Poirot - Murder in Mesopotamia
 
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Poirot - Murder in Mesopotamia (2001)

David Suchet , Hugh Fraser , Tom Clegg  |  NR |  DVD
3.9 out of 5 stars  See all reviews (14 customer reviews)

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Product Details

  • Actors: David Suchet, Hugh Fraser, Ron Berglas, Barbara Barnes (II), Dinah Stabb
  • Directors: Tom Clegg
  • Format: Closed-captioned, Color, DVD, Full Screen, NTSC
  • Language: English (Dolby Digital 2.0 Stereo)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: A&E Home Video
  • DVD Release Date: July 31, 2001
  • Run Time: 150 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (14 customer reviews)
  • ASIN: B00005KH4B
  • Amazon Best Sellers Rank: #67,433 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Poirot - Murder in Mesopotamia" visit the Internet Movie Database (IMDb)

Special Features

  • Agatha Christie biography
  • Index of all Agatha Christie Hercule Poirot stories

Editorial Reviews

Studio: A&e Home Video Release Date: 07/31/2001 Run time: 100 minutes Rating: Nr

 

Customer Reviews

14 Reviews
5 star:
 (4)
4 star:
 (6)
3 star:
 (2)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (14 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

18 of 19 people found the following review helpful:
3.0 out of 5 stars A Standard David Suchet Poirot (But that still means good), July 8, 2001
By 
Matthew Gladney (Champaign-Urbana, IL USA) - See all my reviews
This review is from: Poirot - Murder in Mesopotamia (DVD)
David Suchet, in my opinion the best Poirot, returns in top form as the little Belgian detective, once again on the trail of murder. He is accompanied by the ever-faithful Capt. Hastings (once again masterfully, if somewhat dim-wittedly, portrayed by Hugh Fraser), and the setting is the hot Middle-eastern desert (filmed on location in Tunisia).

Anyone familiar with the Poirot series which ran during the early-nineties will find that this new production does not fail in keeping up the quality that has trademarked David Suchet's reign as Poirot. The music is well-composed by Christopher Gunning. Clive Exton (main story adapter for the series), does a good job here. The director, Tom Clegg, does fine. The location shooting adds a richness to the over-all feel of the production, and, of course, Suchet and Fraser are excellent in the roles they now know so well.

For those of you unfamiliar with the plot, it takes place at an archaeological dig. The wife of the head man, Dr. Leidner, has been receiving threatening letters. She is in fear of her life. A local Arab man has also been murdered. There is a French archaeologist who is a little too mysterious for his own good. Other stock Christie characters, such as a nurse, a dutiful policeman to aid Poirot, and a family member (this time related to Capt. Hastings) are all on hand. Fairly quickly, the wife of Dr. Leidner is murdered.

The story takes on the "murder in the locked room" feel once the main crime has been commited, and it is at this point that the production really becomes engaging. If you have followed the David Suchet Poirot mysteries, then you will enjoy this one. But it is fair to say that is not, by any means, one of the "best" of the lot, despite its high production values.

Perhaps it is the story.

Blame Christie for having come up with one of the THE MOST unbelievable murder plots in mystery history. I found it hard to swallow the first time I encountered the work, and though this adaptation did its jolly-well best to work with the material, it *still* seems *very* far-fetched. That is all I will say on the matter, for I don't want to give anything away. If you are coming to this story for the first time, then I'm sure it will be quite an enjoyable experience. But if you're like me, and have seen or read it before, you'll probably be sitting there, thinking to yourself: "Great actors, nice setting, *bad* murder idea."

To quote P.D. James, "Agatha Christie was a conjurer."

She conjured many a fine and engrossing mysteries in her day, but Murder in Mesopotamia was not one of them. However, if you're looking for a cozy little two hour get-a-way with Poirot, as portrayed by the marvelous David Suchet, then by all means savor this production. The setting is real, the acting good, and the experience a pleasing one. It is not one of the *best* Suchet entries into the Poirot cannon, but it is a very sturdy one.

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14 of 16 people found the following review helpful:
4.0 out of 5 stars Unearthing the Truth at an Archaeological Dig, February 3, 2002
By 
George R Dekle "Bob Dekle" (Lake City, FL United States) - See all my reviews
(VINE VOICE)   
Before the Murder on the Orient Express, there was the Murder in Mesopotamia. As a team of archaeologists labors away at an ancient Tell, the leader's wife has her head smashed in a room which no one else could have entered or left. Poirot, who has come to the dig for a visit with his old friend, Capt. Hastings, becomes entangled in the investigation. During the course of the investigation suspicion falls on every single member of the team. The solution is both logical and satisfying, and it accounts for all the loose ends quite nicely. Poirot's identification of the murderer followed a precise and inexorable chain of deduction leading unerringly to the murderer. His reconstruction of the modus operandi was also a tour de force of logic. Given the facts he had to work with, his solution provided the only way they would all fit together.

Christie spins an entertaining yarn, and she may have been very knowledgeable on the subject of murder, but she betrays absolutely no understanding of the mechanics of perpetrating real-life murders. When I first read the novel, found the killer's modus operandi to be so complex, so dependent upon others unwittingly doing just exactly as expected, and so likely to miscarry even if everyone followed the script, that no intelligent murderer would attempt it. Watching the murderer carry out the plot on the TV screen confirmed my assessment. Only a lunatic would have attempted such a murder.

This BBC TV production starring David Suchet is excellent. It follows Christie's plot faithfully, changing only three particulars of the plot. 1. In the movie, Suchet is in the Middle East chasing after the love of his life, the beautiful but corrupt Countess Rosakoff. In the book he was simply on vacation. 2. In the movie, his friendship to Capt. Hastings brings him to the archaeological dig. In the book, Hastings does not appear. 3. In the book, when Poirot announces his solution, he prefaces his remarks by saying that he doesn't have a shred of evidence to back it up. The killer then obligingly confesses. Not really likely. In the movie, he simply announces his solution without highlighting its highly speculative nature, and the killer confesses.

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7 of 8 people found the following review helpful:
4.0 out of 5 stars Poirot ages a bit, but keeps his charm, August 21, 2001
After a good run of a half-dozen seasons on the BBC beginning in 1989, David Suchet as Poirot continues the series with occasional specials such as this one. Murder in Mesopotamia is a two-hour special set at an archaelogical dig in Iraq. Poirot visits the site to meet up with his old friend and partner, Arthur Hastings. A mystery soon ensues when the wife of the scientist running the excavation is murdered.

If you're like me and you think Suchet is a masterful Hercule Poirot, then Murder in Mesopotamia is a splendid way to pass a couple of hours. However, the series is clearly showing its age. Poirot still looks as dapper as ever, but over the years Hastings has been reduced to a tiny role where he says hardly anything more than "I say!" and "by Jove!" Unlike the earlier episodes, here the mystery is not particularly complicated; there are the usual red herrings, but the perpetrator is very easy to identify. So if you're just beginning to explore the many cases of Poirot, you might want to choose a different episode. However, for longtime fans, this two-hour episode is still worth watching despite some flaws.

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