Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected.
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About the Author
Nicholas Reeves taught history to undergraduate students in London for 30 years.
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Inside This Book
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Key Phrases - Statistically Improbable Phrases (SIPs):
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film chamber, official film propaganda, wartime film propaganda, mass cinema audience, official newsreel, wartime public opinion, neorealist films, domestic film production, actuality footage, factual films, cinema trade, neorealist cinema, propaganda objectives, cinema owners, feature film production, newsreel companies, propaganda strategy Key Phrases - Capitalized Phrases (CAPs): (learn more)
Films Division, People's War, First World War, Soviet Union, Civil War, Battle of the Somme, Open City, The Eternal Jew, The Times, Triumph of the Will, Jew Süss, Nazi Germany, Historical Journal of Film, National Socialist, Film Unit, Red Army, Third Reich, Manchester Guardian, Don Pietro, Prime Minister, Desert Victory, Bicycle Thieves, The Battleship Potemkin, Home Intelligence, National Socialism Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
film chamber, official film propaganda, wartime film propaganda, mass cinema audience, official newsreel, wartime public opinion, neorealist films, domestic film production, actuality footage, factual films, cinema trade, neorealist cinema, propaganda objectives, cinema owners, feature film production, newsreel companies, propaganda strategy Key Phrases - Capitalized Phrases (CAPs): (learn more)
Films Division, People's War, First World War, Soviet Union, Civil War, Battle of the Somme, Open City, The Eternal Jew, The Times, Triumph of the Will, Jew Süss, Nazi Germany, Historical Journal of Film, National Socialist, Film Unit, Red Army, Third Reich, Manchester Guardian, Don Pietro, Prime Minister, Desert Victory, Bicycle Thieves, The Battleship Potemkin, Home Intelligence, National Socialism Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
Citations (learn more)
16
books
cite this book:
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- The First World War and Popular Cinema: 1914 To the Present by Michael Paris in Front Matter, and page 46
- Textual Analysis: A Beginner's Guide by Alan McKee on page 46, and Back Matter
- A Date Which Will Live: Pearl Harbor in American Memory (American Encounters/Global Interactions) by Emily S. Rosenberg in Back Matter (1), and Back Matter (2)
- Cinema and the Great War (Cinema and Society) by Andrew Kelly in Back Matter (1), and Back Matter (2)
- Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 by Mark Wollaeger in Back Matter (1), and Back Matter (2)
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