From the early 1960s through the early 70s, Pop Art swept the industrialized world. Iconoclastic, rebellious, and immediately popular, the new movement found its roots in an unprecedentedly prosperous consumer society. Encouraged by galleries and publishers who catered to a new collectors' market, many Pop artists were drawn to the creation of editions on paper and in multiples. 60 vibrant examples by such American icons as Andy Warhol and Roy Lichtenstein, and by such European artists as Richard Hamilton, Niki de Saint Phalle, Gerhard Richter, Eduardo Paolozzi, and Sigmar Polke, are organized according to the themes of mass media consumer culture, politics, erotica and more. All of the works included herein are from The Prints and Illustrated Books Collection at The Museum of Modern Art, New York, an exceptionally rich repository of such work.
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Book Description
Editorial Reviews
About the Author
Born in France in 1928, Arman was a founding member, along with artists such as longtime friend Yves Kein and Jean Tinguely, of the Nouveaux Realistes group, in 1960. He has had solo exhibitions at major institutions worldwide, including in the United States at the Walker Art Center and the La Jolla Museum of Contemporary Art. He lives in New York.
Jim Dine was born in Cincinnati in 1935 and made his entrance into the New York art world in the late 1950s. His paintings, drawings, photographs and sculpture have since been shown at the Walker Art Center, Minneapolis and the Whitney Museum of American Art and the Guggenheim Museum, New York. Dine has taught art at Yale, Oberlin and Cornell.
Richard Hamilton was born in London in 1922. He studied painting and technical drawing at art schools in Londa throughout the 30s and 40s, and had his first one-man exhibition at Gimpel Fils in 1950. A founding member of the Independent Group, he organized numerous exhibitions and collaborated with such artists as Marcel Duchamp and Dieter Roth. A first, small retrospective of Hamilton's oeuvre was held in 1974 at the Guggenheim Museum, New York; a more comprehensive one was mounted in 1979 at the Tate Gallery.
Jasper Johns was born in 1930 in South Carolina, where he grew up wanting to be an artist. Emerging in the late 50s as a force in the American art scene, his richly worked paintings of maps, flags, and targets led the artistic community away from abstract expressionism toward a new emphasis on the concrete, paving the way for Pop Art and minimalism. The artist lives and works in New York.
One of the most beloved of American pop artists, Roy Lichtenstein was born in 1923 in New York, and studied there at the Art Students League and later at Ohio State University, during which he completed a three-year tour of duty in the army. His early work was based on American genre and history painting, and took on Cubist and Expressionist styles. His first proto-Pop work was created in 1956; his first pop 'Brushstroke' painting appeared in 1965. Lichtenstein died in 1997.
Born into a diplomatic family in 1929 in Stockholm, Sweden, Claes Oldenburg lived in the United States and Norway before settling in Chicago in 1936, and becoming a citizen in 1953. He studied Literature and Art History at Yale University and Studio Art at the Art Institute of Chicago. In 1956, he moved to New York and met several artists making early Performance work, including George Brecht, Allan Kaprow, George Segal and Robert Whitman. Oldenburg soon became a prominent figure in Happenings and Performance art during the late 1950s and early 1960s. Over the past three decades, his work has been the subject of many solo exhibitions, including at The Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; and the Solomon R. Guggenheim Museum, New York. Oldenburg lives in New York.
Sigmar Polke was born in Oels, Germany, in 1941, and studied at the State Academy of Art in D sseldorf. He first achieved recognition in 1963 when he began working in a witty and irreverent style he termed "Capitalist Realism"--often considered a more complex and political cousin to Anglo-American Pop Art. He has continued to create innovative and aesthetically impressive works through the present day. He has been the subject of solo exhibitions at such major museums as the Museum of Contemporary Art, Los Angeles; the San Francisco Museum of Modern Art; the MusEe de l'Art Moderne de la Ville de Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Museum of Contemporary Art, Chicago; the Brooklyn Museum; the Stedelijk Museum, Amsterdam; the Walker Arts Center; and, in 1999, at The Museum of Modern Art, New York. He has been the recipient of the Venice Biennale's Golden Lion, the Erasmus award, and the Carnegie award. He lives and works in Cologne, Germany.
