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Postmodernism for Beginners (A Writers and Readers Beginners Documentary Comic Book) [Paperback]

James N. Powell (Author), Joe Lee (Illustrator)
4.2 out of 5 stars  See all reviews (21 customer reviews)


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Book Description

A Writers and Readers Beginners Documentary Comic Book December 1998
Although no one knows exactly what postmodernism is, Postmodernism for Beginners gives a perfectly clear explanation of the subject. Author Jim Powell describes postmodernism as a series of "maps" that helps people find their way through a changing world. For reinforcement, he cites views from modern thinkers from Foucault to Guattari. Illustrated throughout.


Product Details

  • Paperback: 163 pages
  • Publisher: Writers & Readers (December 1998)
  • Language: English
  • ISBN-10: 086316188X
  • ISBN-13: 978-0863161889
  • Product Dimensions: 8.9 x 6 x 0.6 inches
  • Shipping Weight: 10.6 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #691,890 in Books (See Top 100 in Books)

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Customer Reviews

21 Reviews
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Average Customer Review
4.2 out of 5 stars (21 customer reviews)
 
 
 
 
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45 of 47 people found the following review helpful:
5.0 out of 5 stars I loved this book!, July 29, 1999
By A Customer
This review is from: Postmodernism for Beginners (A Writers and Readers Beginners Documentary Comic Book) (Paperback)
This book got me through graduate school, and taught me a thing or two, besides. Also, its illustrations and tone made it all fun. The trouble with postmodern thought, which one MUST give the appearance of having learned, if one is to be successful in a graduate education in the humanities, is that it is so labyrinthine, so French, and so obscure. Thus, most of us end up reading French authors in translation. We must read Derrida, Baudrillard, Foucault, Cixous, etc, etc, depending upon the translations. The next problem is that Derrida's writings, for instance, are a series of readings of other writers: Plato, Nietzsche, Heidegger, etc. In order to really understand Derrida, we should be able to read him in the original, PLUS be able to read Plato, Heidegger, Nietzsche, etc, in the original. Such a task is daunting, if not impossible. And, in fact, very few people have the time or inclination to master Greek, Latin, German, French and all the important philosophers who have written in those languages. Thus, most people talk about Postmodernism without even having really learned one of its major authors. This boils down to grad students and professors making moves in a game. The game consists of using buzz words and phrases of PoMo-babble--without a real in-depth knowledge that one would need to discuss even one of these thinkers seriously. To do that would take a lifetime of study.

I loved Powell's book, because it gave me a quick understanding of many Postmodern writers--and advanced my ability to make moves in the game it seems that we all must play. Also, without Powell's overview, simply launching into a translation of Derrida or Foucault would have been almost useless. Having gained some insight into their thought, my initial readings of their work were much easier. For beginners and even skilled players in the game of the heady field of Postmodernism, such an overview is warmly welcome.

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38 of 40 people found the following review helpful:
3.0 out of 5 stars Don't forget Nietzsche!, July 23, 1999
By A Customer
This review is from: Postmodernism for Beginners (A Writers and Readers Beginners Documentary Comic Book) (Paperback)
My opinion is divided. On the one hand, Powell gives excellent summaries of individual "postmodernists" and their positions. His readings of Baudrillard, Jencks, and Derrida, among others, are especially revealing. For this reason, I do recommend the book.

On the other hand, the book never adequately distinguishes the various understandings of what "postmodernism" is. There are several discrete views of postmodernism, and they are not all compatible. At least four of these views are discussed by Powell: (1)postmodernism is viewed by some as a recent global-cultural condition in which different societies confront one another; (2)postmodernism is understood by some as a technological condition brought on by new electronic and mass media technologies; (3)postmodern architecture, as a response to modern architecture, attempts to recover the human element of architecture, and to make it meaningful rather than just functional; and (4)postmodern art, as a response to modern art, varies from aimless free-play to a rejection of the very idea of representation. One can see how some of the thinkers discussed by Powell overlap these categories. For example, Lyotard blends views (1) and (2), while Jencks blends views (1)and (3). And one can imagine other possibilities. For example, one could be a postmodern -- i.e. anti-modern -- architect, without being a postmodernist in senses (1), (2) or (4).

