From Publishers Weekly
According to Felsenthal ( Alice Roosevelt Longworth ), Katharine Graham, the imperious media mogul whose empire includes the Washington Post, Newsweek, TV stations and cable systems, was a fragile, withdrawn person, ill-prepared to run a troubled newspaper, when she became publisher of the Post after the suicide of her manic-depressive husband Phil. In this absorbing, gossipy biography, Felsenthal sympathetically portrays Graham (b. 1917) as a survivor of emotional abuse and as a brave fighter for a free press who took tremendous risks by printing the Pentagon Papers and by disregarding pressure from Nixon in covering the Watergate affair. As a girl, she had to prove her mettle constantly to her father, Eugene Meyer, a Jewish Wall Street millionaire, and to her bombastic Lutheran mother, Agnes Ernst Meyer, a "do-gooder liberal" who preached tolerance while harboring "an ugly streak of anti-Semitism" and belittling her children. Felsenthal presents Graham as an "emotionally battered" wife who endured her husband's anti-Semitic slurs and even laughed at the crude jokes he made at her expense. Photos. First serial to Vanity Fair; BOMC featured alternate.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
In this new biography, Katharine Graham emerges as a woman of contradictions: a powerful publisher plagued by insecurity and self-doubt. Beginning with Graham's difficult relationship with her mother and moving through her marriage to the brilliant but manic-depressive Phil Graham, Felsenthal ( Alice Roosevelt Longworth , LJ 2/15/88, and The Sweetheart of the Silent Majority: The Biography of Phyllis Schafly , LJ 1/81) documents the emotional abuses that helped shape a vulnerable and tough Kay Graham. Ever contradictory, she supported Nixon for president yet made decisions that permitted Washington Post reporters to pursue a story that would result in his resignation. She believed women were inferior yet led a media empire to both financial and journalistic success. This is the second biography of Graham; the first, Deborah Davis's newly reissued Katharine the Great (Sheridan Pr., 1991), stirred controversy and was pulled soon after its publication in 1979. Felsenthal devotes a chapter to the fate of the first. She bases her biography on interviews and offers the reader a compelling portrait of a complex woman. It belongs in both public and academic libraries.
- Judy Solberg, Univ. of Maryland Libs., College ParkCopyright 1992 Reed Business Information, Inc.