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The Politics of the Stuart Court Masque
 
 
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The Politics of the Stuart Court Masque [Hardcover]

David Bevington (Editor), Peter Holbrook (Editor)

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Book Description

0521594367 978-0521594363 January 13, 1999
This book takes a new look at the courtly masque--a unique combination of music, dance, speech, and elaborate costume--in early-seventeenth-century England. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. Together they reveal how rival factions at the courts of James I and of Charles I represented their clash of viewpoints through dancing and spectacle.

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Editorial Reviews

Review

"This lively and important collection of essays repositions the criticism of masques to better account for competing court allegiances which the Stuart court masque negotiated....this important volume must be praised for bringing to our attention a new way to conceive of the masque's relation to court politics, an increased appreciation for the position of women in the masque's creative process, and, indeed, a more nuanced understanding of Stuart absolutist ideology." Susanne F. Paterson, Albion

"Every library should possess this collection, and every scholar interested in early modern court and civic life should read it, as Bacon counsels, "wholly, and with Diligence and Attention."" Sixteenth Century Journal

"The Politics of the Stuart Court Masque is, finally, an exceptionally good collection of essays that offers substantial, detailed and informative reconsiderations of an important cultural form." Essays in Theatre

Book Description

This book takes a new look at the courtly masque-- a unique combination of music, dance, speech, and elaborate costume -- in early seventeenth-century England. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. Together they reveal how rival factions at the courts of James I and of Charles I represent their clash of viewpoints through dancing and spectacle.

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Inside This Book (learn more)
First Sentence:
Masques were often dismissed as mere trifles of entertainment during the Jacobean years when that genre experienced its most remarkable development. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
parliamentary installation, antimasque characters, antimasque figures, reformed masque, masque world, twelve goddesses, masque dances, main masque, masque texts, first masque, poetic fury, courtly dancing, midsummer feast, courtly masque, court masque, aristocratic entertainments, dangerous image, wedding masque, fairy prince, mayor elect, child performers, court culture, acting version
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Accession Day, Merchant Tailors, Prince Henry, Stephen Orgel, Queen Anne, New York, Inigo Jones, Prince of Wales, Earl of Essex, Queen Elizabeth, Francis Bacon, Martin Butler, Queen Anna, David Lindley, Lord Mayor's Show, Pleasure Reconciled, Samuel Daniel, Roy Strong, The Masque of Blackness, The Masque of Queens, Duke of Buckingham, New Historicist, Jonathan Goldberg, New Historicism, Tom Bishop
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