Lastly, and most problematic, is that Friedrich Nietzsche is discussed as a modernist rather than the postmodernist who started most of all this. Powell's reading of Nietzsche has some merit, but I disagree. When Nietzsche proclaimed the "Death of God", he rejected all modernist commitments to other-worldy realities. This left the "void" which Powell discusses. And Nietzsche did attempt to fill in the void. But he did not do so by positing a new "essence of humanity" or "eternal value", as some of the modern artists after Nietzsche tried to do (pg. 13). What Nietzsche put in place of modernism was the view that reality is lived experience, and that reality is largely the product of human invention. One's "essence" is what one makes of one's self. This is what Nietzsche meant by the idea of a Superman. It is the vision of a post-modern human being who decides his/her own fate.

Nietzsche's critique of modernism, then, is a fifth distinct position: (5) some view postmodernism as a philosophical rejection or skepticism of all metaphysical systems. This is what Lyotard means when discussing the loss of "metanarratives". It is what drives Derrida's program of "deconstruction". And it is the post-Nietzschean "void" which frames the work of many postmodern artists. Indeed, philosophical postmodernism informs most of the thinkers discussed by Powell. In the end, postmodernism can be understood in philosophical, global-cultural, or technological terms. (Postmodern art/architecture is art/architecture motivated by one or several of the above concerns.) And again, the various thinkers summarized in "Postmodernism for Beginners" are responding to one or more of these distinct understandings of postmodernism.

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26 of 27 people found the following review helpful:
5.0 out of 5 stars Great fun reading it., December 17, 2001
This review is from: Postmodernism for Beginners (A Writers and Readers Beginners Documentary Comic Book) (Paperback)
This is the first book on Postmodernism I've ever finished. It gives you not only Lyotard, Baudrillard, Foucault and Derrida, but also Blade Runner, Buddha, and Madonna. Always lucid and engaging, it meets you where you are by never presuming you have a background in the subject. Other books on Postmodernism begin by gleefully flooding you in terms such as "aborescence," "diegetic," "interpellation," and "simulacra." By the third page your head aches and you throw the book aside - if you're still awake. You might give up, concluding that Postmodernism is a kind of navel-gazing for college professors with too much time on their hands.

But Powell borrows Postmodernism from the ivory tower and makes it fun. Written in a lively "Q & A" dialogue style, Powell's book allows you to see, feel and think about our world the way the Postmodernist theorists have written about it. Talking about everything from T.S. Eliot to Beavis and Butt-Head, from college catalogues to MTV, Powell shows how almost everything in front of us evinces the postmodern condition.

Postmodernism is also easy to understand, the way Powell places it in historical context. He casts it as a way to understand the breakdown of the grandiose cultural schemes envisioned by the thinkers of the 18th and 19th centuries. God and Reason were going to conquer the world and make it safe for ... God and Reason. This did not happen. Instead, the last fifty years have brought us closer to minicultures and multicultures. This cultural flux has been spread by modern freeways, air travel, bookstore chains, movies, and MTV. Powell takes you through the reactions by thinkers such as Jean-Francois Lyotard, Fredric Jameson, Jean Baudrillard, Charles Jencks, Michel Foucault, Jacques Derrida, and David Harvey. He discusses art, architecture, the printed word, spirituality, TV and the Internet. With kindly democratic spirit, Powell sees Postmodernism as against the marginalization of anyone, and as embracing of the diversity of the world we live in.

Joe Lee's funny and irreverent illustrations carry forth Powell's well written presentation. The artwork includes cartoon characters, crusty philosophers, classical artwork, and the odd schematic diagram. Reading this book is like a friendly fireside chat with a well-informed friend. I immediately went off to look for Powell's DERRIDA FOR BEGINNERS.

...

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