Customer Reviews

Porsche Moments

5 star:		(3)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

To anyone with a love of motorsport at the time we have come to think of as the sport's golden age, names of photographers like Alexander, Cahier, Klemataski, Goddard, and Rowe are household names. That they should have had such impact is partly because they simply bothered to show up. Not many did, in those days. In a world that still bore the scars of World War Two, newspapers and magazines were only just beginning again to build up a readership for motor racing and to dispatch correspondents. To Americans especially it was the images their countryman Jesse Alexander sent home that connected them to European racing. Attracted to the budding sports car movement in the US he cut his teeth photographing the Pebble Beach, Golden Gate Park, and Palm Springs races. Thanks to an inheritance from his mother he was able to pay his own way to cover the 1953 La Carrera Panamericana and the next year install himself in Europe, where the big-time racing in those days took place, for a decade.

Precisely because so few Americans covered racing professionally, Alexander became a veritable fixture at races. Driving his own Porsche to the same circuits as the teams he basically lived the same nomadic life. The utter lack of safety-mandated restrictions to access allowed him--and anyone--to move about freely and get close to his subjects. He made it a point to know everyone's name, not just the drivers. The people in front of the camera came to know--and more often than not like--the man behind the camera. Celebrating and commiserating with them fostered an unguarded candor that is a key factor in the types of images Alexander was able to capture and that early on distinguished his work, especially the portraiture. For Homo sapiens a crucial tool for interspecies rapport is the ability to see and "read" another's face. The open-faced helmets in use in that era allowed Alexander to capture emotions that in turn engage the viewer--unlike the modern-day full-face helmets that, in the absence of other telltale body language, make anyone look as unapproachable as Darth Vader.

In the Foreword Alexander's friend and contemporary Dan Gurney relates his two seasons of racing for Porsche. This is followed by an Introduction in which Alexander explains his interests in and influences on photography. As the title indicates, the focus is on Porsche which was making a big splash on the racing scene in those years with different models in various series. The content of the book is divided by event (La Carrera Panamericana, Le Mans, Mille Miglia, Monte Carlo, Nürburgring, Reims, Rouen, Targa Florio, Zandvoort). There is no narrative other than the detailed photo captions. Little to no information is given about the events proper and the reader who might want to see, say, a circuit's layout or read about its history will want to have a copy of The World Atlas of Motor Racing by Saward (Bantam Books, 1989) to hand. In addition to the racing images there is an assortment of snapshots of Alexander's travels along with anecdotes and reminiscences.

One of this book's important assets is its size and landscape format. Even at the generous width of 13 inches several photos cross over the gutter but in only a few cases does this cause loss of important/interesting image area. Quite a few images have a black satin surround but it is surprisingly fingerprint-resistant. Some of the photos here have appeared already in Alexander's other books but not at this size. For the sake of the aspiring photographer who looks at this book so as to learn it would not be unfounded to remark that from a strictly technical and compositional perspective not all of the photos in this collection are fully realized. This does not diminish their allure, which lies mainly in the fact that they exist at all, their documentary nature, and their off-the-cuff immediacy.

Full review at <speedreaders.info>. Copyright 2010, Sabu Advani.

Another OUTSTANDING collection of Jesse Alexander photography, from the golden age of sports car racing.

Per my boyfriend--Great historical document. Superb photos. Really brings you back in time to the glory years of sports car racing.