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The Portable Theater: American Literature and the Nineteenth-Century Stage
 
 
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The Portable Theater: American Literature and the Nineteenth-Century Stage [Hardcover]

Professor Alan L. Ackerman Jr. PhD (Author)


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Book Description

October 20, 1999

In The Portable Theater, Alan Ackerman investigates the crucial importance of theater in the works of Walt Whitman, Herman Melville, William Dean Howells, Louisa May Alcott, and Henry James. Whether as drama critics, playwrights, amateur actors, or simply as avid theater goers, each of these authors thought deeply about the theater and represented it in literature.


Editorial Reviews

Review

"Here, Alan Ackerman examines selected writers of the second half of the nineteenth century for their relationship as poets and fiction writers to the evolving theater of Edwin Forrest at one end and the new dramatic realists at the other... Even for readers familiar with the theater of the time, Ackerman's book provides intriguing new readings to force one to rethink old assumptions... Ackerman's book is essential reading for unpacking (to use a James metaphor exploited brilliantly by the author) the relations between an often ignored popular theater and the 'portable theater,' in Howells's phrase, of the better-known novelists. Americanists should understand that both theaters are inextricably linked, and Ackerman makes a deft guide to opening a treasure-laden box." -- Jeffrey H. Richards, American Literature



"The Portable Theater is an important step out of a dead-lock between literary and theatre studies. Its conceptual vision and acute analysis will be indispensable for studies in any period devoted to analyzing the relation between the literary text and the theatre. It should, therefore, be required reading not only for Americanists, but also for students and scholars of drama at large, as an exemplary study of how indispensable a knowledge of theatre history is for an adequate understanding of literature." -- H. Martin Puchner, Theatre Journal



"Ackerman effectively uses the particulars of theatre history to make his argument, most especially reading his selected authors against the shift in nineteenth-century theatre from melodrama, with its hyperbolic and theatrical modes of expression, to realism, with its focus on understated and quiet expression, and its newly darkened theatres, which enabled the illusion of eavesdropping on private moments and interior states... An intellectually strong and compelling book." -- Randall Knoper, University of Toronto Quarterly

Review

"The Portable Theater is clearly written and carefully researched. It will be required reading in graduate courses on nineteenth-century American literature and drama. I plan to include it on my list of recommended readings for the undergraduate class on American drama I teach each year." -- Donald E. Pease, Dartmouth College


Product Details

  • Hardcover: 296 pages
  • Publisher: The Johns Hopkins University Press (October 20, 1999)
  • Language: English
  • ISBN-10: 0801861616
  • ISBN-13: 978-0801861611
  • Product Dimensions: 8.9 x 6.1 x 0.9 inches
  • Shipping Weight: 1 pounds
  • Amazon Best Sellers Rank: #4,956,817 in Books (See Top 100 in Books)

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Inside This Book (learn more)
Browse and search another edition of this book.
First Sentence:
"I may have been meant for the Drama-God Knows!" writes Henry James, "but I certainly wasn't meant for the Theatre" (Letters 1:226). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dramaturgical assumptions, portable theater, melodramatic theater, realist theater, democratic social space, relationship between theater, melodramatic stage, dramatic realism, henry fames, physical humor
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Edwin Forrest, Miss Cameron, Henry James, Leaves of Grass, Miss Galbraith, The Portable Theater, John Smith, Junius Booth, Mansfield Park, Edwin Booth, Fanny Kemble, Jack Chase, Sir John, Walt Whitman, Father Mapple, The Reprobate, Charlotte Cushman, Song of Myself, United States, Aunt Kate, Booth's Hamlet, Father Taylor, Nona Vincent, The Gladiator
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