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Porgy [Paperback]

DuBose Heyward (Author), James M. Hutchisson (Afterword)
4.5 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

March 14, 2001 1578063566 978-1578063567

The fictional characters of Porgy, Bess, Black Maria, Sportin' Life, and the other Gullah denizens of Catfish Row have attained a mythic status and have become inextricably identified with Charleston. This novel is the story of Porgy, a crippled street-beggar in the black tenement. Unwashed and un-wanted, he lives just on the edge of subsistence and trusts his fate to the gods and chance. His one shining moment is his pursuit of Bess, whom he wins and then loses during one summer of passion and violence.

This story by DuBose Heyward is, of course, the origin of George Gershwin's acclaimed folk opera Porgy and Bess. Heyward created Porgy with such sympathy, honesty, and insight that Porgy has ascended into the pantheon of the universal.

This Banner Books edition includes an afterword by James M. Hutchisson, Heyward's biographer, who places Porgy in its social and historical context and shows how the novel revolutionized American literature. Heyward had no literary training, and he wrote Porgy while working as an insurance agent. It is ironic that this deeply feeling author was a member of the Charleston aristocracy which regarded African Americans as little more than servants. Indeed, the tightly knit black community is celebrated in the novel and is contrasted with Charleston's white culture, which in Heyward's view lacked the vitality and rich social ethos of the Gullahs.

In 1927, even before Gershwin transformed the novel with a musical score, the book was successfully dramatized for the New York stage. The production revolutionized the black theater movement with its casting of black actors.

Porgy, published in 1925, proved to be on the leading edge of the great southern renaissance, in which works by William Faulkner, Eudora Welty, and others would depict black characters of increasing emotional and psychological complexity. The novel has gone through seven editions and has been translated into French, Gullah, and German, among other languages and dialects.

DuBose Heyward (1885-1940) published Porgy to tremendous critical acclaim and financial success. He wrote poetry, short fiction, plays, and screenplays. James M. Hutchisson is a professor of English at The Citadel in Charleston.


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Editorial Reviews

From the Inside Flap

The first major southern novel to portray African Americans outside of stereotypes

About the Author

DuBose Heyward (1885-1940) published Porgy to tremendous critical acclaim and financial success. He also wrote poetry, short fiction, plays, and screenplays.

Product Details

  • Paperback: 168 pages
  • Publisher: University Press of Mississippi (March 14, 2001)
  • Language: English
  • ISBN-10: 1578063566
  • ISBN-13: 978-1578063567
  • Product Dimensions: 7.8 x 5.1 x 0.5 inches
  • Shipping Weight: 7.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #114,360 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Flawed But Memorable, The Novel That "Opened The Door" To African-American Culture, February 20, 2007
This review is from: Porgy (Paperback)
Spured by jazz, blues, and the legendary "Harlem Renassiance," the 1920s saw a sudden general curiosity about African-American culture, which many considered outside the mainstream and therefore exotic. A resident of Charleston, South Carolina, DuBose Heyward observed the black underclass of the city and in 1925 published PORGY.

The novel was both a popular and critical success, but then as now many note that Heyward was writing from the outside: although his observation was acute, and although his portraits were generally both positive and sympathetic, Heyward was a white man. Given the social climate of the era, he was therefore not fully privy to the culture he scrutinized, and in consequence many have considered PORGY well-intended but intrinsically flawed and somewhat patronizing.

The title character of the novel is a crippled black man who lives in a slum named Catfish Row in the "Negro Quarters" of 1920s Charleston. Heyward paints the slum in colorful terms; no less so are the characters. Unable to work, Porgy exists as a beggar, using a goat cart to travel the area, and so pitiful is his physical condition that his earnings allow him enough for his room, his food, and the occasional crap game. At one such game a stevedore named Crown murders a fellow player--and in time Crown's woman, Bess, stumbles destitute into Catfish Row and Porgy takes her in.

Most readers of PORGY are likely to come to the novel from the celebrated opera PORGY AND BESS and will be quite surprised to discover that while Bess does indeed figure in the novel, neither she nor her romance with Porgy forms the focus of the book. In 1927 Heyward and wife Dorothy adapted the novel to the stage and substantially altered the plot, and it was this play, not the book, which so captured the imagination of George Gershwin. The novel is quite different and the conclusion is bathed in pathos rather than optimism.

Although it is indeed flawed by its "looking from the outside in" status, PORGY deserves more attention from the reading public than it presently receives. In a very real sense, the book opened the door to literature--by both white and black writers--about the African-American community, and thereafter the subject would become increasingly mainstream. It also captures many of the customs of the culture it observes which would have otherwise gone unrecorded. Historical significance aside, it also remains a touching work, filled with memorable characters, graced with Heyward's poetic turn of phrase, and intriguing in its effort to catch the Gullah-inflected accents of the 1920s South Carolina Africa-American community. Recommended, particularly to those interested in how "white" America perceived "black" America in the early 20th Century.

GFT, Amazon Reviewer
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Different from the more famous Opera and film, but....., August 2, 2011
By 
Andre M. "brnn64" (Mt. Pleasant, SC United States) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Porgy (Paperback)
I just finished reading this. Its considerably different from the play and film, but I enjoyed it.

Since I'm a Black person who grew up in Charleston, I'm very familiar with the culture that spawned Porgy and bess. This book is DuBose Heyward's original story that led to the plays and film. Based on the real life beggar Samuel Smalls (whose story is told in detail in Damon Fordham's "True Stories of Black South Carolina), Heyward was very good at observing the Black culture of Charleston for a white man of his time.

The Gullah speech is recorded phonetically and accurately, which is a difficult task since it is more tonal and does not usually translate well into print. he also adds lesser known aspects of Black Charleston such as the Mosquito Fleet fishermen and the Jenkins Orphanage Jazz band. The type of flamboyant parade he describes in one scene still occur in Charleston's Black neighborhoods on Martin Luther King day and New year's/Emanciation day.

The order of some of the more famous sequences differs, as does the ending. More time is spent on sctual conversation between Porgy and Bess, and Sportin' Life is a lesser character in the book. There is also more interaction with White characters in the book which makes the racial aspects of the era more clear. The book is more a series of anecdotes than a linear story as is the play and film versions.

If you've heard the score or seen the movie, you'll enjoy this book. Those unfamiliar with Gullah may find the dialect difficult, but accurate.

Overall, a good little piece of social history.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Porgy, March 10, 2008
By 
Robert W. Williams (Fayetteville NC USA) - See all my reviews
(REAL NAME)   
This review is from: Porgy (Paperback)
Great! It was a tremendous aid in my preparation for a role in Porgy & Bess!
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Inside This Book (learn more)
First Sentence:
Porgy lived in the Golden Age. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
big negress, tuh yuh, wid yuh, gots tuh, yuh gots, dat nigger
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Catfish Row, African Americans, King Charles Street, Serena Robbins, Meeting House Road, Noo Yo'k, Simon Frasier
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Their Eyes Were Watching God by Zora Neale Hurston
Porgy by DuBose Heyward
 

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