Mel Ramos was born in Sacramento, California, in 1935. His work has long been considered of the West Coast pop variety and has been exhibited in most major museums around the world.
Robert Rauschenberg was born in Port Arthur, Texas, in 1925. After studying in Paris on the G.I. Bill in his twenties, he returned to the U.S., pausing only to investigate the Black Mountain College art scene before taking on--and swiftly conquering--New York. He had his first solo show at Leo Castelli Gallery in his early thirties, and quickly went on to become one of the most important artists of the twentieth century. Rauschenberg is represented in every major museum collection, and many retrospective exhibitions of his work have toured the globe--including a thematic one at the Guggenheim Museum in 1997. In 1970, he moved to Captiva Island, off the Gulf Coast of Florida, where he still lives and works.
Gerhard Richter was born in 1932 in Dresden, Germany. Since the early 1960s he has emerged as one of the essential painters of the postwar period, pioneering photorealism with paintings made from found photographs (amateur snapshots, advertisements and book and magazine illustrations) and then from his own photographs. His work has also profoundly engaged with and influenced such genres as Pop and abstract art. A retrospective of Richter's work was shown in 2001 at The Museum of Modern Art, New York. The exhibition was one of the largest ever organized there for a living artist, and traveled to The Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington, D.C.
James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944 and he began to study art four years later. In 1955 he won a scholarship to the Art Students' League in New York, where he first met Robert Indiana, Jasper Johns, Robert Rauschenberg and Claes Oldenburg. During his first years at the school he painted small-format abstract paintings and worked part-time as a driver. His next job saw him made head billboard painter at the ArtKraft -Strauss Corporation; around that same time he produced his pivotal large-scale work President Elect by combining J.F.K.'s face with sex and automobile imagery. The rest is Pop Art history: Rosenquist's first one-man exhibition in 1962 at the Green Gallery sold out. Three years later he made what has come to be considered one of his most important works, the 26-meter-long F-111. In 1968 he was given his first retrospective by the National Gallery of Canada.
Dieter Roth was born to a Swiss father and German mother in Hannover, Germany, in 1930, and was later sent out of Nazi Germany to live in Switzerland with foster parents. He received his training in graphic design in Bern, where he also became interested in avant-garde design and poetry. A despiser of routines, he moved often, living in places as remote from one another as Reykjavik, London, Basel, Hamburg and Providence, Rhode Island; in each of these places he created a new identity and used a variation of his birth name, Karl Dieter Roth, such as Dieter Roth, Diter Rot and Dieterrot. He died in 1998.
Ed Ruscha was born in 1937 in Omaha, Nebraska and grew up in Oklahoma City. In 1956 he moved to Los Angeles, where he attended the Chouinard Art Institute. His work has been the subject of exhibits at the Centre George Pompidou, Paris, the Walker Art Center, Minneapolis, and the J. Paul Getty Museum, Los Angeles.
George Segal (1924-2000) was born in New York and raised during the Great Depression on a poultry farm in New Jersey. Educated in New York (at Stuyvesant High School, Pratt, Cooper Union, and finally New York University), he joined the 10th Street scene as a young artist but also bought his own chicken farm with his wife Helen in the late 1940s. In 1956, Allan Kaprow chose the Segal farm as the site for his first Happening. It was in the late 1950s that Segal began to experiment with sculpture, ultimately casting his own body with plaster bandages. Though known as part of the Pop Art movement, Segal stayed close to the personal and human throughout his career. His work is in major museum collections throughout the United States and abroad.
Tom Wesselmann was born in 1931 in Cincinnati, Ohio. As an art student at New York's Cooper Union, Wesselman was a devotee of the Abstract Expressionists Willem de Kooning and Jackson Pollock. Realizing that Ab Ex had already been taken to its apex, Wesselman turned far away, to the artifacts of the everyday world, to Pop. He lives in New York.
