Most Helpful Customer Reviews
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65 of 70 people found the following review helpful:
4.0 out of 5 stars
Well researched and fascinating, December 31, 2003
It is August of 79 A.D. in the Bay of Naples and the Aqua Augusta, the aqueduct carrying water to the cities of the area, begins to dry up. Fish are mysteriously dying in their ponds. There are ground tremors and rock falls in the cities surrounding Mount Vesuvius. Some residents attribute these things to giants or to the wrath of the gods. But Marcus Attilius Primus, the aquarius, or water engineer of the Aqua Augusta, who is sent to Misenum to research and repair the problem, knows that there is a scientific explanation. As he tracks the aqueduct from its terminus in Misenum to Pompeii and then onward to the vicinity of Mount Vesuvius, he observes unusual natural phenomena, discovers the upheaval that disrupted the water flow, and realizes that an inevitable cataclysmic event is about to occur. In this painstakingly researched story, Robert Harris has produced much more than a historical thriller. Although we know the story will end with the eruption of Mount Vesuvius and the destruction of the surrounding cities, Harris has built suspense by describing the mysterious disappearance of the former aquarius Exomnius and the attempts of the officials of Pompeii to prevent Attilius from discovering the truth. This book also provides fascinating detail on the culture of ancient Rome, from the feasts in the sumptuous villas to the ingenious plumbing in the bath houses. It provides details on the aqueduct system, a marvel of Roman engineering. Each chapter is prefaced with an excerpt from a treatise on volcanos that describes the causes of, and events occuring during, an eruption. The reader is entertained while learning all this, and is not overburdened with facts and figures. The characters are well developed and fascinating. The brilliant writer, naturalist, and scholar Pliny the Elder, and the pompous and wealthy city developer Ampliatus come to life through Harris' talent. From slaves to powerful land barons, from laborers to statesmen, the reader is treated to all facets of the citizenry of ancient Pompeii. There is also a weakly developed love interest between Attilius and the daughter of Ampliatus. This is the one part of the story that would have been better if left out. Even with that flaw, the book is compelling reading with a built-in ancient history lesson.
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31 of 33 people found the following review helpful:
5.0 out of 5 stars
Pompeii Comes Alive, January 16, 2004
Pompeii by Robert Harris has received some excellent reviews, and it was on the strength of these that I decided to read the book. I was not disappointed. Mr. Harris does have the gift of giving his reading the feel of a place and time. He breathes life into the late first century and presents the many facts and customs in a way that sparks interest and not boredom. The novel begins on August 22, 79 CE, and the chapters are cleverly organized following the Roman hours of the day and also give the actual hour when the events are taking place. Each chapter is prefaced with an excerpt from a technical work on volcanology that provides the reader with an idea of the activity going on inside Mount Vesuvius. The story revolves around the Aqua Augusta, an aqueduct that the protagonist of the story, Marcus Attilius Primus, first becomes the aquarius (the person responsible for maintaining the structure) of the aqueduct and then searches for a break that prevents the flow of water to the drought stricken countryside. Atillius is a noble character, an imperial official who takes pride in his work and is incorruptible. But he is now in the self-proclaimed city-on-the-make: Pompeii. Along the way we meet Ampliatus, a wealthy freedman who is, ironically, marrying his daughter to Popilius, his old master. Ampliatus represents a long line of uncouth and ambitious freedmen that came to dominate the principate in the early empire under Claudius and Nero. Mr. Harris paints a probing and revealing portrait of Ampliatus and draws an inevitable comparison with Trimalchio of Petronius' Satyricon, with the freedman presiding over a similar overly sumptuous banquet Ampliatus. As a classicist, I found the banquet scene a little too reminiscent of the novel by Petronius. The characterization was a little too close and I did not want a parody of that famous literary banquet scene. However, I think Mr. Harris more than makes up for identifying his character so closely with Petronius by giving him a darker and more ruthless side. Ampliatus' daughter Corelia is the conscience that her father does not have. She is a teenager of marriageable age and chafes under the ruthless nature of her father and her own helplessness before her own loveless marriage. The novel presents an interesting portrait of Pliny the Elder that I found captured his interest in the world around him and his battle of filling his days with as much activity as possible. We also have the embittered Corax; the overseer of the men who maintain the aqueduct, an enemy of Attilius, who is ready to do anything to get rid of the "new man in town." A central part of the story is the mysterious disappearance of Atillius' predecessor Exomnius. Is he alive or dead? Little by little Attilius pieces together Exomnius' background and his association with Ampliatus, a revelation that places his life in jeopardy. In the background is Vesuvius. We know the catastrophe that is about to happen and look on as the trembling of the earth raises the curiosity of Pliny and the rumblings of the volcano remind people of thunder and giants. Pompeii is a well-conceived novel that presents a plausible story populated with flesh-and-blood characters. It is a fast-paced book that is a joy to read; a book that is hard to put down, and a must read for people interested in ancient history or who find the city of Pompeii a fascinating place.
