Popular Culture in Early Modern Europe [Paperback]

Peter Burke (Author)

Book Description

ISBN-10: 1597403725 | ISBN-13: 978-1597403726 | Publication Date: August 1, 2008

This revised reprint contains a new preface looking at developments in recent years in the study of popular culture and the difficulty in fixing these two terms. A supplementary bibliography also adds to the information about recent research in the area.

--This text refers to an out of print or unavailable edition of this title.

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About the Author

Peter Burke is a Professor at Emmanuel College, Cambridge, UK. --This text refers to an alternate Paperback edition.

Product Details

• Paperback: 400 pages
• Publisher: ACLS Humanities E-Book (August 1, 2008)
• Language: English
• ISBN-10: 1597403725
• ISBN-13: 978-1597403726
• Product Dimensions: 8.7 x 6.1 x 1.1 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #1,378,931 in Books (See Top 100 in Books)

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19 of 22 people found the following review helpful:

5.0 out of 5 stars A fascinating look at the culture of the people, April 5, 2000

By A Customer

This review is from: Popular Culture in Early Modern Europe (Paperback)

In this highly interesting work, Peter Burke sets out "to describe and interpret the popular culture of early modern Europe," and he does it in such a way as to be accessible to the general reader. Burke is attempting a synthesis of all of European culture from 1500 to 1800 (i.e., until the beginnings of industrialization). His thesis is that there is such a thing as popular culture (what he terms "little tradition"), transmitted informally and shared by both elites and commoners at the close of the Middle Ages. However, with the coming of the Reformation and especially the Renaissance, the educated few, who share in the "great tradition," are driven to separate themselves from the "common", "unchristian"," or "immoral" customs of the people. This entire process ends with the return of the elite to "discover" popular culture again for a variety of reasons: antiquarianism, curiousity, nationalism, etc. Perhaps the most valuable part of the book is Burke's intelligent discussion of his method (folklorist, literary critical, and socio-anthropological), his nuanced two-tiered model of culture (great and little), and his honest discussion of the problems of the sources for popular culture. Other interesting parts of the book include chapters on the transmitters of popular culture (Ch. 4); culture ideals expressed through heroes, villains, and fools (Ch. 6), the world of Carnival as the most important ritual setting for popular culture (Ch. 7), and the reforming attacks on Carnival by the educated elite through the institution of Lent (Ch. 8). For information about specific locales and times, this book can't compare to the precision of focused studies. However, despite the fact that this book was written over 20 years ago, it still makes an excellent introduction to the study of popular culture. It also provides a context to give particular events meaning, something that most specific studies simply can't do. Burke's style and thought are clear and highly interesting. A must read for anyone interested in the world of early modern Europe.

5.0 out of 5 stars Great Introduction to the Subject, April 9, 2011

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This review is from: Popular Culture in Early Modern Europe (Paperback)

***This is a review of the 1978 edition****

Although the time period under discussion is remote (1500-1800) the topic covered is one which has seen a lot of action since the late 70s. In this sense Burkes Popular Culture in Early Modern Europe reads more like an anticipation of much scholarship in this area from the 80s onward, then a definitive statement on the topic. It's certainly no fault of the author. The field of "indo european poetics" literally did not exist when Burke was writing, so you can't blame the guy for not being hip to certain characteristics of indo european poetics that seem to united much of the early popular culture of Europe.

To give a simple example, in Calvin Watkins excellent survey of Indo-European poetics, How to Kill a Dragon, he describes the common Indo-European feature of descriptive alliteration the "saucy servant" for example. Burke describes a similar feature as being common to European traditions of recited poetry, but can only speculate as to how this similarity came to pass.

Burke's task is also complicated by the fact that intellectuals didn't pay much attention to "popular culture" until the German-lead "Discovery of the People" in the late 18th and early 19th century. Thus, for the earlier periods surveyed in this book, Burke is left with the tools of supposition and guess work. Burke is more on target when he describes the general themes of Popular Culture in Early Modern Europe. Like many a diligent scholar of the 60s through 70s, Burke adopts a "structuralist" approach to his subject, first laying down "the structures of popular culture": Its transmission, forms, important themes and events, before discussing how popular culture changed in the later part of the period. His description of the structures of popular culture in early modern europe is hampered by the lack of primary sources. I didn't really need a book to tell me that wandering minstrels played a crucial role in transmitting folk songs in the 1500s, nor do I need a professor to elucidate the fact that there was a continuum between religious and popular culture during this time period.

Burke is more valuable when he describes the two fold change in Popular Culture which took place between 1500-1800, the first part of this change Burke dubs "The Triumph of Lent" (over Carnival.) This was a time period where Church authorities- both Protestant and Catholic, took action against the popular festivals which were the hallmark of Popular Culture in Early Modern Europe. Their actions were grounded in a variety of concerns, from religious to aesthetic, and the Triumph of Lent took place in two distinct phases- the period before the 1650s, and the period after, when the spread of the printing press and economic development made the transmission of their anti-popular culture ideas easier and more effective. Another way to look at this Triumph of Lent is as an attempt by religious authorities to remove Church rituals from the realm of Popular Culture as well as an attempt to remove pre-Church attitudes and practice from the realm of Popular Culture. Did they succeed? Yes.

The second type of change is that brought about by Social Change. This Social Change is largely attitrubted to the Commerical Revolution of the 18th and 19th century. During this time, poorer people became wealthier and more literate, which created greater demand for the Popular Culture in circulation. Ironically though it was at this point that the wealthy began to disengage from the masses and their culture. In that process lay the groundwork for the distinction between "high" and "low" culture, which, in my opinion, continues to haunt discussions of artistic merit down to the present day. The separation between Popular and "High" art which began to occur in the 18th century almost immediately spawned the counter trend of the "Discovery of the People."

It is from this counter trend that we derive many of our modern ideas about the value of popular culture. For example, the "Folk" movement is a direct result of the 18th/19th century counter trend. Unfortunately, this counter trend focused mostly on collecting existing works of Popular Culture and little attempt was made to conserve older sources, leaving us with the aforementioned lack of primary materials (at least as of 1978.)

In Burke's description of the upper classes abandoning popular culture in the late 18th, early 19th century one can see the fore-shadowing of our own time period, where intellectuals and the wealthy disparage mass media as being unfit for consumption. Think of the stereotype of the Volvo with a PBS sticker on the bumper.