticism and a theory of poetic diction in broader philosophical considerations on the relation of world and thought. His profound musings explore concerns fundamental to the understanding and appreciation of poetry, including the nature of metaphor, poetic effect, the difference between verse and prose, and the essence of meaning.

CONTRIBUTOR: Howard Nemerov.

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Editorial Reviews

Review

"This extraordinary study stands virtually alone in focusing on the mysterious area in poetry between word and meaning. Only the most sensitive and learned guides coule lead us through this terra incognita. Barfield is such a guide ... The book has already become a classic." (G. B. Tennyson )

From the Publisher

5 x 8 trim. LC 87-22985

Product Details

  • Paperback: 238 pages
  • Publisher: Wesleyan; 3 edition (December 15, 1984)
  • Language: English
  • ISBN-10: 081956026X
  • ISBN-13: 978-0819560261
  • Product Dimensions: 7.9 x 5 x 0.7 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #320,131 in Books (See Top 100 in Books)

 

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51 of 53 people found the following review helpful:
4.0 out of 5 stars Perennial and Profound, January 12, 2003
This review is from: Poetic Diction: A Study in Meaning (Wesleyan Paperback) (Paperback)
By his own admission, Owen Barfield's writings can't be organized into "early" and "late" periods. He claimed that from the very first publications to the last, he was explicitly or implicitly working out his understanding of the evolution of human consciousness. His second published book, _Poetic Diction_, concerns the study of language as the record of the changing human experience of the world.

In _Poetic Diction_, Barfield argued that:
1. One defining effect of poetry is to "arouse aesthetic imagination"
2. A significant result of the interaction with the language of the poem is that the reader's awareness of the world is permanently expanded
3. The expansion of the reader's awareness correlates to the poet's own awareness of the world as articulated in the poem

Barfield supposed, further, that what may be prosaic to the author may still have a "poetic" effect on the reader, i.e., expanding the reader's awareness of the world. One consequence of these facts, Barfield argued, is that by reading, the reader perceives the world as the author perceives - or perceived - it. And if the text being read is a classical Latin text, or a Sanskrit text, for example, then the reader may experience very startling glimpses of the world as a result.

What he went on to argue was that, if we grant that this effect of poetic diction on our awareness of the world is a real effect, then we cannot escape the conclusion that the world as the authors of the Latin and Sanskrit texts was a very different world than our own. Further, he argued that one could trace those differences in the changes that languages have undergone since human languages have been recorded. Finally, by studying these changes, said Barfield, one sees that human consciousness in its first expressions in language was almost wholly perceptual and figurative.

Barfield then argued that the "poetic effect" of such ancient texts was that they make available to the reader an experience of the world that correlates to their concrete and figurative language, and that world is one that couldn't have been produced analytically and self-consciously - for instance, by superstition or some early attempts at scientific theorizing. Just as our language today expresses in myriad ways what we take to be real, so the ancient languages too.

Thus Barfield's conclusions about *poetry* are nothing at all like what contemporary academic literary theory concludes, because Barfield's conclusions are equivalent to a theory of knowledge - while contemporary literary theory denies implicitly that a theory of knowledge is even possible.

As literary theory, then, _Poetic Diction_ is only marginally relevant, if even that, because literary theorists no longer concern themselves with knowledge. As a theory of knowledge, and as a study of the significance of language and the evolution of human consciousness, _Poetic Diction_ remains a seminal work, the challenges of which have yet to be realized in but a few works even today.

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29 of 29 people found the following review helpful:
5.0 out of 5 stars Forgotten Classic..70 years ahead of its Time!, February 15, 1997
By A Customer
This review is from: Poetic Diction: A Study in Meaning (Wesleyan Paperback) (Paperback)
This book...along with a very few others (like Marshall McLuhan's UNDERSTANDING MEDIA)...deserves its reputation as an underground classic treasured by all those who take a serious interest in Language Studies. Barfield's insights into the deep structure of metaphors as the real engine of a given language's history are only now being studied in laboratories dedicated to mapping language functions in the human brain. It has been kept in print for 50 years (well beyond the lifespan of similar books on philosophy and linguistics of its time) for one reason...it has been passed on from teachers to students as a ritual gift that has the power to shatter a mind and transform its understanding of its own workings. It will still be read when the next millenium ends
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24 of 24 people found the following review helpful:
5.0 out of 5 stars For those who write, this book is a must., January 4, 1997
By A Customer
This review is from: Poetic Diction: A Study in Meaning (Wesleyan Paperback) (Paperback)
This is more a recommendation than a review. For those of us who write, and those who read intensely, this book probes and challenges, threatens and loves. Mr Barfield, by the most lucid use of words, describes the differences between poetic and aesthetic, the idea and profundities of metaphor, the reality of translation, ( that exact translation does not exist, as an extention of the difference between definition and meaning), etc. etc. The author is sincerely inspired, which his own writing expresses with the joy of "the insect" admiring " the leaf". If you can read my humble recommendation, read this book. Martin Goldman San Juan, Puerto Ric
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