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Fresh, attentive, and emotionally shattering, the French film
Ponette is an attempt to enter the world of a 4-year-old girl whose mother has just been killed in a car accident on one of the winding roads in the mountainous countryside near Lyon. Played by pudgy, sad-eyed Victoire Thivisol (winner of a controversial but perfectly understandable Best Actress award at the 1996 Venice Film Festival), Ponette turns her grief into something else, something more childish and yet more mature. Convinced that her mother has been visiting her in her dreams, and that some day she will return in flesh and blood, Ponette invents a religion for herself with the specter of her mother at its center.
By keeping his camera eye level with his young actors (who include Matiaz Bureau Caton and Delphine Schiltz as Ponette's know-it-all cousins) and miking the children so closely that their voices have the presence and authority of grown-up speech, director Jacques Doillon taps directly into the private world of childhood. The rolling landscape that extends for Elysian miles behind the characters gradually shifts from green to brown over the course of Ponette, suggesting the presence of death in life, and also the eternal cycle of the seasons that will allow life and love to return. --Dave Kehr