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Potiki (Capuchin Classics) [Paperback]

Patricia GRACE (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

Capuchin Classics March 1, 2009
It is a time of fear and confusion. Dramatic events threaten the maræ. 'Potiki' is Patricia Grace's best-selling novel about a coastal community in danger. It is a work of spellbinding power that weaves myths of older times into the political realities of today.

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Editorial Reviews

From Publishers Weekly

Roimata Kararaina, her husband and their four children live peacefully in a tribal community along the unspoiled coast of New Zealand. But developers have big plans for the areatourist facilities, roads and modernizationand they offer Roimata's Maori people huge sums of money for its lands. When the community refuses to sell, fearing the destruction of its environment and sacred traditions, the developers employ sinister means to change its mind, and the Maori find themselves united as never before as they battle for survival. Grace's characters are beautifully sketched, and their struggles evoke sympathy. The New Zealand author tells a vivid and mesmerizing story as she blends tribal myth with political realities and offers shrewd insights into human nature. The unique book is also full of exotic symbolism and language, but one wishes that Grace had provided a glossary of the numerous Maori words.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

About the Author

Patricia Grace is the author of five novels, four short story collections and several children's books. Born in Wellington in 1937, Patricia Grace lives in Plimmerton on the ancestral land of Ngati Toa, Ngati Raukawa and Te Ati Awa in close proximity to her home maræ at Hongoeka Bay.

Product Details

  • Paperback: 160 pages
  • Publisher: Capuchin Classics; Reissue edition (March 1, 2009)
  • Language: English
  • ISBN-10: 0955915619
  • ISBN-13: 978-0955915611
  • Product Dimensions: 7.7 x 5.1 x 0.7 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #132,163 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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4 star:
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

26 of 27 people found the following review helpful:
5.0 out of 5 stars Maori families deal with ancient belief and modern intrusion, February 4, 1999
By A Customer
By luck, I got this book from my local library on recommendation of a friend. After reading it I still felt the emotions of these Maori people who maintain their ancient traditions and beliefs in a thoroughly modern world. The impact of old/new carvings, the constant sound and smell of the sea conflicting with modern bulldozers and "Dollarmen" trying to outwit the villagers, is only part of the story. You feel you can enter the minds of the family members who tell the story, mostly in English, but some in beautiful Maori poetry. You may not know what the words mean, but try reciting them out loud and you sense the deep meaning of them.
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17 of 17 people found the following review helpful:
4.0 out of 5 stars A hymn of praise to celebrate Maori values and victory!, November 2, 2000
I can't recall when I've ever felt so strongly the musical rhythm of an author's style, or the extent to which it changes to suit the tempo of the action and themes. In the first third of this wonderful book by a very talented writer, conversations between the simple Mary and Granny Tamihana, the guardian of Maori traditions, echo and sound like chants; between Roimata and Hemi, a happily married couple, they resemble duets with complimentary themes. The scene in which Mary gives birth is a grand, complex chorus with the several family members singing over, around, and above each other as they fight for the narrative line. Toko's story of his big fish is a soaring aria which ventures into a mystical realm, for Toko is a seer. And all this music seems totally appropriate to the lives of these Maori characters living in harmony with the land and their ancestors.

The middle third of the book changes, as Hemi, the father of the family, abruptly introduces the harsh notes of reality which occur when "the works" closes down, and he and his friends find themselves unemployed. In mournful tones he comments on the loss of tradition, language, and connection to the land which are coming about as education is imposed on their children by outside authorities, and people such as himself accept outside jobs. Their very existence as a group is also threatened by developers who want to buy their land to put up hotels, build seaside parks where visitors can play with the dolphins and whales, and commercialize the lifestyle these Maori have enjoyed all their lives.

In the final third of the book, as the Maoris fight for their land, the staccato, simple language is like the harsh beat of a war drum, and the songs disappear from the language, not returning until the rebuilding of the sacred house and the funeral of a key character bring about harmony and poetry once again.

It is hard to imagine that Patricia Grace did not deliberately tailor her prose style to her subject matter, yet this seems so completely natural--so totally without artifice--that one wonders if this harmony of words and subject might be the ultimate, triumphant example of the unity of story and life which she so vividly celebrates in this memorable and touching novel. Mary Whipple
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Indigenous Voices, June 21, 2007
By 
Like another reviewer from Hawai'i, I also read this book in a Pacific Island literature class. What could have easily become a story about white man's exploitation of the Maori people and the environment (and I'm okay with that kind of story too), was instead turned into a glimpse inside the Polynesian mind and set of values. The sections most unsettling to us Caucasians -- those on the mystical aspects of the wood carvings -- relate much about the way the Polynesian views the past, as being in front of them, something to learn from. And we learn that what we regard as "ancestor worship" is really a matter of valuing those who have cared for the land and passed it on to us, along with the knowledge of how to live on it. We're also shown the value of stories: This book is told as a collection of the stories of many persons, each of whom has a unique perspective, something a little different to tell. Some stories are pragmatic, some we would term "mystical," but they too contain a valid warning.
This book probably did more than any ever -- fiction or non-fiction, and I'm a voracious reader -- to help me understand Polynesian values, which are basically the same values as those of indigenous peoples all over the world -- care for the land, respect the ancestors, listen to others' stories. Our planet desperately needs indigenous values!
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