From School Library Journal
Grade 4-6–Verbena's mother is disturbed that her daughter hasn't shown any sign of manifesting her witch powers, so she is pleased when Grandma offers the 11-year-old weekly magic lessons. Grandma disapproves of Mom's parenting techniques and is sure that she can help her granddaughter reach her potential. Verbena, for her part, just wants a normal, everyday life. Then Soufi, the cutest boy in school, winds up in the middle of one of Grandma's spells, and Verbena is afraid that her social life is doomed. A different character narrates each section of the book. Mom focuses on the hassles of single witch-parenting; Grandma emphasizes family tradition; Verbena sees events through her desire for independence; and Soufi gives an outsider's perspective. The changing viewpoint gives insight into the characters, but often makes the action difficult to follow. Young readers may also be troubled by Mom's unflattering references to Verbena as dumb and a batty birdbrain. Diane Duane's Young Wizards series (Harcourt) is a more cohesive, better-written chronicle of fledgling magic-users and their trials.
–Elaine E. Knight, Lincoln Elementary Schools, IL Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
Besides typical preteen friction with her single mother, 11-year-old Verbena must come to terms with the fact that as the eldest daughter of the eldest daughter of a witch, she is a witch herself. "I wanted to be like normal families," she laments, but once she slams out of the kitchen and hears the clatter of dishes hurling themselves across the room in sympathy, she knows there's no turning back. A spell lesson with Grandma leads to unexpected consequences and even a longed-for piece of the normalcy she desires. Though this French writer's work for adults has been published in the U.S., this is her first children's novel to be translated and made available here. The unconventional telling shifts from one first-person narrator to another, beginning and ending with Verbena's mother. Sometimes the same scene is shown from different characters' points of view. With an eye-catching jacket, this short, offbeat story will introduce Desplechin's writing to a new audience.
Carolyn PhelanCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.