In the rural Australia of the fifties where John Baxter grew up, reading books was disregarded with suspicion, owning and collecting them with utter incomprehension. Despite this, by the age of eleven Baxter had 'collected' his first book - The Poems of Rupert Brooke. He'd read the volume often, but now he had to own it. This was the beginning of what would become a major collection and a lifelong obsession.
His book-hunting would take him all over the world, but his first real find was in London in 1978, when he spotted a rare copy of a Graham Greene children's book while browsing on a stall in Swiss Cottage. It was going for 5 pence. This would also, fortuitously, be the day when he first encountered one of the legends of the book-selling world: Martin Stone. At various times pothead, international fugitive from justice, and professional rock musician, he would become John's mentor and friend.
In this brilliantly readable and funny book, John Baxter brings us into contact with such literary greats as Graham Greene, Kingsley Amis, J.G. Ballard and Ray Bradbury. But he also shows us how he penetrated the secret fraternity of 'runners' or book scouts - sleuths who use bluff and guile to hunt down their quarry - and joined them in scouring junk shops, markets, auction rooms and private homes for rarities.
In the comic tradition of Clive James's Unreliable Memoirs, A Pound of Paper describes how a boy from the bush came to be living in a Paris penthouse with a library worth millions. It also explores the exploding market in first editions. What treasures are lying unnoticed in your garage?
As he stooped over a basket full of stuffed animals at a London flea market, Baxter (Robert de Niro; George Lucas) made a discovery that would change his life forever. It was there, in 1978, that he unearthed a children's book by Graham Greene, called The Little Horse Bus, selling for five pence. He snatched it up, then impulsively purchased another Greene novel and one of Greene's African journals as well. Just like that, a book collector was born. Baxter chronicles his growing obsession with books in a way that's utterly infectious, with sharp wit and self-deprecating humor. He flits across Australia, England, the United States and France in pursuit of the perfect collection, always spurred on by the knowledge that book collectors find treasures in the most unlikely places. In his words, "acquiring [books] meant midnight assignations in seedy corners of London, white-knuckle bidding at auctions, speculative drives across England to cities you'd never seen, and nervous knocking on the doors of strangers that, in all probability, would leave you, a minute later, humiliated and empty-handed on the doorstep a hundred miles from home." He takes gleeful pleasure in underpaying those who are ignorant about the worth of their rare books, but he also holds certain texts sacred (like the uncorrected proofs of two James Bond novels given to him by Kingsley Amis). Baxter's memoir will be of great interest to serious book collectors because so much of the book conveys the insider's perspective, but his narrative is truly amusing and rollicking enough to entice book lovers of all kinds. Copyright 2003 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
John Baxter was born in Sydney, Australia, but raised in a small country town called Junee. With little else to do, he went to the movies three times a week for most of his adolescence, which provided an instant education in Hollywood movies with which he was often able to embarrass film celebrities ("You SAW that thing?") His second interest, however, was science fiction, which he began writing in his late teens. He sold stories to the same British and American magazines as J.G. Ballard and Thomas M. Disch, and in 1966 his first sf novel, THE GOD KILLERS, was published in both the US and Britain. He also edited the first-ever anthologies of Australian science fiction, and wrote the first history of the Australian cinema. In 1969, he came to Europe, settled in London, and began writing books on the cinema, including a biography of the director Ken Russell, and studies of John Ford, Josef von Sternberg and the gangster and science fiction film genres, and working as an arts journalist for various magazines, and for BBC radio. He also served on the juries of European film festivals. In 1974 he was invited to become visiting professor at Hollins College in Virginia, USA, where he remained for two years. While in America, he collaborated with Thomas Atkins on THE FIRE CAME BY; THE GREAT SIBERIAN EXPLOSION OF 1908,and wrote a study of director King Vidor, as well as completing two novels, THE HERMES FALL and BIDDING. Returning to London, he published the technological thriller THE BLACK YACHT. In 1979 he moved to Ireland, and the following year returned to Australia, where he co-scripted the 1988 science fiction film THE TIME GUARDIANS, starring Carrie Fisher and Dean Stockwell. He also wrote and presented three TV series on the cinema, and produced and presented the ABC radio programme BOOKS AND WRITING. In 1989 he moved to Los Angeles, where he worked as a screenwriter and film journalist. The following year, he met his present wife, Marie-Dominique Montel, and re-located in Paris. After moving to France, John published biographies of Federico Fellini, Luis Bunuel, Steven Spielberg, Woody Allen, Stanley Kubrick, George Lucas and Robert De Niro, as well as three books of autobiography, A POUND OF PAPER: CONFESSIONS OF A BOOK ADDICT, dealing with his fascination for collecting books, WE'LL ALWAYS HAVE PARIS: SEX AND LOVE IN THE CITY OF LIGHT, of which the SUNDAY TIMES of London wrote "it towers above most recent memoirs of life abroad," and IMMOVEABLE FEAST: A PARIS CHRISTMAS. His most recent book is CARNAL KNOWLEDGE, a guide to erotica in the 20th and 21st centuries. His translations of MORPHINE by Dubut de la Forest and FUMEE D'OPIUM of Claude Farrere will be published shortly by HarperCollins. John is co-director of the annual Paris Writers Workshop and a frequent lecturer and public speaker. His hobbies are cooking and book collecting. He has a major collection of modern first editions. When not writing, he can be found prowling the bouquinistes along the Seine or cruising the Internet in search of new acquisitions.
