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64 of 71 people found the following review helpful:
5.0 out of 5 stars
Horror and Humor, April 2, 2009
I imported Portobello from the UK in an excess of impatience to read the new Rendell, and I am thrilled to report it is horrific, claustrophobic, and yes, droll in turns. Rendell's genius still burns brightly, her sharp edge is unblunted, and we readers may rejoice, while compulsively turning the pages in a chill of ever-increasing dread. In this wicked tale, a well-to-do art gallery owner, Eugene Wren, is hiding a secret addiction from his doctor fiancee, Ella. He finds an envelope containing money and posts an ad, whereupon his fiancee becomes professionally embroiled with the owner of the envelope, Joel, whom we realize is, yes, insane. Meanwhile, a petty thief and burglar, Lance, is on the prowl in Eugene's wealthy neighborhood. Lance is living with his parsimonious Uncle Gib, a reformed thief now member of a fundamentalist church. Lance and Uncle Gib provide much of the comic relief. Goodness knows we need it, as Ella the caring doctor becomes disturbingly involved with Joel, whose madness is growing worse. There are burglaries, murders, drowning of a child, the firebombing of a house, and a pilfered chocolate cake. Tragedy is juxtaposed with absurdity, as in Eugene's terrible addiction to - sugar-free sweets, the euphoniously named Chocorange. The well off characters have the luxury of obsessing over imagined ills, while ignoring the unlocked garden gate, which will, we know, lead to real grief. The lower class characters get by on cunning, ruthlessness, and the dole; while the comfortably cocooned upper classes are chattering and, utterly naive about what it takes to survive, are the natural prey of the lowlifes who haunt the Portobello Road area. It is as if Theodore Dalrymple's social commentary were wedded to Ruth Rendell's story-telling talents. All told, a marvelous read, with a richly satisfying conclusion.
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50 of 56 people found the following review helpful:
5.0 out of 5 stars
Life (And Death) In Portobello Road, August 9, 2009
The latest suspense novel from my favorite mystery writer is my favorite kind of mystery. It isn't part of her wonderful Wexford series, but a stand-alone story of a broad cross-section of Londoners who become involved in one another's lives, seemingly by accident (think of her titles like THE KEYS TO THE STREET and ADAM AND EVE AND PINCH ME). There's something almost Dickensian about this story, with rich and poor living and working in such close quarters, all in or near London's famous Portobello Road. A lost envelope full of cash and a Good Samaritan's spontaneous act of kindness are the inciting actions in this rich tapestry, leading to love, hatred, obsession, and--of course--murder for the huge, varied cast of characters.
Ruth Rendell is more than a mystery writer. In several recent books, she has provided a remarkable social commentary on today's world, and she works her brilliant observations of human nature into her brilliant plots. PORTOBELLO is amazing, start to finish. Highly recommended.
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15 of 17 people found the following review helpful:
2.0 out of 5 stars
Where's the mustard?, January 5, 2011
This book was pleasant reading. It was my first book by Ruth Rendell. I found that her writing stays comfortably out of the way while the story progresses. There's quite a talent in doing that, I'll give her credit. She didn't make me set the book down in disgust with the writing. The shortcoming in the book is more serious in that the character's stories are bland.
This tale is not suspenseful nor a thriller, if that's what you're looking for. It is a mildly interesting journey with a few characters leading unremarkable lives, but just interesting enough to keep reading. Though the author gets oddly repetitious, the words flow easily enough not to become frustrating. If you're thinking "feint praise," you're getting my drift.
One might summarize one of the character's life a follows: he was a troubled, unemployed man who finally got the girl he wanted and a job. Nothing very intriguing supports his storyline, but he does have his events. Another character gets hooked on diet candies, and there are endless repetitions of his angst over this. Think about that. It would be quite a trick to get the reader excited about such a dilemma, and she doesn't.
Overall, well, no harm done, and the kind of read one might seek out to relax the mind, not challenge it.
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