Possessing the Secret of Joy, by Alice Walker, reveals a cultural tradition that is considered taboo by its society; it is left unspoken of, yet it is condoned. To someone of a different culture, this tradition is not only unacceptable but completely appalling. It is a tradition that brutally abuses and destroys its victims, the women of the society. Alice Walker presents us, specifically, with two of these women, Tashi and M'Lissa, of Olinka. Tashi can easily be seen as a victim of this cruel tradition, but M'Lissa initially appears to be the enemy, a traitor who continues to force this "initiation" upon the girls of Olinka. However, M'Lissa's character can be seen to change toward the end of the novel as her own story is revealed, and we can ultimately view M'Lissa, not as the enemy, but as a victim also. While, on the surface, M'Lissa and Tashi can be seen as two entirely different women with different motives and ideals, they actually are a great deal alike. Not only are they both women of this Olinkan society, they are both women who have lost themselves to this Olinkan society. While their ways of coping contrast, they both must live the rest of their lives in an attempt to deal with the harsh consequences of the painful and degrading tradition of female circumcision. At the beginning of the novel, the idea that Tashi could murder M'Lissa seems very appealing. Tashi lives her entire life in grief and agony because of what this woman has done to her. It seems completely justifiable for Tashi to take revenge on M'Lissa. Tashi considers herself to be dead throughout her entire life simply because she has been so completely torn from herself as a result of this massacre of her womanhood. But as the novel progresses, M'Lissa's one-dimensional character of evil begins to change and we begin to sympathize with her as we do Tashi. Walker presents us with M'Lissa's point of view, which was formerly obscure. And instead of coming face to face with a murderous enemy, we acquire the tragic story of a woman who is raised to believe female sexuality is sinful and condemned. In addition, she is told by her mother that to be a tsunga is not only a tradition, it is a great honor. M'Lissa is lead to believe that these practices are normal and admirable; female circumcision is an accepted ritual in this society. It is common knowledge to know that M'Lissa, herself, has been circumcised, but to hear her actual story paints a different picture than the one of the beast we see destroying Tashi. We, instead, see a young girl being subject to an insane and insanitary procedure. We learn that M'Lissa's mother tries to protect part of her, which leads the angry witchdoctor to show no mercy, and M'Lissa's pain is far greater than any other girl. We hear M'Lissa's words, "I could never again see myself, for the child that finally rose from the mat three months later, . . . , was not the child who had been taken there. I was never to see that child again." She also comments on her becoming the tsunga, "Can you imagine the life of the tsunga who feels? I learned not to feel." It is as if M'Lissa has completely void herself of any type of feeling as a result of feeling too much pain. She has completely lost herself. Maybe becoming the tsunga and withdrawing all her feelings is M'Lissa's way of dealing with this pain just as an abused child grows to be a child abuser. So when we rethink about Tashi murdering M'Lissa, we begin to question the murder's legitimacy. Did M'Lissa really deserve to be murdered? Could Tashi be the evildoer after all? Isn't M'Lissa, just like Tashi, dealing with the pain and suffering that results from the cruel ritual? Maybe we can't label the evildoer, but rather, consider the bumper sticker Alice Walker includes in the beginning of this novel, "When the axe came into the forest, the trees said the handle is one of us." M'Lissa and Tashi, both, are victims in this society that mutilates women, they just deal with their pain in different ways. We can imagine both M'Lissa and Tashi stranded amidst the surface of an immense sea of waves. M'Lissa is floating submissively along with the tide, yet she has no arms or legs, so she will sink to the bottom; Tashi is swimming hard in the other direction, an endless attempt to try and fight the current. Do they both lose to this mad society that brought them to hurt each other? It is sad that they can't join together in understanding of each other's pain.