Portrait of an Unknown Woman LP: A Novel [Large Print] [Paperback]

Vanora Bennett (Author)

Book Description

Publication Date: April 3, 2007

In the year 1527, the great portraitist Hans Holbein, fleeing the Protestant Reformation, comes to England under commission to Sir Thomas More. Over the course of the next six years, Holbein paints two nearly identical portraits of the More family, his dear and loyal friends. But closer examination of the second painting reveals several mysteries. . . .

Set against the turmoil and tragedy of Henry VIII's court, Portrait of an Unknown Woman vividly evokes sixteenth-century England on the verge of enormous change—as viewed through the eyes of Meg Giggs, More's intelligent, tenderhearted, headstrong adopted daughter, who stands at the center of this sweeping, extraordinary epic. It is a tale of sin and religion, desire and deception—the story of a young woman on the brink of sensual awakening and a country on the edge of mayhem.

--This text refers to an alternate Paperback edition.

Editorial Reviews

From Publishers Weekly

British journalist Bennett (Crying Wolf: The Return of War to Chechnya) makes her fiction debut with a sweeping reinterpretation of Sir Thomas More's family as it coped with the vicissitudes of Henry VIII's reign. Narrated by More's brilliant foster daughter, Meg Giggs, the narrative is framed by two paintings crafted five years apart by husky, ebullient German artist Hans Holbein; commissioned by the family, each was completed at radically different periods in the More clan's turbulent history. As the book opens, family tutor John Clement stimulates both Meg's apothecary interest and engages her in a love affair; she eventually marries him and bears him a son, though aware that Holbein also has romantic potential. As John, whose origins are shrouded in mystery, grows distant, Holbein returns to London to paint the More family again. Meanwhile, the Reformation bleeds across Europe, inciting religious upheaval, and Meg's staunch Catholic father continues to violently defend his faith against Protestant heretics. Duplicity involving Meg's flirtatious sister, Elizabeth, provides the novel's rousing climax. The vernacular doesn't quite hold, and the religious-political speechifying can be heavy-handed. But Bennett constructs lush backdrops and costumes, and has impeccable historical sense. She luminously shades in an ambiguous period with lavish strokes of humanity, unbridled passion and mystery. (Apr.)
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From Booklist

Caught in the turbulence of the Protestant Reformation during the reign of King Henry VIII, Meg Griggs navigates her path to adulthood as the adopted daughter of Sir Thomas More. Meg is a talented and intelligent protagonist who resists convention to find maturity and resolution of life's trials. Enamored since childhood by John Clement, More's protege, Meg finds marriage unfulfilling and is pulled into the turmoil of Catholic-Protestant strife as a member of More's prominent Catholic family. Hans Holbein the Younger, a German artist, immigrates to England to stay with the More family and paints a family portrait--and yet another portrait five years later. The secrets and symbolism included in these portraits tell the tale of secret identities, alliances, infidelity, and many other elements of intrigue. This debut novel is a must-have for those readers who like literary fiction with a large dose of historical authenticity. Laurie Sundborg
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 704 pages
• Publisher: HarperLuxe; Lgr edition (April 3, 2007)
• Language: English
• ISBN-10: 0061259276
• ISBN-13: 978-0061259272
• Product Dimensions: 9 x 5.8 x 1.4 inches
• Shipping Weight: 1.7 pounds (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (39 customer reviews)
• Amazon Best Sellers Rank: #3,633,328 in Books (See Top 100 in Books)

More About the Author

I've been writing historical novels for the past four or five years, and those years have definitely been the best time of my life.

Before that I was a foreign correspondent, working for the Los Angeles Times and Reuters and finally The Times of London in a series of far-flung places from Europe to Asia to Africa to the former Soviet Union. My Russian friends used to joke that as I got more experienced, I was forever being sent to riskier places. It was hugely thought-provoking, and also tremendous fun, in some ways, but with time I began to long to go home.

Writing about the past - yet another foreign country, to paraphrase LP Hartley - turned out to be the way. Who knew, back then, that hanging out in the London Library, reading books over the noise of kiddy computer football games at home, and getting the manuscript in on time, would come to seem every bit as thrilling as those scary taxi rides I used to take in and out of war zones?

Yet I think my books still reflect that earlier period of conflict reporting. My first novel, for instance, is about Thomas More's family of diehard Catholics, at the time Henry VIII was turning England Protestant, and although it has a very fictional love triangle and an art-history conundrum in its foreground, the background of religious conflict, arrests, secret police, and torture and execution for your beliefs all felt very real to me too.

I don't think it makes much difference whether these sorts of big, and often terrifying public events, are situated in the present or in the past - they've always cast the same long shadow over individual lives. The only difference is that more of us in the West lead more cushioned lives today, while, in the past, you were likelier to be caught up in whatever the troubles of the times were. To me, part of the pleasure of writing the books I write now is to make some kind of literary sense, a pattern, out of some of the terrible things I witnessed before - to try and understand how love, loyalty, friendship and quiet decency can, sometimes, help individuals come through, even those caught up in the larger-scale horror of war and conflict.

