This book explores the rediscovery of the fiction written by Mary Jane Holmes (1825-1907) and examines the contrasting factors that made her work popular in the nineteenth century, but virtually unknown during the twentieth century. Cultural poetics and feminism, which established a critique on how late nineteenth- and twentieth-century critics decontextualized Holmes' work is the critical emphasis of this study. The theory of this study examines aspects of relational capacity that popular women writers present and that which their works are based on, and which enables them to relate to their culture and readers.
