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23 of 23 people found the following review helpful:
5.0 out of 5 stars Comprehensive and colorful
First, an admission: I judge books about pop art mainly by the pictures. And by that measure, this book offers one of the broadest and most pleasing collection of pop art pieces to be found between two covers. The large 9-1/2" x 12" format allows for excellent reproduction of the art with ample detail. The vast majority of the photos are in color, and the few...
Published on June 28, 2001 by Thomas Lundin

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6 of 6 people found the following review helpful:
2.0 out of 5 stars A Coffee Table Book Masquerading as a Work of Academia
While the works of art reproduced in this book are numerous and colorful, the accompanying text is not very useful for anybody looking for an actual resource on the subject of pop-art. Sure, the book reads like a historical account and a scholarly analysis of the genre, but after about 20 or 30 pages it becomes clear that the typo-ridden text is moving in circles,...
Published on October 12, 2009 by Trevor


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23 of 23 people found the following review helpful:
5.0 out of 5 stars Comprehensive and colorful, June 28, 2001
By 
Thomas Lundin (Lakeville, MN USA) - See all my reviews
(REAL NAME)   
This review is from: Pop Art (Big Series Art) (Hardcover)
First, an admission: I judge books about pop art mainly by the pictures. And by that measure, this book offers one of the broadest and most pleasing collection of pop art pieces to be found between two covers. The large 9-1/2" x 12" format allows for excellent reproduction of the art with ample detail. The vast majority of the photos are in color, and the few that aren't don't suffer greatly for it.

But even though I'm a pictures-first kind of guy, the supporting text has to be informational and relevant. Again, by this measure, this book delivers. The text by Osterwold is lucid and perceptive, without being overly-academic (which is the downfall of many a pop art book). The translation from German was done expertly, for it reads well in English without any obvious awkwardness in style.

Prior to this book, the best overall historical discussion of the subject was found in Lucy Lippard's _Pop Art_ (also available on Amazon), first published in the early 70s and reprinted in 1985. That book remains a worthy addition to any pop art aficionado's library, but if you're only looking for one book as a general treatment of the subject, Osterwold's is the one to get.

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6 of 6 people found the following review helpful:
2.0 out of 5 stars A Coffee Table Book Masquerading as a Work of Academia, October 12, 2009
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While the works of art reproduced in this book are numerous and colorful, the accompanying text is not very useful for anybody looking for an actual resource on the subject of pop-art. Sure, the book reads like a historical account and a scholarly analysis of the genre, but after about 20 or 30 pages it becomes clear that the typo-ridden text is moving in circles, finding new ways to repeat the same arguments page after page. Many of the artworks printed in the book are never discussed in the text, and several of the works discussed in the text are not pictured in the book. Buy this if you're looking for a coffee table book, not if you're trying to do research.
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8 of 9 people found the following review helpful:
4.0 out of 5 stars A great collection with a few minor flaws, December 23, 2007
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Yet another great addition to the Taschen 25th Anniversary series. As one would expect, there are many beautifully reproduced works representing some of the finest works of the pop art era. Most of the chapters cover a certain theme (e.g. Media and Art, Origins of Pop Art), while four or five chapters at the end concentrate on specific artists. You get some good commentary on Warhol, Hamilton, Lichtenstein, and a couple others. Finally, the book includes a biographical dictionary of some of the most important pop art figures.

I have two criticisms. First, the book feels slightly wordy. I'm no stranger to academic and scholarly writing, and I can usually tell when someone is posturing. The content is fine, but the style is excessive. When you start seeing "objectivize" where "objective" would perfectly suffice, you know something is up. It's not a huge criticism, but it keeps the text from reading as well as it could.

The second criticism deals with the synchronization of image and text. When you're reading, you are often required to flip forwards or backwards up to three or four pages to find the work under discussion. In a book where the text so clearly aligns with the images, this is an announce.

However, this probably isn't the larger point. I'd recommend buying it for the wonderful reproductions alone. There are certainly better books on pop art - the text isn't anything profound - but there aren't many available for this price. High-quality reproductions along with some helpful commentary make for an excellent book.
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9 of 12 people found the following review helpful:
4.0 out of 5 stars diversity, April 17, 2000
By A Customer
This review is from: Pop Art (Big Series Art) (Hardcover)
This book was great! I really enjoyed it. It has a diverse selection of pieces in it, sculptures and paintings. It also had great explanations of the artists intent. I highly suggest this one.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars "Pop Art" by Tilman Osterwold, December 22, 2008
By 
Tim L (West Chester, PA USA) - See all my reviews
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This is a really good book! Not only is it a great over view and introduction to the origins and pioneers of the Pop Art movement of the 1960s, but it covers the philosophies of what Pop Art is all about, which is something most art historians don't delve into too deeply.

As this books puts it, Pop art is about "the myths of everyday life". Centuries ago artists painted images of Greek Goddesses, but Pop Artists painted images of Marilyn Monroe, and many artist have painted "bowls of fruits", pop artists paint "cans of soup". Whether it's images of movie stars or corporate logos, Pop art is about focusing your attention on all the things that effect and shape modern society.

My only complaint is that this book was published in 1990, an expanded edition probably wouldn't be a bad idea, because over the passed 40 years the Pop art philosophy has become one of the most dominate forces in modern art. But if your someone who's interested in understanding what goes on in art galleries of today, this book is an excellent guide and a "must read".


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1 of 1 people found the following review helpful:
5.0 out of 5 stars Bright, colorful book that captures the look and feel of Pop Art, June 19, 2009
By 
Michael A. Duvernois (Minneapolis, MN United States) - See all my reviews
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As always, Taschen books are a great deal for the price. This is a good survey of Pop Art mostly through the images. This isn't a scholarly monograph, and no one buying it is likely to be looking for that. Rather we have a representative collection of Pop Art both canonical and obscure.
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5.0 out of 5 stars One of my favorite Taschen books, August 16, 2011
Great pictures, quality and content. Interesting to read, I own plenty of Taschen books and the content of this book is one of the best ones out there. If you are into pop art, do not hesistate.
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Pop Art (Big Series Art)
Pop Art (Big Series Art) by Tilman Osterwold (Hardcover - April 1, 1999)
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