"Wendy Weitman is curator in the department of prints and illustrated books at The Museum of Modern Art, New York."
Jim Dine was born in Cincinnati in 1935 and made his entrance into the New York art world in the late 1950s. His paintings, drawings, photographs and sculpture have since been shown at the Walker Art Center, Minneapolis and the Whitney Museum of American Art and the Guggenheim Museum, New York. Dine has taught art at Yale, Oberlin and Cornell.
Richard Hamilton was born in London in 1922. He studied painting and technical drawing at art schools in Londa throughout the 30s and 40s, and had his first one-man exhibition at Gimpel Fils in 1950. A founding member of the Independent Group, he organized numerous exhibitions and collaborated with such artists as Marcel Duchamp and Dieter Roth. A first, small retrospective of Hamilton's oeuvre was held in 1974 at the Guggenheim Museum, New York; a more comprehensive one was mounted in 1979 at the Tate Gallery.
Jasper Johns was born in 1930 in South Carolina, where he grew up wanting to be an artist. Emerging in the late 50s as a force in the American art scene, his richly worked paintings of maps, flags, and targets led the artistic community away from abstract expressionism toward a new emphasis on the concrete, paving the way for Pop Art and minimalism. The artist lives and works in New York.
One of the most beloved of American pop artists, Roy Lichtenstein was born in 1923 in New York, and studied there at the Art Students League and later at Ohio State University, during which he completed a three-year tour of duty in the army. His early work was based on American genre and history painting, and took on Cubist and Expressionist styles. His first proto-Pop work was created in 1956; his first pop 'Brushstroke' painting appeared in 1965. Lichtenstein died in 1997.
Born into a diplomatic family in 1929 in Stockholm, Sweden, Claes Oldenburg lived in the United States and Norway before settling in Chicago in 1936, and becoming a citizen in 1953. He studied Literature and Art History at Yale University and Studio Art at the Art Institute of Chicago. In 1956, he moved to New York and met several artists making early Performance work, including George Brecht, Allan Kaprow, George Segal and Robert Whitman. Oldenburg soon became a prominent figure in Happenings and Performance art during the late 1950s and early 1960s. Over the past three decades, his work has been the subject of many solo exhibitions, including at The Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; and the Solomon R. Guggenheim Museum, New York. Oldenburg lives in New York.
Sigmar Polke was born in Oels, Germany, in 1941, and studied at the State Academy of Art in D sseldorf. He first achieved recognition in 1963 when he began working in a witty and irreverent style he termed "Capitalist Realism"--often considered a more complex and political cousin to Anglo-American Pop Art. He has continued to create innovative and aesthetically impressive works through the present day. He has been the subject of solo exhibitions at such major museums as the Museum of Contemporary Art, Los Angeles; the San Francisco Museum of Modern Art; the MusEe de l'Art Moderne de la Ville de Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Museum of Contemporary Art, Chicago; the Brooklyn Museum; the Stedelijk Museum, Amsterdam; the Walker Arts Center; and, in 1999, at The Museum of Modern Art, New York. He has been the recipient of the Venice Biennale's Golden Lion, the Erasmus award, and the Carnegie award. He lives and works in Cologne, Germany.
Mel Ramos was born in Sacramento, California, in 1935. His work has long been considered of the West Coast pop variety and has been exhibited in most major museums around the world.
Robert Rauschenberg was born in Port Arthur, Texas, in 1925. After studying in Paris on the G.I. Bill in his twenties, he returned to the U.S., pausing only to investigate the Black Mountain College art scene before taking on--and swiftly conquering--New York. He had his first solo show at Leo Castelli Gallery in his early thirties, and quickly went on to become one of the most important artists of the twentieth century. Rauschenberg is represented in every major museum collection, and many retrospective exhibitions of his work have toured the globe--including a thematic one at the Guggenheim Museum in 1997. In 1970, he moved to Captiva Island, off the Gulf Coast of Florida, where he still lives and works.