This is a engaging, entertaining memoir by a true book lover. The leisurely, slightly discursive way in which John Baxter unfolds his life story led me into imagining I had struck up a conversation with him in a musty second-hand book shop; and found his story so entertaining that I invited him across the street to a dark, smoky pub to continue the tale over several tall pints of lager.
Baxter grew up in Australia, and has since called London, Los Angeles and Paris home. He's been a broadcaster, novelist, biographer and film critic. The one constant thread in this far-ranging life has been his love of books. As a young adult, he became obsessed with science fiction. While living in London, he stumbled on a rare copy of a Graham Greene children's book, which served as the basis for a Greene collection he spent several years building.
In this book, he celebrates some of the most memorable people he's encountered along the way, including book runner Martin Stone (A book runner makes his living, if you can call it that, by buying and reselling books from flea markets, thrift stores and the like); and several literary greats, including Kingsley Amis, Ray Bradbury and Harry Harrison. He also explores collectors of erotica, the difference between Paris and London bookshops, skewers the ignorance of many eBay sellers, and has a grand good time through it all. The closing scene, where he brings all the books he owns together in one place for the first time in his life, had a special resonance for me....it's something I dream of in my own life. For book lovers everywhere.--William C. Hall
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Though I do not believe in censorship, books like A POUND OF PAPER: CONFESSIONS OF A BOOK ADDICT need to be hidden from family members. Bibliophiles know the affinity that film biographer John Baxter shares with us. Though not chasing around the world like Mr. Baxter has, book lovers will comprehend the need to hit the obscure bookstore whether on a business trip or a vacation. Going to Europe includes visits to the neighborhood bookstores of Athens and Rome (Greece and Italy not Georgia) as key to the itinerary.
Book lovers can commiserate with Mr. Baxter as everyone thinks you're a nut whether one grows up in rural Australia or the urban Bronx. Mr. Baxter provides a bit of book history beyond just the printing press invention and gives insight into proofs and galleys, and limited editions. He also goes into depth of what havoc and destruction the Information Age via the Internet has had on bookstores including the global yard sale of eBay. Though he adds other personal non-book elements of his life, it is his love for the printed media that will hook readers like me whose house displays the destruction of several rain forests (it is hard to be an environmentalist in my abode). Clearly for book hoarders though film addicts might try a spin as Mr. Baxter is part of that community too.
Harriet Klausner
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This was a terrible disappointment. More of a memoir than anything about book-collecting, it was so disjointed it is hard to say what it was about or what the point was. There seemed to be no context or fabric to the book.
There were, however, HUNDREDS of references to obscure authors, actors, film-writers, magazines and books. There were pages at a time where I was completely lost because I had no idea about whom the author was speaking, but he wrote as if the person was well-known to the reader.
Baxter leads the reader around the world from his beginnings in Australia, thence to Britain to the US and ending in France. Again, there is no context. He would flip from a reference to the obscure artist, to an anecdote about himself or some bookseller or collector and then perhaps mention how he had acquired a book.
If viewed as a book about collecting books, you will not learn much. If viewed as a memoir, there was little that was interesting about the author's life and there was precious little about his life other than acquisitions.
There were a very few nuggets about what makes a book valuable or diminishes its worth to a collector, but they were too few and far between.
If you could not tell by now, I can not see much reason to read this book. I think Mr. Baxter flattered himself to think that either he or his collection would be of general interest.
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