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Portrait of a Spy [Hardcover]

Daniel Silva
4.2 out of 5 stars  See all reviews (353 customer reviews)

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Book Description

July 19, 2011

In a dangerous world, one extraordinary woman can mean the difference between life and death. . . .

For Gabriel and his wife, Chiara, it was supposed to be the start of a pleasant weekend in London—a visit to a gallery in St. James’s to authenticate a newly discovered painting by Titian, followed by a quiet lunch. But a pair of deadly bombings in Paris and Copenhagen has already marred this autumn day. And while walking toward Covent Garden, Gabriel notices a man he believes is about to carry out a third attack. Before Gabriel can draw his weapon, he is knocked to the pavement and can only watch as the nightmare unfolds.

Haunted by his failure to stop the massacre of innocents, Gabriel returns to his isolated cottage on the cliffs of Cornwall, until a summons brings him to Washington and he is drawn into a confrontation with the new face of global terror. At the center of the threat is an American-born cleric in Yemen to whom Allah has granted “a beautiful and seductive tongue.” A gifted deceiver, who was once a paid CIA asset, the mastermind is plotting a new wave of attacks.

Gabriel and his team devise a daring plan to destroy the network of death from the inside, a gambit fraught with risk, both personal and professional. To succeed, Gabriel must reach into his violent past. A woman waits there—a reclusive heiress and art collector who can traverse the murky divide between Islam and the West. She is the daughter of an old enemy, a woman joined to Gabriel by a trail of blood. . . .

Set against the disparate worlds of art and intelligence, Portrait of a Spy moves swiftly from the corridors of power in Washington to the glamorous auction houses of New York and London to the unforgiving landscape of the Saudi desert. Featuring a climax that will leave readers haunted long after they turn the final page, this deeply entertaining story is also a breathtaking portrait of courage in the face of unspeakable evil—and Daniel Silva’s most extraordinary novel to date.

Gabriel Allon has been hailed as the most compelling creation since “Ian Fleming put down his martini and invented James Bond” (Rocky Mountain News). A man with a deep appreciation for all that is beautiful, Gabriel is also an angel of vengeance, an international operative who will stop at nothing to see justice done. Sometimes he must journey far in search of evil. And sometimes evil comes to him.


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Editorial Reviews

Amazon.com Review


Amazon Exclusive: Daniel Silva on Writing Portrait of a Spy with a Pencil

While on book tour, I’ve been surprised to find that readers are fascinated by how writers actually write. Most readers hold in their mind an idealized image of the novelist at work—a figure in a trendy urban coffeehouse, a solitary figure walking along an empty beach. The truth, however, is seldom so romantic.

Before going any further, let us stipulate that, much like the hero of my novels, the art restorer and spy Gabriel Allon, I am something of a creature of habit. I work seven days a week, from early in the morning until six thirty in the evening, when I stop to watch the evening news. My work clothing never varies: gray sweatpants by Russell Athletic, a long-sleeve T-shirt by L.L. Bean, fleece Acorn moccasins, and discount cotton socks from Marks & Spencer in England. Occasionally, visitors to our house will catch a glimpse of this outfit, but, for the most part, my wife and children tend to shield me from public view. As a rule, I don’t answer the telephone—unless it is a family emergency of some sort—and I don’t read e-mail. I nibble rather than eat. Portrait of a Spy, like all the Gabriel Allon novels, was fueled largely by McVitie’s digestive biscuits.

I have a computer, of course, but I really do most of my actual writing in longhand, on yellow legal pads. I prefer to work while lying on the floor rather than at my desk. This annoys my wife because she took a great deal of time and effort to have a desk custom made to fit my office. When I showed her a photograph of Muriel Spark, one of her literary heroes, writing in longhand stretched across a floor, she was only partially mollified. Sometimes we talk about living somewhere other than Georgetown. Secretly, the very idea terrifies me. After writing 14 books in the same room of the same house, I am afraid I have lost the ability to work anywhere else.

As for my writing instrument of choice, it is unquestionably the pencil. There is something about the sound it makes scratching across the page that, for me, is the essence of composition. The pencil is the antithesis of all things cyber and e, a means of returning, however briefly, to a world that is unconnected and unwired. A pad and pencil do not freeze or crash. There are no viruses or error messages. If a thunderstorm knocks out the power, the words will still be there when the lights come on again. And then, there is the satisfying natural rhythm of the work itself—the turning of the completed page, the sharpening of the dulled point, the fortnightly disposal of the fluffy wooden shavings.

