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Posters for the People [Hardcover]

Ennis Carter (Author), Christopher DeNoon (Foreword)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

September 1, 2008
This lavishly illustrated volume amasses nearly 500 of the best and most striking posters designed by artists working in the 1930s and early 1940s for the government-sponsored Works Progress Administration, or WPA. Posters for the People presents these works for what they truly are: highly accomplished and powerful examples of American art. All are iconic and eye-catching, some are humorous and educational, and many combine modern art trends with commercial techniques of advertising. More than 100 posters have never been published or catalogued in federal records; they are included here to ensure their place in the history of American art and graphic design.
 
The story of these posters is a fascinating journey, capturing the complex objectives of President Franklin Roosevelt’s New Deal reform program. Through their distinct imagery and clear and simple messages, the WPA posters provide a snapshot of an important era when the U.S. government employed hundreds of artists to create millions of posters promoting positive social ideals and programs and a uniquely American way of life. The resulting artworks now form a significant historical record. More than a mere conveyor of government information, they stand as timeless images of beauty and artistic accomplishment.

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Editorial Reviews

About the Author

Ennis Carter is the founder and director of Design for Social Impact in Philadelphia. Established in 1996, Design for Social Impact is among the first and foremost graphic design workshops devoted exclusively to promoting public-interest issues. Carter is also the driving force behind the WPA Living Archive, an online public project begun in 2002 to preserve the legacy of posters the U.S. government produced between 1935 and 1943 to promote New Deal programs and civic issues. Christopher DeNoon is the author of Posters of the WPA (Wheatley Press, 1987). DeNoon is the leading expert on the history of the Federal Art Project’s WPA Poster Division and its graphic output. He is co-owner of Fibula Studios, a design and production studio of handcrafted jewelry, in Albuquerque, New Mexico.

Product Details

  • Hardcover: 224 pages
  • Publisher: Quirk Books (September 1, 2008)
  • Language: English
  • ISBN-10: 1594742928
  • ISBN-13: 978-1594742927
  • Product Dimensions: 9.3 x 1 x 12.1 inches
  • Shipping Weight: 3.6 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #304,601 in Books (See Top 100 in Books)

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10 of 11 people found the following review helpful:
5.0 out of 5 stars posters for the people, October 22, 2008
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This review is from: Posters for the People (Hardcover)
This is a great compilation of WPA posters. It provides a nice link historicaly between Art Deco and the silkscreen posters of the 1960's 1970's rock era. I was pleased to see some woodcut examples as well. Anyone with an interest in graphic design, modern art history, and the interaction of art and social/civic issues should buy this book. Posters for the People: The Art of the WPA

Ben Darling
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5 of 6 people found the following review helpful:
5.0 out of 5 stars The New Deal: just picture it, April 4, 2009
This review is from: Posters for the People (Hardcover)
A timely publication to tie in with the seventy-fifth anniversary of the New Deal and it's a worthwhile addition to the only other book on the subject: Christopher DeNoon's Posters of the WPA.

Ennis Carter has edited a lovely book of almost five hundred posters, divided into twelve sections. Though there were thousands produced the selection here will give you a good idea about the style and themes. Having looked through the book several times I feel there a couple creative styles shown in the posters: the solid color modernist ones with their angled headlines in geometric type promoting industry and the more whimsical folksy ones for art shows and plays. All of them reflect what is possible with the cheap silkscreen process so there is an absence of photos or anything that required a graduated tone. Fortunately the technique more or less makes artists and designers go for something simple and direct using two or three colors.

Most of the posters use silkscreen though I was surprised to see some that were captioned as `Hand painted on board', surely there weren't many produced like this. The cultural event ones had to present a lot of type detail for name of the event, players, location and ticket prices whereas the ones that could be called propaganda presented a straightforward message: Careless talk costs lives!

The book's production is first class with good paper and printed with a 175 screen and nicely all the posters have a drop shadow which lifts them off the page. I think Christopher DeNoon's book (out of print but worth searching out because the price seems to rise yearly) is the one I prefer, though it has a lot fewer posters, 280 in color, it benefits from several excellent essays about the WPA and background to the times plus it's beautifully designed.

Both books will probably be the only ones ever published with a big selection of WPA posters and they both cover the subject beautifully. Dover have published a book of posters with a CD-ROM: 60 Great WPA Posters Platinum DVD and Book (Electronic Clip Art) with a poster a page which makes them bigger than anything in the Carter or DeNoon books.

***SEE SOME INSIDE PAGES by clicking 'customer images' under the cover.
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5 of 7 people found the following review helpful:
5.0 out of 5 stars Poster for the People: Art of the WPA, February 19, 2009
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C. Mountain (Denver, Colorado) - See all my reviews
(REAL NAME)   
This review is from: Posters for the People (Hardcover)
This is a wonderful book. The reproductions are well printed and give you a feel for the silk screen process that was used for printing most of the original posters. The large format allows the reader to better visualize the posters and to imagin how they may have made an impact on their first readers.
I have access to Posters of the WPA by Christopher Denoon at the Denver Public Library. I will probably buy this book in the near future since it also is a well made and comprehensive book. However, I believe the Posters for the People surpasses it because of its larger format and its inclusion of many more posters.
These posters were propaganda for the New Deal FDR was spearheading. But the patriotism expressed by the posters is in not the "Uncle Sam Wants You!" style. Instead, their appeal is domestic, industrial, often rural, cultural (mostly Anglo). frequently moralistic and low key. Their core message is this: By working together in a time of national crisis (c.1929 -1939), we can improve our common good.
Maybe we should try this in 2009.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
poster collection, living archive, full name unknown
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Courtesy of Library of Congress, Federal Theatre Project, Federal Art Project, Photographs Division, Department of the Interior, San Francisco, Special Collections, Indian Court, National Park Service, Pennsylvania Game Commission, George Mason University Libraries, Cleveland Division of Health, Set Design Slide Collection, Poster Collector, Art Institute of Chicago, United States, Robert Muchley, Know Your Birds, Poster Collectmn, Annual Exhibition, Paster Collection, New Deal, Poster Collechon, Project Courtesy
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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