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Portrait and Candid Photography: Photo Workshop 1st Edition

30 customer reviews
ISBN-13: 978-0470147856
ISBN-10: 0470147857
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From the Back Cover


Taking great "people pictures" isn't a matter of luck. The secret is in observing your subjects and connecting with them, and then using your camera to its best advantage. Here's how to work with lighting, location, angle, composition, physical characteristics, environment, and a host of other variables, including the unique challenges of photographing babies, group activities, and action. Apply these techniques and watch your subjects come to life; then test your newfound skills by completing the assignments at the end of each chapter and collecting feedback on your work at pwsbooks.com.

  • Study your subjects in their natural habitat—observe how they react and interact
  • Discover simple techniques for improving photos of babies and children

  • Learn to capture facial expressions

  • Tell a story with a series of candid photos

  • Add interest to large-group shots

About the Author

Erin Manning has been fascinated with the people in photographs since she was seven. A professional photographer, she has done commercial, stock, and portrait work and is known for her teaching skill. HGTV and DIY Network viewers know Erin as the host of The Whole Picture.

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Product Details

  • Paperback: 272 pages
  • Publisher: Wiley; 1 edition (October 8, 2007)
  • Language: English
  • ISBN-10: 0470147857
  • ISBN-13: 978-0470147856
  • Product Dimensions: 7.4 x 0.7 x 9.2 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Best Sellers Rank: #1,046,850 in Books (See Top 100 in Books)

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More About the Author

Erin Manning is a professional photographer, author, educator, and media personality. Her clear, friendly teaching style helps people understand and enjoy photography and technology. Television viewers know Erin best as the digital photography expert and host of DIY Network's Telly Award-winning TV series The Whole Picture. She is also author of Portrait and Candid Photography, and Make Money With Your Digital Photography published by John Wiley & Sons.

Erin spent several years working as a commercial, portrait and stock photographer, as well as completing a degree in Studio Art/Graphic Design from Loyola Marymount University. She serves on the Board of Directors for the Digital Imaging Marketing Association and is a member of American Photographic Artists, Women in Photography International, and the Los Angeles Digital Imaging Group, whose purpose is dedicated to advancing the art and science of digital imaging.

Customer Reviews

Most Helpful Customer Reviews

87 of 103 people found the following review helpful By Conrad J. Obregon VINE VOICE on November 6, 2007
Format: Paperback
This book is part of a new "Photo Workshop" series aimed at beginning photographers. The book is easy reading and accessible. It starts out with some general observations about portrait photography, including equipment, the nature of light and composition. It then goes on to cover particular types of portraits including groups, kids, babies and action shots. A final chapter discusses what to do with your pictures, including basic image adjustment and sharing your pictures.

One of the issues that always arises about instructional manuals is how much information is provided to the reader. That in turn depends on the audience. For the beginner there should be no information overload, and that certainly is not a problem here. Most of the chapters concentrate on questions like where to position yourself and what to look for in the subjects. On the other hand I think that any book that introduces more complex subjects should deal with fundamentals related to the subject. For example, the author mentions using not only point and shoot cameras, but also digital single lens reflex cameras, and talks about lens selection for such cameras. If one is going to suggest the book is aimed at such camera owners, one must discuss not just the effect of different focal length lenses, but also, for example, the elements of exposure. Unfortunately there is no discussion of exposure here.

There is also a section of the book devoted to the use of Photoshop Elements, which is software for processing digital images. The discussion here is quite abridged, and while applicable to portraits, no one should think that this is comprehensive instruction.

So at whom is this book aimed? The owner of a point and shoot camera who wants to take better portraits will find this book useful.
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17 of 18 people found the following review helpful By S. Nigl on March 8, 2008
Format: Paperback
This is the second book of Wiley Publishing's Photo Workshop series that I've read. My first was on Composition, and I loved it! Their installment on portrait and candid photography was a close second. I've learned that these workshop books truly do stand on their own. Much like the 'Dummies' series, each book is individually authored, and as such each has a unique feel. Again like 'Dummies' books, the Photo Workshop series adheres to standards for layout and tips.

The author, Erin Manning, is a full-time pro photographer in L.A. who teaches and stars in a photo how-to television series. Erin covers all the nuts and bolts of portrait shooting. What equipment is needed, and how to get by with what you have. But the best information I came away with was how to 'read' light in everyday situations. To understand how light is falling on your subject and the effect it will have. Erin says that If you get your lighting worked out early-on in a session, you're free to pay attention to your subject. I like Erin's philosophy of identifying the key attributes of a person and bringing those qualities out in their photos.

Portrait and Candid Photography is another great 'course-in-a-book from Wiley. It might be a bit basic for the intermediate to advanced user. I give it four out of five.
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8 of 8 people found the following review helpful By Tenna Merchent on November 5, 2009
Format: Paperback Verified Purchase
I thought this was a great introduction to digital photography for the SLR user. She did a nice job of discussing aperture and how it affects depth of field. I liked the fact that she pointed out that short focal lengths (17-35mm) have a large depth of field, and long focal lengths have a shallow depth of field.

She points out that a UV filter protects your expensive lens from getting scratched, so a $20 filter may save your $800.

She recommends a few things to be carried always such as a spare battery, lens cloth to clean the lens and prevent hours of post-production work, and colorless powder for the common shiny face.

I liked her discussion of reflectors and diffusers. It actually spurred me to invest in a reflector so I can improve my outdoor photography. It just looks so much better with light from a reflector than from a flash.

She talks about and demonstrates with photos the big-nose affect caused by taking a close-up portrait with a wide angle lens. I've actually used this affect for humor, because it looks so funny.

She explains that a telephoto lens of 60-100mm is flattering because it creates a shallower depth of field, so your subject stands out more. It has the disadvantage of requiring that you stand a distance from your subject however.

She talks about composition, framing, and of course about the rule of thirds. I liked the way she described it though, she suggested you imagine a tic-tac-toe board, and place the subject of interest at one of the intersections. She suggests neutral backgrounds sometimes made with simple things such as blankets.

She had good suggestions about posing your models such as have their weight on their back leg if standing, and to shoot heavier people from the side.
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24 of 29 people found the following review helpful By G. Wyatt on February 19, 2008
Format: Paperback
I had a problem: I was hired by a top ad agency to be their in-house A/V specialist, and while the job included things I'm good at like editing and videography, it also called for me to use a digital SLR and I never mastered the disposable point-n-shoot. I knew I could take pictures of landscapes, sunsets, and bowls of fruit because those things are patient and don't mind if you take hundreds of shots trying to get the exposure correct. I had an urgent need to learn how to fake a portrait and snap a fast candid shot, so I got this book. It is amazing! It's well written, covers everything from soup to nuts, and has some great real-world examples. It doesn't insult its readers by talking down to us, but it isn't full of jargon like most of my video manuals are.

I realize I'm probably the exception to the rule - I know how to use a digital SLR now and I do it professionally everyday, yet I still need a book like this to give me some pointers to improve my shots. I know that the primary audience for this book is the aspiring amateur, but I'm very pleased that it's written in a way that is approachable for photographers of all levels. I'm going to be keeping this book in my collection.

As an aside, soon after I bought this book I started dating a very nice woman who's father is a huge bird photography nut. This book gave me some great gift ideas for him! I tell you, this book is a gold mine!

Well, I married that girl, gave my now father-in-law this book and he loved it. He's expanded his repertoire to include local sports and has gotten his photographs into the local newspapers. I'm not crediting his successful career-after-retirement to this book, but I do think there's a correlation.
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