Lately, I have been hoarding pencils. I’m not sure precisely when it began; I suspect it had something to do with the death of the typewriter. An irrational fear gripped me, a fear that pencils were next. If the typewriter could go extinct, how could the lowly, environmentally hostile pencil possibly hope to survive in the brave new world? I now order my favorite brand—the Paper Mate Mirado Black Warrior No. 2—by the case. I am reasonably confident I now have enough pencils on hand to see me through the next several novels—though, if I happen to misplace a pencil, I will search the house thoroughly before removing a new one from its special drawer and sharpening it for the first time. To sharpen a virgin pencil is, in a sense, to commit an act of assisted suicide. It saddens me.

I wish it were not so. I wish I could write on a computer while traveling on an airplane or sitting in a strange hotel room, but I cannot. I have become a prisoner of my office. I need my floor, and my Mirado Black Warrior No. 2 pencils, and my McVitie’s digestive biscuits. I hoard them, too. I keep them on a special shelf in the storage room, next to my socks from Marks & Spencer.

Copyright © Daniel Silva 2011. All Rights Reserved.

Review

'Allon is the 21st century Bond - elegantly paced, subtle and well-informed. If you haven't read Silva before, try Portrait of a Spy - and then go back and read the series.' Daily Mail 'Sexily brooding Allon... must be the most famous superspy not played by Daniel Craig' Daily Telegraph 'In true Bauer fashion, shoot-outs, kidnappings and international terror plots follow Gabriel Allon wherever he goes' USA Today 'Silva builds tension with breathtaking double and triple turns of the plot' People --This text refers to the Paperback edition.

Product Details

  • Hardcover: 464 pages
  • Publisher: Harper; First Edition edition (July 19, 2011)
  • Language: English
  • ISBN-10: 9780062072184
  • ISBN-13: 978-0062072184
  • ASIN: 0062072188
  • Product Dimensions: 9.2 x 6.3 x 1.5 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (353 customer reviews)
  • Amazon Best Sellers Rank: #116,475 in Books (See Top 100 in Books)

More About the Author

He has been called his generation's finest writer of international intrigue and one of the greatest American spy novelists ever. Compelling, passionate, haunting, brilliant: these are the words that have been used to describe the work of #1 New York Times-bestselling author Daniel Silva.

Silva burst onto the scene in 1997 with his electrifying bestselling debut, The Unlikely Spy, a novel of love and deception set around the Allied invasion of France in World War II. His second and third novels, The Mark of the Assassin and The Marching Season, were also instant New York Times bestsellers and starred two of Silva's most memorable characters: CIA officer Michael Osbourne and international hit man Jean-Paul Delaroche. But it was Silva's fourth novel, The Kill Artist, which would alter the course of his career. The novel featured a character described as one of the most memorable and compelling in contemporary fiction, the art restorer and sometime Israeli secret agent Gabriel Allon, and though Silva did not realize it at the time, Gabriel's adventures had only just begun. Gabriel Allon appears in Silva's next nine novels, each one more successful than the last: The English Assassin, The Confessor, A Death in Vienna, and Prince of Fire, The Messenger, The Secret Servant, Moscow Rules, and The Defector. Silva's forthcoming novel, The Rembrandt Affair, will be published on July 20, 2010.

Silva knew from a very early age that he wanted to become a writer, but his first profession would be journalism. Born in Michigan, raised and educated in California, he was pursuing a master's degree in international relations when he received a temporary job offer from United Press International to help cover the 1984 Democratic National Convention in San Francisco. Later that year Silva abandoned his studies and joined UPI fulltime, working first in San Francisco, then on the foreign desk in Washington, and finally as Middle East correspondent in Cairo and the Persian Gulf. In 1987, while covering the Iran-Iraq war, he met NBC Today National Correspondent Jamie Gangel and they were married later that year. Silva returned to Washington and went to work for CNN and became Executive Producer of its talk show unit including shows like Crossfire, Capital Gang and Reliable Sources.

In 1995 he confessed to Jamie that his true ambition was to be a novelist. With her support and encouragement he secretly began work on the manuscript that would eventually become the instant bestseller The Unlikely Spy. He left CNN in 1997 after the book's successful publication and began writing full time. Since then all of Silva's books have been New York Times and international bestsellers. His books have been translated in to more than 25 languages and are published around the world. Silva continues to reside in Washington with his wife and teenage twins Lily and Nicholas. When not writing he can usually be found roaming the stacks of the Georgetown University library, where he does much of the research for his books. He is currently at work on a new Gabriel Allon novel and warmly thanks all those friends and loyal readers who have helped to make the series such an amazing success.


