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Portishead's Dummy (33 1/3) Paperback – October 6, 2011


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Editorial Reviews

Review

"A growing Alexandria of rock criticism - Los Angeles Times, 2008 Ideal for the rock geek who thinks liner notes just aren't enough - Rolling Stone One of the coolest publishing imprints on the planet - Bookslut"

About the Author


RJ Wheaton's writing on music, film, and literature has been published in The Oxford American, DaCapo's Best Music Writing series, and at PopMatters.com, where he is Senior Producer. He currently lives in Toronto.

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Product Details

  • Series: 33 1/3
  • Paperback: 248 pages
  • Publisher: Bloomsbury Academic; 1St Edition edition (October 6, 2011)
  • Language: English
  • ISBN-10: 1441194495
  • ISBN-13: 978-1441194497
  • Product Dimensions: 4.8 x 0.8 x 6.5 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #653,363 in Books (See Top 100 in Books)

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Customer Reviews

4.6 out of 5 stars
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Most Helpful Customer Reviews

7 of 8 people found the following review helpful By jafrank on January 3, 2012
Format: Paperback
This is probably the single strongest book of the 7 or 8 I've read in the 33 1/3 series. Wheaton strikes an excellent balance between smart, wide-ranging formal analysis and open praise. His attempts to tease apart the individual sounds that go into making the dense, dark, beautiful world of Portishead's music made me rush back to listen to each track of Dummy over and over again, and marvel at just how remarkable their work is. But what is even more impressive is how he successfully shows the resonances between Portishead's music and broader trends in musical/cultural history. The way he hints at the remarkable, tangled web of connections; of technologies, people and geography, which operate both above and beneath our basic daily awareness and how much of Portishead's music does the same. The writing in this book is sharp, engaging and weirdly ominous. Kind of like 'Wandering Star.' I sincerely hope Wheaton writes more books in the future. The 33 1/3 series would be better as a whole if more people had Mr. Wheaton's wide ranging curiosity.
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2 of 2 people found the following review helpful By Z. Stiegler on November 28, 2013
Format: Paperback
I'm a huge fan of the 33 1/3 series. True, some are hits, some are misses. RJ Wheaton's exegesis on Portishead's Dummy is absolutely in the former camp.

Wheaton artfully weaves background on the album's composition and production with biographical information, all the while making a point to put the album into context - of the times, of its peers, of its genre, of its influences and impact.

The best entries in the 33 1/3 series do two things. First, they make you want to listen to nothing but the album under review for at least a week. Second, they elicit a new appreciation for the album, regardless of how well you know it, or how long you've been a fan. Wheaton's take on Dummy accomplishes both.
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4 of 5 people found the following review helpful By Hotrodimus on June 21, 2012
Format: Paperback
Easily one of the stronger books in the series that I've read, this fills in all sorts of gaps about the making of the album, the influences, and the people behind it. That said, the prose is out of control - you'd think that "Dummy" was Beethoven's 5th combined with the entire Beatles discography, the way the author constantly splatters and slathers heaps and gobs of worshipful praise all over it, over and over again. There's nothing remotely impartial or objective here - just blatant, overwrought fanboy worship in the way he talks about everything.
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Not only that, but twice as long as some! It can be a bit starry-eyed and ponderous from time to time, but the greatest praise I can give it is this: I found Dummy to be my least-favourite Portishead record (so sue me, I just love the other two more). This made me reconsider and see Dummy with new eyes. I'd recommend it if it's your first entry in the series, but it may also set the bar too high - especially when crap like the Fear of Music book found their way into the series.
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