Accompanying a unique exhibition at the respected Marianne Boesky Gallery in New York, this book is a remarkable combination of the work of poets and artists, that explores in new ways the relationship between the visual and the verbal. In his preface, Charles Bernstein writes: "Not words and pictures but poems as visual objects. Not poems about pictures but pictures that are poems. Not works closed in a book but hanging on a wall or suspended from the ceiling or rising from the floor or sounding from inside a figure or embedded with paint on a canvas or written in the sky or flickering on a screen." Co-curator Jay Sanders explains in his introduction: "We had a gallery and we wanted to flood it with poetry. Not with "poetic" artwork, but with actual poetry, made by poets. But, we have gallery walls, not pages in a book. So we organized a show of art overrun with poetry and a show of poetry riddled with art."
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Book Description
Editorial Reviews
From Publishers Weekly
Taking a more archaic approach are poet Susan Howe (My Emily Dickinson, etc.) and artist and critic Susan Bee (The M / E / A / N / I / N / G Book) "Pensive itinerants and exhorters/ gathering manna in the morning" in their forebodingly titled Bed Hangings. The book juxtaposes fragmentary texts culled from a variety of early American sources, with Bee's clipped caricatures, altered engravings and slyly reconfigured silhouettes iconically pointing the way back to "ten thousandth truth/ ...as if tumbling were apt/ parable preached in/ hedge-sparrow gospel."
Copyright 2001 Cahners Business Information, Inc.
About the Author
Jay Sanders works at Marianne Boesky Gallery. His essays have appeared in catalogues for the PS1 Contemporary Art Center, and various magazines and newspapers.
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