Customer Reviews

Most Helpful Customer Reviews
219 of 238 people found the following review helpful
5.0 out of 5 stars Good novel in the series... July 19, 2011
Format:Hardcover|Amazon Verified Purchase
Okay, here's the thing from a reviewer's viewpoint. You would probably not be reading the reviews of Daniel Silva's newest book in his Gabriel Allon spy series if you weren't already familiar with his writing. Silva's written 10 or so novels in the series and I think I've read most of them. And this one, "Portrait of a Spy" is a very good Daniel Silva/Gabriel Allon book. But it is similar to all the others I've read. And for me, a reviewer, it's a difficult book to review for that reason.

Daniel Silva is deeply concerned with the Middle East and the problems with radical Islamism that have risen from there in the last 60 years or so. Silva uses his books - characters and plots - to speak intelligently about those problems and the repercussions - terrorist bombings in both the Middle East countries and in Europe. Silva seems to publish a new book in the series every July. Now, this year and this book, 2011 and "Portrait of a Spy", pose a fairly tricky problem for Daniel Silva. How much of the "Arab Spring" - which actually began in mid-December, 2010 - does he include in his story? And does he include the assassination of Bin Ladin, which occurred fairly close to the time of publication? I could tell that he makes reference to Bin Ladin's death in a line towards the end where the text could still be changed in final proofs. The "Arab Spring" is mentioned towards the end. That's the problem he may have faced with the plot. But it's with the characters he's really facing problems.

Gabriel Allon has not changed much in the 15 or so years he's been the subject of Daniel Silva's pen. And Chiara, his younger Italian wife is still gorgeous. They are still trying to retire to the English countryside and really go back to art restoration. But the Mossad is still trying to drag Gabriel back in to work on missions for them. Shomrom is still the aging lion of King Saul Boulevard, still hunting down the same Islamic terrorists. Other peripheral characters like English art dealers are still doing their selling and Israeli, British, and American agents are still doing their spycraft. In effect, not much has changed in the lives of Gabriel Allon and his cast of characters. I would love to see some further character development by Silva in next year's Allon book. Give him a kid - who is not killed in a terrorist attack. Let Chiara age a little and maybe become less gorgeous. Give her a haircut. Finally kill off Shomron, who seems to be a pain in everyone's side in Israeli intelligence.

So, why am I giving "Portrait" five stars, even with my silly complaints and comments? Because, it is a very good Daniel Silva/Gabriel Allon book. It gives the reader - who is usually well-acquainted with the characters and on-going plot line - another good read. And that's really the reason for a reviewer to write a review and for a reader to read one.
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81 of 92 people found the following review helpful
Format:Kindle Edition
Gabriel Allon is on site and fails to stop a terrorist attack in London. He leaves his Cornish retirement to help a CIA ally eradicate the network that executed the attack, as well as the operational mastermind and inspiration of said network. Ultimately Gabriel lives and triumphs...which should surprise no one. Entertaining, somewhat engrossing, extremely well written, Portrait of a Spy was not all I hoped it would be. I can handle the Allon books being cookie cutter plots, but the books are so well written that I enjoy the ride even though. However, what begins as a really clever idea is not carried through by the author. Silva had the chance to break from the mold of the last few books and he chose not to.

On the cookie cutter front, we have the standard Allon associates-Shamron, Uri, the Allon Team, and now extended elements in the CIA and the world of broadcast news. We have world class bad guys with an agenda...but the new trick is that the bad guys will be found by routing funds to them with the help of the daughter of...a man Allon killed and who dies in the arms of the daughter Allon wants help from.

If there is a weakness in the Allon series, it may be how anyone who is asked feels compelled to help Allon, and in the course of working with/for him they come to see him as being wonderful...even here. No one comes away feeling used or bitter or in any way conflicted or angry. That is the opportunity Silva misses in Portrait of a Spy. As I rolled through the book-and it is quite easy reading-I kept waiting for that moment when the daughter would break bad on Gabriel, or maybe have her own agenda, or just do something so that we are moved for a time away from actions and movement based on international intrigue to something based in a more personal situation.

The book is entertaining and easy to read. For those who have not read an Allon novel this could well be a five star book. Even with the traditional/cookie cutter plot I would normally run it at four stars. However, this time Silva created characters and a situation where he could have gone in a different direction...and backed away. It is our loss as readers that Mr. Silva backed away from this opportunity to broaden his characters and milleu of the "Allon experience".