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37 of 41 people found the following review helpful:
4.0 out of 5 stars
History overshadows characterization, November 19, 2003
Everybody thinks they know about the eruption of Mt. Vesuvius at Pompeii--79 AD . . .rivers of bubbling magma . . .citizens immortalized in pleading poses for all eternity by ash . . .the heedless rich getting their comeuppance from nature. Those basics are true, but Robert Harris reminds us that the eruption of Vesuvius was much more than that. It remains one of history's greatest and most dramatic disaster stories, and we know a great deal about it because one of the Roman Empire's greatest historians was there to write a blow-by-blow record of the destruction; and although Pliny did not survive, his report did.
Pompeii and Herculaneum were the Malibu and Santa Barbara of Rome. In the hot August of 79 AD, tourists were swarming to the cool coast to enjoy the luxury accommodations, crystal swimming pools, and elegant spas of the bayside resorts. Marcus Attilius is there too, but he's not there to enjoy the occasional cool breeze, he's there to work as the new aquarius of the Aqua Augusta--the new water engineer in charge of the enormous aqueduct that brings endless water flowing to the nine towns around the Bay of Naples. Springs are failing for the first time in centuries and the flow of water is being disrupted to hundreds of thousands of people. Attilius' family has worked on the great aqueducts for generations, but even he is bewildered by the cause of this crisis somewhere along the Aqua Augusta's sixty-mile line--a line that stretches along the slopes of Mt. Vesuvius.
The Roman aqueducts were an amazing feat, and Harris describes their workings in great detail. He does an excellent job of showing, not telling, and through Attilius and his crew he weaves an incredible amount of information into the narrative and it is fascinating. Also excellently done is his description of the various effects of the eruption--which lasted several days--where he uses Pliny's observation of the event of excellent effect. Pliny, historian and general, was also a very fat and cranky old man by 79 AD. He took one of his ships out into the bay to watch and record the devastation from what he thought was a safe distance. But too soon the ships in the bay were in danger from the roiling waves and huge chunks of pumice flying down off the mountain. Pliny had his scribes don helmets and take down his descriptions as clods of pumice bounced off the old general's uncovered head--"The pumice is less like rock than airy fragments of a frozen cloud." he dictates. "It floats on the surface of the sea like lumps of ice. Extraordinary!" Eventually it would clog the bay and begin to crush ships. Pliny knew he was too heavy and unsteady to escape the final firestorm from Vesuvius and ordered his scribes to save themselves and his precious reportage. Fortunately they did, and Robert Harris puts Pliny's observation to fine use in this novel.
Harris is a workmanlike writer with the gift of being able to integrate complicated information into a believable narrative. That's what made "Enigma" and "Fatherland" so interesting, and what works for "Pompeii." The characters are take second place to the setting, and are not particularly exciting. However, they respond to the extraordinary circumstances around them in ways that are completely consistent with their characterizations. It is the same with Harris' establishment of place. He offers no special explanations of Rome, but builds it all into the action. As a result the Roman world seems very immediate and almost modern.
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