The four novels I've written so far have gone back in time from Henry VIII (the Middle Ages being a particularly rich source of turbulent history). I've skipped back half a century or so at a time. My fourth novel deals with the poet Geoffrey Chaucer, back in the 14th century, at the time of the English Peasants' Revolt.

But I'm now regrouping ... and think it's time to move forward through time again. Maybe even to somewhere around the time of the Russian Revolution, which would let me bring into my writing some of the other things I learned on my travels!

Customer Reviews

Most Helpful Customer Reviews

29 of 29 people found the following review helpful:

5.0 out of 5 stars `You can't live with genius anymore than you can pick up ice or fire.', March 22, 2008

By 

J. Cameron-Smith "Expect the Unexpected" (ACT, Australia) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Portrait of an Unknown Woman: A Novel (Hardcover)

In 1527, Hans Holbein makes his first trip to London to paint a portrait of the family of Sir Thomas More. This novel is about the More family, specifically Meg Giggs one of Sir Thomas's foster children, and the two men attracted to her. One is Hans Holbein himself, the other is the mysterious John Clement. Told through the eyes of Meg Giggs, we learn of some of the intrigue in the court as Henry VIII seeks to marry Anne Boleyn and of the mystery surrounding John Clement who ultimately becomes Meg's husband.

I picked up this novel because I am fascinated by the life and times of Sir Thomas More (author of `Utopia' and Chancellor to Henry VIII, in 16th century England). Sir Thomas was a patron to many learned philosophers, astronomers, scholars and painters and his household was both lively and learned.

This is an accomplished first novel: it combines elements of history with fiction in a way that may have readers wondering where the boundaries are. Ms Bennett has included an authorial note and a bibliography which will be of value to those readers seeking more information about the people and events of this period.

I recommend this novel highly to those who enjoy well written historical fiction but especially those who enjoy fiction set in Tudor England.

Jennifer Cameron-Smith

19 of 20 people found the following review helpful:

4.0 out of 5 stars An Excellent and Absorbing Novel, May 15, 2007

By 

A reader (United States) - See all my reviews

This review is from: Portrait of an Unknown Woman: A Novel (Hardcover)

This is an excellent and absorbing historical novel, beautifully written and full of evocative period detail. Even better, the characters are sensitively and convincingly drawn, especially Sir Thomas More, that almost-legendary figure of English history, who comes across as a much more complicated and ambiguous individual than the two-dimensional hero usually presented to readers. Through the eyes of the central character Meg Giggs, one of More's wards, or foster children, we also see him as a religious fanatic, a man capable of personally inflicting torture on Protestant "heretics," and of ordering them burned at the stake.

The novel ends shortly before More is betrayed and then beheaded at the orders of King Henry VIII, for refusing to condone the king's divorce and remarriage to Ann Boleyn. Oddly, the author nowhere mentions this event, not even in an epilogue. Readers who pick up this book will probably know about More's fate, but those who do not will miss the underlying menace that pervades the story: the knowledge of More's eventual martyrdom.

The author's imaginative contributions are curious, especially making the character of John Clements into one of the famous "princes in the tower," imprisoned there by the usurper, King Richard III, and whose fates remain unknown. Her assertion that Meg Giggs was Thomas More's illegitimate daughter is also a bit jarring, although More was a man of strong physical appetites who could have fathered an out-of-wedlock child. The portrait of Hans Holbein is quite good and remains true to at least some of the painter's characteristics, although we know very little about his inner life. The author pointedly ignores the fact (and it is a fact) that Holbein had a mistress in London, with whom he fathered several children, but perhaps that occurred later, in the years after the novel's conclusion.

13 of 13 people found the following review helpful:

3.0 out of 5 stars What about Meg?!, March 5, 2009

By 

A. Geldner "Moonmommy07" (Wishing I was in England....) - See all my reviews
(REAL NAME)   

This review is from: Portrait of an Unknown Woman: A Novel (Paperback)

Seems to me that most of these "reviews" are more like lengthy descriptions of the book! People tend to read reviews before they purchase so I will do my best to simply "review."

I am well-read on the Tudor period and just can't get enough historical fiction. While waiting for another Amazon shipment to come in, I picked up Portrait of an Unknown Woman.

Bennett did a great job of depicting the period, vividly describing moods, atmospheres etc. She did an excellent job with Clement and I felt as though I "knew" him. The dynamics of the father/daughter relationship were also decent. However, there were a few things that bothered me. Although Meg was the perfect person to pick as a narrator, Bennett really did not let us see inside her as much as we should have. I felt very unattached to her and even when things were hitting the fan with John, I found myself siding with him.

The turning points/climax were not built-up properly in any aspect. Espically the lust between Meg and Master Hans. The vision I had of him in my head was creepy and did not believe it one bit. Went from virtually nothing to him not being able to live without her????? Come on now...take us there! Build us up! Make us feel it!

There are MANY places where more elaboration was needed and MANY places where it just seemed to jump from emotion to emotion without any lingering. As a reader I was left thinking "UM, what is she feeling right now?" and "Why was this MAJOR event just glazed over?"

It did, however, paint a detailed picture of Clement and even More. And for that, it was worth the read.