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Lee Marvin stars as Walker, a gangster shot "point blank" and left fordead on Alcatraz by his partner--who leaves with Walker's money and hiswife. But Walker doesn't die. Now, ruthless and unstoppable, he pursuesthe people who betrayed him.Based on the novel The Hunter by Donald E.Westlake.Remade as Payback starring Mel Gibson.]]>
Top Customer Reviews
With the help of a mysterious benefactor (Keenan Wynn), Walker tracks down Reese exacting revenge in pursuit for what he's owed. When his wife commits suicide, Walker seeks out her sister Chris (Angie Dickinson)in hope of luring Reese out of hiding. From there this convoluted mystery spins more threads than director John Boorman knows what to do with but, surprisingly, he keeps the story from getting too tangled up.
Boorman and director Steven Soderbergh ("Ocean's 11", "Solaris", "Sex Lies and Videotape")provide a fascinating commentary track on the making of the movie. Boorman recalls that originally Lee Marvin wanted Peggy Lee for the role that Dickinson plays. While he went with Boorman's decision of Dickinson he wasn't very nice to his co-star which worked particularly during the scene where Dickinson starts hitting Marvin. Dickinson hit Marvin so hard he had bruises the next day but the actor stoically took the hits and the camera kept rolling.Read more ›
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
`Point Blank' starts out in an abandoned Alcatraz Prison circa 1967 where Walker (Lee Marvin), his wife, and Mal Reese (John Vernon - probably best remembered as Dean Wormer in `Animal House') rob an apparently illegal money payoff. Once the money is counted, Reese shoots Walker in a prison cell leaving him for dead and takes Walker's $93,000. Walker recovers from the shooting and with the help of a stranger named Yost (Keenan Wynn), Walker finds out that Reese and Walker's wife ran off to Los Angeles and Reese is now a big player in a major crime syndicate. This sets up the rest of the movie where Walker hunts down Reese but also wants all of this $93,000 back.
The movie is clearly dark in mood and substance, even though it was filmed in vibrant color. Angie Dickenson plays the role of Walker's sister-in-law Chris, who helps him find Reese. The chemistry between Chris and Walker seems overtly empty and melancholy. An animated Carroll O'Conner (best known for playing Archie Bunker in 'All in the Family') brings a lot of energy to the last segment of the movie. The film has an unmistakably late `60's look with fast and chaotic flashbacks and over-accentuated sound effects - such as loud, reverberating footsteps when an intensely focused Lee Marvin is hunting down Reese. This movie is more sexual and violent than noir films of the `40's and `50's, but is still restrained by today's standards. The film's biggest asset is how Lee Marvin confronts and handles his adversaries - each situation is original and effective, but not over the top. The plot as a whole has very few major surprises, although there is one minor twist in the end.Read more ›
Most Recent Customer Reviews
Made in 1967 by director John Boorman, POINT BLANK seems to be a very dark film made during the experimental period of the late 1960s. Read morePublished 4 days ago by Ronald Epstein
I’ve already reviewed the book “The Hunter” by Richard Stark. I had heard a lot about the story, the first of the Parker Series, and both the book and the original movie version... Read morePublished 2 months ago by Wesley Bob
Since this film has received such high critical praise I feel obliged to write this review. Point Blank sucks! What a disappointment! Read morePublished 3 months ago by eclectic
A revenge thriller with a dream like atmosphere. It can be intepreted as a Ghost Story or some vast fever dream but thst just because John Boormans style is so fresh and unique... Read morePublished 3 months ago by Mr. Andrew Elphick
This will let you down if you're watching it because you've just read Richard Stark's "The Hunter", but it had some nice visuals.Published 3 months ago by TRST
When it comes to older movies such films from early 50s to mid 60s there isn't a lot of action in them. Read more
This film is directed by the British filmmaker John Boorman of "Deliverance" fame. I saw the film in the theatre when it was first released in 1967 and left me with... Read morePublished 5 months ago by B. Ying
Lee Marvin is very handsome - it's a pretty cool gangster flick, I liked itPublished 5 months ago by Russell Hantz
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