A general observation about the Allon series, and not about this book in particular...Gabriel is getting too old to reasonably be doing what he is doing. I thought this would be the novel where Mr. Silva heads Gabriel down a different track-another path he opted not to follow. Allon has to be about 60. He was recruited as an art student into the Sword of Gideon project puts him about age 20 in 1972, and that is an age/event that Silva has not run from (as Robert Parker did with Spenser's army service in the Korean era). Frankly, he cannot, as that experience tracking down the Munich 1972 terrorists is the foundation of and entryway into the Israeli intelligence service. Yet Allon is regularly doing things that would be problematic for a man half his age, from chasing down bad guys to intentionally taking beatings so as to get close to the bad guys. The same happens in this book. Silva needs to find a way to move Gabriel into situations where he is using his experience and not his body to make things happen-which btw would help get away from the cookie cutter thing.
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12 of 13 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
In the eleventh thriller in the Gabriel Allon series, Silva has the art restorer/supposedly retired spy-assassin involved in a confrontation with the new face of global terror; a person who was once a paid CIA asset.

Typical in all books in this series, Allon and his team (involving most of the cast of characters that have appeared in previous books in the series) devise an intricate plan laden with risk to thwart the terrorist and his network from carrying out more devasting attacks across the globe. Also reminiscent of most books in this series, the plot in Silva's Portrait Of A Spy combines the worlds of art and intelligence in a way that seems that the stories are ripped from yesterday's newspaper headlines. And, of course, consistent in a Silva thriller, his latest book is one of slow-building but non-stop tension and suspense that will likely make the reader anxious to turn the pages to find out what happens next.

In the absolute, I enjoyed Portrait Of A Spy very much and consider it, as I have all of the other books featuring Gabriel Allon, to be engrossing, well-researched and well-written. However, on a comparative basis, my level of enjoyment has dropped a notch. In small part, this is due to the action that occurs being not quite as intense as in some of the other books in the series. The larger factor contributing to my comparative drop in enjoyment is that, after reading all eleven of the Gabriel Allon books, the successful formula on which Silva has based his series is "showing some superficial age lines" and the development of his main and key supporting characters need some refreshening. As such, I would not be disappointed if Silva's next book is a stand-alone.

Despite these comparative criticisms, I still consider Silva to be the "gold standard" of thriller writers. For me, there has never been a risk involved in reading a Silva book, with the only unknown being whether the book will be very good or excellent.
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Most Recent Customer Reviews
4.0 out of 5 stars It was my first Daniel Silva book and it was a good experience.
I read a lot and enjoy spy novels, detective novels and thrillers in general so it takes a lot to impress me. Read more
Published 17 hours ago by John Henry
4.0 out of 5 stars enjoyable read
This story kept my attention from the beginning. The world is a safer place with Gabrielle Allon even if its only paper. This is my third Silva book. Can't wait to read on.
Published 3 days ago by Liz ahlberg
5.0 out of 5 stars Silva is my new favorite author
Discovered Danial Silva books recently when I read The Fallen Angel. If you like international thrillers I highly recommend his books if the two I have read are typical.
Published 8 days ago by Phillip D. Hardwick
4.0 out of 5 stars great read
Couldn't put it down. Allon is a great literary character and the subject is contemporary and relevant to today's headlines!
Published 9 days ago by cuzinbrucie
5.0 out of 5 stars Great spy novel!
I wish I had discovered Daniel Silva sooner. Really enjoyed this novel because of the modern day settings incorporating current events around terrorism and the war against it.
Published 16 days ago by Jennifer Martz
4.0 out of 5 stars review
Always a good read. I will order the others when the price goes down. 6 more words required too long to respond
Published 17 days ago by Roger J. Miller
3.0 out of 5 stars Too much paint.
In other Allon thrillers, Silva keeps the plot and action moving at a good pace so I wanted to keep reading to see what happened next. Read more
Published 18 days ago by Robert Randle
4.0 out of 5 stars The Dark Side of Islam Exposed
As a new reader of Silva' s novels I am becoming an avid fan, ready to jump into the next book. Although fictitious, the plots under score the very real problem of our time - the... Read more
Published 19 days ago by Sally J Robyn
4.0 out of 5 stars great history page turner
I never giive 5 stars unless blowm away. I'd give this a 4 1/2.....I enjoyed the character and event development leading up to twist and turn. Just began reading SILVA. Read more
Published 21 days ago by Del
5.0 out of 5 stars Good read!
I had not read a Silva book before the Rembrandt Affair. Since then, I can't get enough of them. Portrait of a Spy was no exception. Gabriel Allon is quite the operative! Read more
Published 24 days ago by tommyd
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Daniel Silva's Portrait of a Spy
I am thinking of ordering this book for my husband. He has not read any of the other Silva books. Will that be a problem or does each book stand alone? Thanks.
Jul 19, 2011 by Sunshine Girl |  See all 11 posts
Books similar to Harlan Coben-
Have you read Karin Slaughter? She has well developed characters, her books are suspenseful and she has a series of books also. Try Tryptych.
Aug 6, 2011 by Suzie Patton |  See all 3 posts
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