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5.0 out of 5 stars
Probably the place to start in reading Kierkegaard, August 13, 2002
This review is from: The Point of View : Kierkegaard's Writings, Vol 22 (Hardcover)
The greatest challenge for any newcomer to Kierkegaard is finding the best place to gain an overview. In my opinion, this is the finest place to start. In the main work in this collection, THE POINT OF VIEW (the book also contains some smaller pieces on his Authorship), Kierkegaard sets out to explain his purposes and strategy in writing the books constituting what he calls his Authorship. Students of Kierkegaard generally refer to these books as his Pseudonymous Authorship, because in all of these he writes none of them under his own name, but employs a variety of fictionalized authors, who represent a particular point of view that is not that of Kierkegaard himself. The Pseudonymous works are contrasted with what has become to be known as Kierkegaard's Second Literature (a descriptions attributed to Kierkegaard scholar Robert L. Perkins), which comprises his edifying works and his later religious works, most of which were published under Kierkegaard's own name, though with a couple of his greatest later works published under the pseudonym Anti-Climacus.
Some of these works, such as EITHER/OR I, contain writings on a variety of aesthetic topics. Many of the books deal with either ethical or religious topics, though the latter never from within a religious perspective. Kierkegaard's main argument in the POINT OF VIEW is that from first to last he was, even when writing on aesthetic topics, a religious author. The Pseudonymous works all presuppose a theory of stages, which Kierkegaard describes as moving from the aesthetic to the ethical and into the religious (the precise prepositions, according to SK, being of the utmost importance).
It is not clear that Kierkegaard had a precise understanding of all this at the moment he was writing the first of his Pseudonymous works, but it is unquestionable that he moved to this point of view fairly early on. This little volume is, therefore, a wonderful introduction to Kierkegaard's most famous works, and remains one of the most fascinating reflections by a great writer on the nature of his own work ever written.
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