From School Library Journal
Grade 7-10–Pale and thin, with long black hair and violet eyes, the sullen, moody girl named Poison is an appropriate heroine for this over-the-top gothic horror fantasy. The 16-year-old has never been out of the Black Marshes, one of the remote backwaters settled by humans in a Realm ruled by phaeries and inhabited by a cast of foul creatures that includes trolls, daemons, and a particularly nasty Spider Woman. When her baby sister is kidnapped and a changeling is left in her crib, Poison sets off for the Realm of Phaerie to rescue her. Her old friend and confidant, the elderly Fleet, who is acquainted with the world outside the Marshes, equips her with directions and money. But her greatest asset is her knowledge of old stories from the books in his library, for her quest leads her into adventures that seem to repeat familiar fairy tales. By the time she confronts Alethar, Lord of Phaerie, Poison has picked up an appealing cast of sidekicks who lighten the relentlessly horrific situations. As thunder and lightning crash, and rain pours down, the plot twists and turns toward an ending that may not surprise careful readers. Suffice to say that Poison is definitely the hero of her own story. Her destiny serves as a fitting metaphor for the self-absorbed alienation that accompanies adolescence. Poison's story should please crowds of horror fans who like their books fast-paced, darkly atmospheric, and melodramatic.–Margaret A. Chang, Massachusetts College of Liberal Arts, North Adams
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Gr. 6-9. Although Wooding's second stand-alone youth fantasy has its share of violent deaths and other terrifying episodes, the title refers not to a deadly toxin but to its eponymous violet-eyed heroine. Quick-witted, fierce, and fed up with living in a community where residents view misfortune as inevitable, Poison fights back when her baby sister is spirited away by "phaeries." She faces obstacles both physical and mental. In one pivotal scene, she meets her own creator, an all-powerful storyteller whose revelations prompt ruminations about self-determination and the nature of reality. Some readers won't appreciate the shift from familiar quest-story action to quiet, more metaphysical upheavals, and Poison doesn't emerge triumphant in the way that many will expect. Still, Wooding's serpentine plotting and lush, imaginative writing have something to offer to both the more mature audience of The Haunting of Alaizabel Cray
(2004) as well as slightly younger genre fans. Try this on readers who enjoyed Angie Sage's Magyk
(2005). Jennifer MattsonCopyright © American Library Association. All rights reserved