The Power Out

Electrelane

Product Details

• Audio CD (February 3, 2004)
• Original Release Date: February 3, 2004
• Number of Discs: 1
• Label: Too Pure
• ASIN: B0000B0WVQ
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars See all reviews (9 customer reviews)
• Amazon.com Sales Rank: #70,626 in Music (See Bestsellers in Music)

Editorial Reviews

Wire (1/04)
"At times, it works beautifully, as on the opening 'Gone Under Sea'....Most arresting of all is 'The Valleys'..."

Product Description
These four girls from Brighton, England recorded a monster rock album that pummels and soothes all at once. Previous releases include a full-length, "Rock It To The Moon", and three singles on their own label, Let's Rock Records. They also released singles on Skint sub-label, Indenial, and on the hip UK indie, Fierce Panda. This is their second album and first full-length for Too Pure.

Customer Reviews

Most Helpful Customer Reviews

7 of 8 people found the following review helpful:

4.0 out of 5 stars Steve Albini Produced...What Are You Waiting For?, March 8, 2005

By	Filmore Mescalito Holmes "cynical critic or v... (tinymixtapes.com) - See all my reviews

Having just been exposed to Joy Division this summer, it's hard for this reviewer to ignore the similar kind of vibes I get from this, the second LP from Brighton's Electrelane. Steve Albini [The Pixies, Nirvana] seems to restrain his usually dirty production for the whole of this album with the exception of "Take The Bit Between Your Teeth" in lieu of doing his best Martin Hannett impression and even then doesn't do over the top. The all girl group is for all intents and purposes frozen on record in this sparse and doomy yet morbidly moving piece of desolation in a fairly timeless fashion for future generations to discover. The overall sound is much like Patti Smith fronting Ian Curtis' ill-fated band specifically on the "Free Money" influenced "Birds" [Horses, "Birds" ... Hmmm] except for the crisp quality of sound which time and technology have afforded us. Most of the time I'm forced to imagine a stilted Verity Susman, lead singer, screaming out into the night from some isolated, dark alley in the lower/middle class section of a decaying, country nonspecific metropolis, one of the last romantics suffering for the sins of a generation whose idea of love comes from and dies in J. Lo movies and McDonald's commercials. Music this soulful has no right to be made in the 21st century.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Wunderbar..., February 23, 2004

By	Shahin Jahromi (Tustin, CA United States) - See all my reviews

Not only they have a hard time sticking to one language in their lyrics, they sure can't see their listeners stay calm and content listening to one tune. A rollercoaster would be a ferry ride compared to the adventures they convey through this album. There is not a single moment of imitation in the whole album, yet one could find a little bit of everything in so many tracks. There is a probably little bit of Radiohead, a little bit of Doors, a light taste of Cardigans and a few drops of Cranberries lying around.

4 of 5 people found the following review helpful:

4.0 out of 5 stars true musicians, February 24, 2004

By	Sam (st. louis, mo USA) - See all my reviews

Eletrelane are four girls from Brighton, England. These four girls may also be the, `the next big thing' in music. Their debut album, `Rock It to the Moon' created a buzz in the indie rock world. However, their new album, `The Power Out' may turn that buzz into a boom.
The first track, `Gone Under Sea' is a mellow, glistening song that is sung entirely in French. This song is quiet, but speaks volumes with lead singer Verity Susman's vocals; one minute they are sweet and soothing the next they are angry and rebellious. The rhythm of, `Gone Under Sea' and Verity's excellent vocals create a resonating melody.
`Oh Sombra!'(Oh Shadow!) is another foreign track. This time the language of choice is Spanish. `Oh Sombra!' is a very lively and has somewhat of a punk swagger. The guitars chug along while Verity rants like Courtney Love in Hole's punk heyday.
On `Take the Bit between your Teeth' Electrelane shows us that they can rock out as well as Black Sabbath can. Once again Verity's electrifying voice is focal point. She ranges from Patti Smith to Iggy Pop. This song even has a roaring guitar solo followed up by orgasmic yelps that really sex-up this metal/pop song.
Electrelane switches things up a bit with; `Birds' this somber song is all about getting over the lost of someone. `Birds' starts of somewhat depressive, (I want to see you, more than anything) but ends with a fierce bang, (it's not that I can't go on without you/busy, busy all the time) once again the band is taking advantage of the quiet/loud dynamic. At the end they tie it all together when Verity sweetly sings, (but I can't stop thinking about you.) This quiet two-minute song is one the shining moments of the album.
So far so good, right? Well, not exactly. Electrelane loose their way on, `The Valleys' and decide to take a more pious route. This song is a Siegfried Sasson poem that has been arranged for a Chicago choir. While it is, no doubt, an impressive song, this track breaks up the melody of the album. Electrelane was a little too artistic in this song. `The Power Out' was very a very cohesive album until this point.
`Love Builds Up', `Only One Thing is Needed' and ` You Make Me Weak at the Knees' are a return to, `Rock It to the Moon's' all instrumental sound. In several of these tracks Verity no longer uses her voice as an instrument. She turns to her keyboards, giving these songs a new wave strut. These songs work well together, as well as with the album. They create a stellar end to, `The Power Out'.
The band has grown tremendously since their debut album, but they have a little more growing to do. `The Power Out' is a polished gem of tangible feeling, but it is sometimes devoid in communication. While `The Power Out' may be louder than a buzz it's not quite a boom.