Gerhard Richter was born in 1932 in Dresden, Germany. Since the early 1960s he has emerged as one of the essential painters of the postwar period, pioneering photorealism with paintings made from found photographs (amateur snapshots, advertisements and book and magazine illustrations) and then from his own photographs. His work has also profoundly engaged with and influenced such genres as Pop and abstract art. A retrospective of Richter's work was shown in 2001 at The Museum of Modern Art, New York. The exhibition was one of the largest ever organized there for a living artist, and traveled to The Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington, D.C.
James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944 and he began to study art four years later. In 1955 he won a scholarship to the Art Students' League in New York, where he first met Robert Indiana, Jasper Johns, Robert Rauschenberg and Claes Oldenburg. During his first years at the school he painted small-format abstract paintings and worked part-time as a driver. His next job saw him made head billboard painter at the ArtKraft -Strauss Corporation; around that same time he produced his pivotal large-scale work President Elect by combining J.F.K.'s face with sex and automobile imagery. The rest is Pop Art history: Rosenquist's first one-man exhibition in 1962 at the Green Gallery sold out. Three years later he made what has come to be considered one of his most important works, the 26-meter-long F-111. In 1968 he was given his first retrospective by the National Gallery of Canada.
Dieter Roth was born to a Swiss father and German mother in Hannover, Germany, in 1930, and was later sent out of Nazi Germany to live in Switzerland with foster parents. He received his training in graphic design in Bern, where he also became interested in avant-garde design and poetry. A despiser of routines, he moved often, living in places as remote from one another as Reykjavik, London, Basel, Hamburg and Providence, Rhode Island; in each of these places he created a new identity and used a variation of his birth name, Karl Dieter Roth, such as Dieter Roth, Diter Rot and Dieterrot. He died in 1998.
Ed Ruscha was born in 1937 in Omaha, Nebraska and grew up in Oklahoma City. In 1956 he moved to Los Angeles, where he attended the Chouinard Art Institute. His work has been the subject of exhibits at the Centre George Pompidou, Paris, the Walker Art Center, Minneapolis, and the J. Paul Getty Museum, Los Angeles.
George Segal (1924-2000) was born in New York and raised during the Great Depression on a poultry farm in New Jersey. Educated in New York (at Stuyvesant High School, Pratt, Cooper Union, and finally New York University), he joined the 10th Street scene as a young artist but also bought his own chicken farm with his wife Helen in the late 1940s. In 1956, Allan Kaprow chose the Segal farm as the site for his first Happening. It was in the late 1950s that Segal began to experiment with sculpture, ultimately casting his own body with plaster bandages. Though known as part of the Pop Art movement, Segal stayed close to the personal and human throughout his career. His work is in major museum collections throughout the United States and abroad.
Tom Wesselmann was born in 1931 in Cincinnati, Ohio. As an art student at New York's Cooper Union, Wesselman was a devotee of the Abstract Expressionists Willem de Kooning and Jackson Pollock. Realizing that Ab Ex had already been taken to its apex, Wesselman turned far away, to the artifacts of the everyday world, to Pop. He lives in New York.
"Wendy Weitman is curator in the department of prints and illustrated books at The Museum of Modern Art, New York."
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Pop Prints,
By DMV "DMV" (New York, NY) - See all my reviews
This review is from: Pop Impressions Europe/USA: Prints and Multiples from the Museum of Modern Art (Paperback)
This cataloge of the recent exhibition "Pop Impressions Europe/USA" at the Museum of Modern Art in NY, added immensely to to my understanding of the pop art movement. it makes it evident that pop was a global movement and not solely American. Also, the organization of the book is themeatic, with such catagories as "Mass Media" and "Erotica" helping to clarify the feeling of the time period. "Pop Impressions" is also lavishly illustrated with color reproductions (almost one on every page), a necessity with this art movement.
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