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Poetic Meter and Poetic Form [Paperback]

Paul Fussell (Author)
4.7 out of 5 stars  See all reviews (13 customer reviews)

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Poetic Meter and Poetic Form + Rhyme's Reason: A Guide to English Verse + The Making of a Poem: A Norton Anthology of Poetic Forms
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Product Details

  • Paperback: 190 pages
  • Publisher: McGraw-Hill Humanities/Social Sciences/Languages; Revised edition (January 1, 1979)
  • Language: English
  • ISBN-10: 0075536064
  • ISBN-13: 978-0075536062
  • Product Dimensions: 8.3 x 5.4 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #143,008 in Books (See Top 100 in Books)

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Customer Reviews

13 Reviews
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Average Customer Review
4.7 out of 5 stars (13 customer reviews)
 
 
 
 
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58 of 59 people found the following review helpful:
5.0 out of 5 stars And for the poet!, September 25, 2004
By 
Stephanie L. Wilde (San Jose, California) - See all my reviews
(REAL NAME)   
This review is from: Poetic Meter and Poetic Form (Paperback)
Fussell's foreword says that his book is for aspiring readers, not aspiring writers. But if you are an aspiring poet, I think Fussell has something to offer that is absent in most "handbooks".

One of the most important things Fussell addresses is how the form of a poem affects the meaning and impression of the total poem. For example, he notes how many poetic forms are inevitably coloured by their initial or most famous use. He says regarding Tennyson's In Memoriam stanza-form, that it "is now so closely associated with the sturdy, serviceable elegaic atmosphere of In Memoriam itself that...its uses now seem limited to occasions which either resemble or mock the original" (Ch 8 The English Stanzas).

Another chapter that poets will find helpful is Metrical Variations, in which Fussell examines how poets substitute variant feet to create particular effects. Or if your interest is in free verse, he devotes a chapter to examining the characteristics of successful free verse, including how line breaks create effects.

This is not a substitute for a general handbook of poetry, and assumes a minimal knowledge of poetic technique, meter, &c. But if you are serious about reading or writing poetry, I don't think you can afford to miss this book.
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58 of 63 people found the following review helpful:
5.0 out of 5 stars Not for the neophyte, but a tremendous study, July 23, 2004
This review is from: Poetic Meter and Poetic Form (Paperback)
When I was 21 and in my first year of graduate school, Paul Fussell's "Poetic Meter and Poetic Form" was one of the first text books assigned to me. When I bought the book and saw how slim it was, I snickered, "Grad school's gonna be a walk in the park!"

Yeah, RIGHT!

This densely packed tome is not for the uninitiated and definitely not absorbed in just one reading. On and off, over the last 20 years, I have come back to this book to refresh my memory and, usually, to astonish myself. The book's real strength, besides Professor Fussell's obvious command of his subject, and his ability to convey that command, is in the sprinkling of dozens of anecdotes by and about poets about other poets and poetry. Even at this late date in my life, I can't pretend to understand the entire book but what I do understand I admire and respect. "Poetic Meter and Poetic Form" is not recommended to anyone studying poetry; it is urgently required.
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27 of 27 people found the following review helpful:
5.0 out of 5 stars a classic in the field of formal verse, May 1, 1998
This review is from: Poetic Meter and Poetic Form (Paperback)
This book is a classic of prosodic exposition. (And understand, when I call a book a classic, I am not just lapsing into a cliche; it really IS a classic.) Fussell shows us the relations between form and content, between rhyme and rhythm on the one hand and the function of these formal devices to illuminate meaning on the other. The book also devotes a chapter to empirical observations on the properties of free verse, and it includes a concise bibliography of other works on prosody. Highly recommended.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
terminal trochee, spondaic substitution, trisyllabic substitution, musical scansion, initial trochee, trochaic substitution, metrical contract, tetrameter quatrain, medial caesura, metrical norm, metrical variations, tetrameter couplets, syllabic meter, line integrity, stanzaic form, metrical regularity, sprung rhythm, metrical analysis, iambic feet, ballad stanza, pentameter line
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Old English, Paradise Lost, Modern English, Song of Myself, Ezra Pound, Marianne Moore, Robert Frost, William Carlos Williams, John Hollander, Robert Bridges, Sweeney Among the Nightingales, The Rape of the Lock, The Vantage Point, The Waste Land, Annabel Lee, Emily Dickinson, Fra Lippo Lippi, George Crabbe, John Crowe Ransom, King Lear, Richard Wilbur, Samuel Johnson, The Prelude, Thom Gunn
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